Like fast food, fast science is quickly prepared, not particularly good, and it clogs up the system. Efforts to tackle our most pressing issues have been stymied by conflict within the scientific community and mixed messages symptomatic of a rushed approach. What is more, scientific research is being shaped by the bubbles and crashes associated with economic speculation and the market. A focus on conformism, competitiveness, opportunism and flexibility has made it extremely difficult to present cases of failure to the public, for fear that it will lose confidence in science altogether. In this bold new book, distinguished philosopher Isabelle Stengers shows that research is deeply intertwined with broader social interests, which means that science cannot race ahead in isolation but must learn instead to slow down. Stengers offers a path to an alternative science, arguing that researchers should stop seeing themselves as the 'thinking, rational brain of humanity' and refuse to allow their expertise to be used to shut down the concerns of the public, or to spread the belief that scientific progress is inevitable and will resolve all of society's problems. Rather, science must engage openly and honestly with an intelligent public and be clear about the kind of knowledge it is capable of producing. This timely and accessible book will be of great interest to students, scholars and policymakers in a wide range of fields, as well anyone concerned with the role of science and its future.

In these essays, activist and author, John Halstead, takes us from a 2016 environmental protest at a Midwestern tar sands refinery to a mid-20th century Mexican cornfield stricken with blight to a bloody sacrifice to the Mother Goddess in ancient Rome, and from ancient pagan myths to the latest superhero movies to speculative fiction about a biocentric community of the future. In so doing, he explores the intersection of climate change and capitalism, hope and despair, death and denial, hubris and hero myths, love and limitations, popular culture and storytelling, and what it would really mean for our relationship with the natural world if we were to admit that we are doomed.

A stunning photo essay paired with 100 stories of members gives a rare glimpse into an intentional community that has stood the test of time. Yes, it is possible to create a society where there are no rich or poor, where children and elderly are welcome, where everyone has work and no one lives alone. Meet 100 individuals from diverse backgrounds who have ventured everything to build a life together where everyone belongs and everyone can contribute. A cross-section of the Bruderhof community's international and intergenerational membership, they have pooled their income, possessions, talents, and energy to take care of one another and to reach out to others. Defying five generations of naysayers, this is a community that works. As they reflect on 100 years of community, Bruderhof members reveal why they personally have chosen this radical was of life and share insights they have gleaned along the way. With photography by acclaimed British photojournalist Danny Burrows, this book is a celebration of what is possible when people take a leap of faith and dare a change. It's a window into a lived example that will inspire and encourage anyone working to build a more just, peaceful, and sustainable future.

In Another Aesthetics Is Possible Jennifer Ponce de León examines the roles that art can play in the collective labor of creating and defending another social reality. Focusing on artists and art collectives in Argentina, Mexico, and the United States, Ponce de León shows how experimental practices in the visual, literary, and performing arts have been influenced by and articulated with leftist movements and popular uprisings that have repudiated neoliberal capitalism and its violence. Whether enacting solidarity with Zapatista communities through an alternate reality game or using surrealist street theater to amplify the more radical strands of Argentina's human rights movement, these artists fuse their praxis with forms of political mobilization from direct-action tactics to economic resistance. Advancing an innovative transnational and transdisciplinary framework of analysis, Ponce de León proposes a materialist understanding of art and politics that brings to the fore the power of aesthetics to both compose and make visible a world beyond capitalism.

This book looks at the emergence of internationally linked Japanese nongovernmental advocacy networks that have grown rapidly since the 1990s in the context of three conjunctural forces: neoliberalism, militarism, and nationalism. It connects three disparate literatures—on the global justice movement, on Japanese civil society, and on global citizenship education. Through the narratives of fifty activists in eight overlapping issue areas—global governance, labor, food sovereignty, peace, HIV/AIDS, gender, minority and human rights, and youth—Another Japan is Possible examines the genesis of these new social movements; their critiques of neoliberalism, militarism, and nationalism; their local, regional, and global connections; their relationships with the Japanese government; and their role in constructing a new identity of the Japanese as global citizens. Its purpose is to highlight the interactions between the global and the local—that is, how international human rights and global governance issues resonate within Japan and how, in turn, local alternatives are articulated by Japanese advocacy groups—and to analyze citizenship from a postnational and postmodern perspective.