The collected works of a poet who bridges the rhythms and message of the beats, the disarming frankness of the New York School, and the fierce temerity of activist authors throughout the ages. From a '60s-era verse letter to John Coltrane to a 2017 examination of Life After Trump, Another Way to Play collects more than a half century of engaged, accessible, and deeply felt poetry from a writer both iconoclastic and embedded in the American tradition. In the vein of William Carlos Williams and Frank O'Hara, Lally eschews formality in favor of a colloquial idiom that pops straight from the page into the reader's synapses. This is the definitive collection of verse from a poet who has been around the world and back again: verse from the streets, from the the political arena, from Hollywood, from the depths of the underground, and from everywhere in between. Lally is not a poet of any one school or style, but a poet of his own inner promptings; whether casual, impassioned, or ironic, his words are unmistakably his own. Here is a poet who can hold two opposed ideas in mind simultaneously, and fuse them, with pathos and humor, into his own idiosyncratic verbal art. As Lally himself writes: "I suffered, I starved, and so did my kids, / I did what I did for poetry I thought /and I never sold out, and even when I did / nobody bought."

This is the work of a national nonfiction masterpiece. The experiences, strength, and hope described herein are true events. The vivid memories of my family and friends have been modified as I remembered the situations to protect their anonymity. This is a national outreach to those who still suffer from abuse together we stand divided we fall. This is a true story of abuse awareness for victims to receive help in sexual, mental, and physical abuse. The story of triumph over abuse, alcoholism, and trauma are episodes about my life. I wrote this book through the eyes of an innocent young child being abused. The promises start to happen when the victim surrenders to the will of God nothing else worked. This material will help people build a foundation of willingness to conquer abuse through the powerful medicine of Gods forgiveness. The road to freedom for the victims of abuse expressed in this work starts with assimilating the trauma, and identifying the problem. This book allows people to see the power of God working in children so powerful that at a young age. I was able to hide the trauma better than being a grown up trying to survive. I just want people to know that they are not alone in their suffering and trauma. We can survive together even though I may not know who they are this message is for those who still suffer.

Forget the 10,000 hour rule— what if it’s possible to learn the basics of any new skill in 20 hours or less? Take a moment to consider how many things you want to learn to do. What’s on your list? What’s holding you back from getting started? Are you worried about the time and effort it takes to acquire new skills—time you don’t have and effort you can’t spare? Research suggests it takes 10,000 hours to develop a new skill. In this nonstop world when will you ever find that much time and energy? To make matters worse, the early hours of prac­ticing something new are always the most frustrating. That’s why it’s difficult to learn how to speak a new language, play an instrument, hit a golf ball, or shoot great photos. It’s so much easier to watch TV or surf the web . . . In The First 20 Hours, Josh Kaufman offers a systematic approach to rapid skill acquisition— how to learn any new skill as quickly as possible. His method shows you how to deconstruct com­plex skills, maximize productive practice, and remove common learning barriers. By complet­ing just 20 hours of focused, deliberate practice you’ll go from knowing absolutely nothing to performing noticeably well. Kaufman personally field-tested the meth­ods in this book. You’ll have a front row seat as he develops a personal yoga practice, writes his own web-based computer programs, teaches himself to touch type on a nonstandard key­board, explores the oldest and most complex board game in history, picks up the ukulele, and learns how to windsurf. Here are a few of the sim­ple techniques he teaches: Define your target performance level: Fig­ure out what your desired level of skill looks like, what you’re trying to achieve, and what you’ll be able to do when you’re done. The more specific, the better. Deconstruct the skill: Most of the things we think of as skills are actually bundles of smaller subskills. If you break down the subcompo­nents, it’s easier to figure out which ones are most important and practice those first. Eliminate barriers to practice: Removing common distractions and unnecessary effort makes it much easier to sit down and focus on deliberate practice. Create fast feedback loops: Getting accu­rate, real-time information about how well you’re performing during practice makes it much easier to improve. Whether you want to paint a portrait, launch a start-up, fly an airplane, or juggle flaming chain­saws, The First 20 Hours will help you pick up the basics of any skill in record time . . . and have more fun along the way.

Advena wants to feel like a human. Jim needs to think like an alien. Advena, a hybrid born of a human mother and an alien father, has feelings she cannot control or understand. When her flying saucer lands on Prince Edward Island, she slips away. She finds what she is seeking in Jim. When Advena returns years later, she is not alone. Her daughter, Nova, playful and full of fun, is with her. Their plan: to transform Jim and the future of humanity. But will their mischievous meddling in the lives of ordinary Islanders reveal their true identities? Another Way of Being is the first in a new series of novels by Margaret A. Westlie. Playful, tender and thought-provoking, this alien romance will touch you. Read Another Way of Being and begin your adventures today.

Addressing fans’ digital practices, this book places fans’ play at the centre of a networked mainstream culture that seems to increasingly cater to, amalgamate with and adapt to fans’ mediatized play. Through case studies of the fan communities of the Hamilton musical, and Norwegian streaming hit SKAM, along with examples from many other online fan communities, the book dives into how fans navigate and create play rules as part of their community-building in a networked digital landscape and how they use the digital affordances of social media to engage in language play. It analyses the role of mediatized fan play in the context of political culture and identifies processes of fanization as fans’ play moods and modes are integrated into politics. Finally, the book discusses the role of fan play in the context of the global conspiracy theory, QAnon, as those instigating the conspiracy and those who are fans of the movement engage in dark play and deep play, respectively. The book suggests that we might understand fan communities as pioneer communities in the sense that there is increased value placed on fans’ mood work and fan play is integrated into other societal domains. This is an engaging book for scholars and students studying media studies and cultural studies, particularly courses on fan studies, film studies, television studies and mediatization.

E. C., the old groundskeeper and tennis teacher, is like a secretary recording the ideas, reflections, observations, and prayers that come through his life as he goes about his rounds of going to church, to work, to teaching tennis, to playing tennis, and to visiting his friends. He thinks that God and life bring certain ideas and people through our lives for a reason. The ideas help E. C. figure out what is important and help give him a direction.