Another Twenty-Six Gas Stations is the debut artist book by photographic author Gregory Eddi Jones. It's comprised of screen grabs of gas station surveillance footage found on YouTube.

The photograph found a home in the book before it won for itself a place on the gallery wall. Only a few years after the birth of photography, the publication of Henry Fox Talbot's "The Pencil of Nature" heralded a new genre in the history of the book, one in which the photograph was the primary vehicle of expression and communication, or stood in equal if sometimes conflicted partnership with the written word. In this book, practicing photographers and writers across several fields of scholarship share a range of fresh approaches to reading the photobook, developing new ways of understanding how meaning is shaped by an image's interaction with its text and context and engaging with the visual, tactile and interactive experience of the photobook in all its dimensions. Through close studies of individual works, the photobook from fetishised objet d'art to cheaply-printed booklet is explored and its unique creative and cultural contributions celebrated.

In this original and engaging book, Cécile Whiting examines what Pop looked like when it left the highbrow cloisters of Manhattan's art galleries and ventured westward to the sprawling suburbs of Los Angeles.

Celebration of the book drawing on the collections of the State Library of Victoria.

Working at a dead-end retail job in the middle of nowhere can be hard. The long hours. The helpless customers. The enormous eldritch horror living deep below the building… As the only full-time employee at the twenty-four hour gas station at the edge of town, Jack has pretty much seen it all. But when he decides to start an online journal documenting the bizarre day-to-day occurrences, he unwittingly attracts the attention of much more than just a few conspiracy theorists. With the body count steadily on the rise and a dark, ancient force infecting the dreams of everyone around him, Jack will do everything in his power to stay out of the way and mind his own business. After all, he’s just a gas station clerk. It’s not like he’s getting paid enough to wage battle against the nightmarish aberrations plaguing his community. Besides, he already has his hands full attempting to manage all those mysterious lawn gnomes, the mutant raccoons, and the charming phantom cowboy who lives in the bathroom. Based on the award-winning creepypasta by GasStationJack, Tales from the Gas Station: Volume One is a love letter to the pioneers of classic horror tailored to a generation that grew up in the era of smartphones and WiFi.

Zeke Marcus, who has always fantasized about life as a runaway, is found living under a bridge. Danny Winters had been living a reclusive and truant life with his agoraphobic mother. Their travelogues after being taken from the only lives they knew bring you front and center to their fight as they’re forced into an adult world they weren’t ready for. The boys, upon meeting at their first foster home, begin manifesting their own individual symptoms of surviving their situation and the complexities and paradoxes of being bastard and estranged adolescent boys. Shock, defiance, spiraling humiliation, and an incurable insanity all begin for Zeke and Danny when they realize the indefinite futures that wait for them. As impressionable teens full of rage, separation, and distrust, they continue their path to self-destruction. There are some comparisons to Sapphire’s PUSH, while this book tells a similar story that, for some, will heighten awareness and expose adults and youths today to the plight so many less fortunate kids face. Their sometimes humorous and other times heart-wrenching lives are unraveled through a series of vignettes narrated by Zeke and Danny, as they merge throughout the novel to become one story.