Collecting the performance work of Alan Moore, the Hugo-Award winning author of WATCHMEN, in a graphic storytelling format, as he explores the America's love affair with Gangland mobsters and the modern notion of romance. From the mind of Alan Moore, the Hugo Award-winning author who defined modern graphic storytelling with such works as WATCHMEN and LEAGUE OF EXTRAORDINARY GENTLEMEN, comes three mind-expanding tales adapted by his longtime collaborator Antony Johnston into full sequential stories. Original presented as performance works by the author himself, this original graphic novel is a twisting, brilliant rumination on society from the 1920s era Chicago-style killings of the story "Old Gangsters Never Die" to the powerful, modern namesake piece, "Another Suburban Romance." A mesmerizing tour de force that no Moore fan will want to miss!

Alan Moore's performance works making up the play Another Suburban Romance are translated into print and lavishly illustrated as full sequential stories.

Moore's graphic novels have inspired a number of Hollywood adaptations, including V for Vendetta, Watchmen and From Hell.

A NEW YORK TIMES BESTSELLER In this unforgettable debut novel, an Indian-American Muslim teen copes with Islamophobia, cultural divides among peers and parents, and a reality she can neither explain nor escape. Seventeen-year-old Maya Aziz is torn between worlds. There’s the proper one her parents expect for their good Indian daughter: attending a college close to their suburban Chicago home and being paired off with an older Muslim boy her mom deems “suitable.” And then there is the world of her dreams: going to film school and living in New York City—and pursuing a boy she’s known from afar since grade school. But in the aftermath of a horrific crime perpetrated hundreds of miles away, her life is turned upside down. The community she’s known since birth becomes unrecognizable; neighbors and classmates are consumed with fear, bigotry, and hatred. Ultimately, Maya must find the strength within to determine where she truly belongs.

This book inaugurates a completely new way of thinking about the ethics of marriage and sex. I know of no book on the subject more promising than what McCarthy has achieved here. Stanley Hauerwas, Gilbert T. Rowe Professor of Theological Ethics, Duke University Much has been written in Christian theology about sex, love, and procreation, but their social meanings and contributions are much more rarely addressed. McCarthy now takes this greatly neglected task, eloquently connecting the Christian household to the common good. All those who want to realize the social vocation of the Christian family will find in this work a rich and challenging resource for understanding and for life. Lisa Sowle Cahill, J. Donald Monan Professor of Theology, Boston College Drawing on his own experience of learning how to be a husband and father, David Matzko McCarthy offers wonderfully incisive and readable reflections on the habits of the household--a neighborly space which resists consumerism--and enables sexual relationships to be ordinary, meaningful, and passionate. If you think that all that Christian theology has to say about sex and relationships is twaddle about complementarity and family values, then this is the book for you. Gerard Loughlin, Senior Lecturer in Religious Studies, University of Newcastle upon Tyne

By turns amusing and disturbing, this collection of 1960s romance comic strips provides a provocative window into male-female power dynamics as conceived by one of mid-century America's foremost comic book artists. Ogden Whitney was one of the unsung masters of American comics. He is perhaps best remembered for co-creating the satirical superhero Herbie Popnecker, also known as the Fat Fury, but his romance comics of the late 1950s and 1960s may be even more unique. In Whitney’s hands, the standard formula of meet-cute, minor complications, and final blissful kiss becomes something very different: an unsettling vision of midcentury American romance as a devastating power struggle, a form of intimate psychological warfare dressed up in pearls and flannel suits. From suburban lawns and offices to rocket labs and factories, his men and women scheme and clash, dominate and escape. It is darkly hilarious, truly terrifying—and yes, occasionally even a bit romantic.

Grace wants out. Out of her house, where her stepfather wields fear like a weapon and her mother makes her scrub imaginary dirt off the floors. Out of her California town, too small to contain her big city dreams. Out of her life, and into the role of Parisian artist, New York director—anything but scared and alone. Enter Gavin: charming, talented, adored. Controlling. Dangerous. When Grace and Gavin fall in love, Grace is sure it's too good to be true. She has no idea their relationship will become a prison she's unable to escape. Deeply affecting and unflinchingly honest, this is a story about spiraling into darkness—and emerging into the light again.