"An engrossing biography about the marital breakdown of a major literary figure, of particular interest for what it reveals about O'Neill's creative process, activities, and bohemian lifestyle at the time of his early successes and some of his most interesting experimental work. In addition, King's discussion of Boulton's efforts as a writer of pulp fiction in the early part of the 20th century reveals an interesting side of popular fiction writing at that time, and gives insight into the lifestyle of the liberated woman." ---Stephen Wilmer, Trinity College, Dublin Biographers of American playwright Eugene O'Neill have been quick to label his marriage to actress Carlotta Monterey as the defining relationship of his illustrious career. But in doing so, they overlook the woman whom Monterey replaced---Agnes Boulton, O'Neill's wife of over a decade and mother to two of his children. O'Neill and Boulton were wed in 1918---a time when she was a successful pulp novelist and he was still a little-known writer of one-act plays. During the decade of their marriage, he gained fame as a Broadway dramatist who rejected commercial compromise, while she mapped that contentious territory known as the literary marriage. His writing reflected her, and hers reflected him, as they tried to realize progressive ideas about what a marriage should be. But after O'Neill left the marriage, he and new love Carlotta Monterey worked diligently to put Boulton out of sight and mind---and most O'Neill biographers have been quick to follow suit. William Davies King has brought Agnes Boulton to light again, providing new perspectives on America's foremost dramatist, the dynamics of a literary marriage, and the story of a woman struggling to define herself in the early twentieth century. King shows how the configuration of O'Neill and Boulton's marriage helps unlock many of O'Neill's plays. Drawing on more than sixty of Boulton's published and unpublished writings, including her 1958 memoir, Part of a Long Story, and an extensive correspondence, King rescues Boulton from literary oblivion while offering the most radical revisionary reading of the work of Eugene O'Neill in a generation. William Davies King is Professor of Theater at the University of California, Santa Barbara, and author of several books, most recently Collections of Nothing, chosen by Amazon.com as one of the Best Books of 2008. Illustration: Eugene O'Neill, Shane O'Neill, and Agnes Boulton ca. 1923. Eugene O'Neill Collection, Beinecke Rare Book and Manuscript Library, Yale University.

Agnes Boulton's memoir of her first two years of marriage to Eugene O'Neill was published in 1958, two years after the premiere of O'Neill's masterpiece, Long Day's Journey into Night. Contemporary critics dismissed the book as impressionistic, and it received little popular attention. Now held as a classic depicting one woman's strivings for self-representation, this new edition restores two sections previously excised for now-obsolete legal reasons. The new text features corrected misspellings and the addition of footnotes to clarify reference points and correct errors. Boulton's memoir represents an important addition to women's literature, as well as literary biography and autobiography.

An “absorbing” biography of the playwright and Nobel laureate that “unflinchingly explores the darkness that dominated O’Neill’s life” (Publishers Weekly). This extraordinary biography fully captures the intimacies of Eugene O’Neill’s tumultuous life and the profound impact of his work on American drama, innovatively highlighting how the stories he told for the stage interweave with his actual life stories as well as the culture and history of his time. Much is new in this extensively researched book: connections between O’Neill’s plays and his political and philosophical worldview; insights into his Irish American upbringing and lifelong torment over losing faith in God; his vital role in African American cultural history; unpublished photographs, including a unique offstage picture of him with his lover Louise Bryant; new evidence of O’Neill’s desire to become a novelist and what this reveals about his unique dramatic voice; and a startling revelation about the release of Long Day’s Journey Into Night in defiance of his explicit instructions. This biography is also the first to discuss O’Neill’s lost play Exorcism (a single copy of which was only recently recovered), a dramatization of his own suicide attempt. Written with both a lively informality and a scholar’s strict accuracy, Eugene O’Neill: A Life in Four Acts is a biography worthy of America’s foremost playwright. “Fast-paced, highly readable . . . building to a devastating last act.” —Irish Times

Your life tells a story. From beginning to end, your life creates a unique narrative, shaped by the wider stories you find yourself in. For many in the West, the stories that dominate our experience are those of happiness (‘just do what makes you happy’), safety (‘it’s not worth the risk’) and significance (‘I want to be remembered’). But what if these stories are too small to really matter? Exploring the importance such stories play in our lives, Andy Frost, Director of Share Jesus International, presents an alternative narrative – the God Story. Long Story Short invites readers to find their place in the only story big enough to live for. ‘This book is invaluable for discovering, or finding again, your story.’ Tim Hughes ‘Andy encourages us to discover a greater narrative that ultimately helps us to find the real meaning for our existence.’ Lou Fellingham About the author: Andy Frost is Director of Share Jesus International and is responsible for kick-starting a variety of projects that help the Church to communicate the story of Jesus. He is a popular speaker and the author of a number of books, and has presented Jesus. The Series. He is married to Jo and they have two daughters. Currently living in London, Andy loves travelling the world, surfing good waves, pushing himself in physical challenges and eating Mexican food. Follow him on Twitter @andythefrosty

From the New York Times bestselling author of Primal Heat. In the first book of the series, readers are introduced to the Enforcers, an elite group of vampires who must serve and protect their secret community-and uphold the Laws of the Blood.

Long before Dr. Fingal Flahertie O'Reilly made most readers' acquaintance in Patrick Taylor's bestselling novel An Irish Country Doctor, he appeared in a series of humorous columns originally published in Stitches: The Journal of Medical Humour. These warm and wryly amusing vignettes provide an early glimpse at the redoubtable Dr. O'Reilly as he tends to the colourful and eccentric residents of Ballybucklebo, a cozy Ulster village nestled in the bygone years of the early sixties. Those seminal columns have been collected in The Wily O'Reilly: Irish Country Stories. In this convenient volume, Patrick Taylor's legions of devoted fans can savor the enchanting origins of the Irish Country series . . . and newcomers to Ballybucklebo can meet O'Reilly for the very first time. An ex-Navy boxing champion, classical scholar, crypto-philanthropist, widower, and hard-working general practitioner, Fingal Flahertie O'Reilly is crafty and cantankerous in these charming slices of rural Irish life. Whether he's educating a naive man of the cloth in the facts of life, dealing with chronic hypochondriacs and malingerers, clashing with pigheaded colleagues, or raising a pint in the neighborhood pub, the wily O'Reilly knows a doctor's work is never done, even if some of his "cures" can't be found in any medical text! At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.