Four Book Set: Business of Fashion by Paul Kooiker; Study by Mona Kuhn; The Nipple by Juergen Teller; Body Index by Carmen Winant

SCIENCE FICTION, FANTASY, HUMOR The Unidentified Funny Objects series delivers an annual dose of funny, zany, and unusual science fiction and fantasy stories. All-new fiction from the genre's top voices! * A long time ago in a galaxy close enough not to violate any copyrights, the clone army fighting for the side of the evil empire is made up of a bunch of bros named Chad. * Can a couple of wise guys from New Jersey broker a sit down between two groups of warring aliens? * Witness an epic battle of mad science vs. dark magic. * US presidents elected in 1860 and 1960 were both assassinated. What's going to happen to whoever's elected in 2060? * Beware the dragon polite enough to return your drone after it breached the barriers between worlds and bonked him on the snout.

ÒLEATHERWING.Ó The Elseworlds Annuals, the DC UniverseÕs journey into remote realms of possibility, continue on the oceans of the 17th century, where the cowled pirate Leatherwing crosses swords with the evil plunderer The Joker. ItÕs adventure on the high seas with sword fights, cannon fire, stolen treasure...and a beautiful and dangerous pirate captain with particularly feline attributes.

The landmark photographic survey of the human body at a moment when body image and body politics are being redefined. In a world of selfies and body shaming, Photoshopping and gender fluidity, body image has never been more at the forefront of popular cultural dialogue. Body is a definitive, democratic statement at a time when our fixation with images of the human form is greater than ever before. Curator and art historian Nathalie Herschdorfer brings together over three hundred and fifty images created predominantly in the twenty-first century that explore our relationship with the body. This watershed publication presents work from major names in art photography, including Bettina Rheims, Lauren Greenfield, Cindy Sherman, Viviane Sassen, and Sally Mann, alongside others whose fashion work has shaped our view of the human form, such as Solve Sundsbo and Daniel Sannwald. Interwoven with these major works are images that explore the numerous other ways in which we have represented the body, and the ways in which imaging of the body has been used, shared, and changed over the last quarter-century. Capturing the complex and often paradoxical relationship we have with our bodies—from fantasy to reality and curiosity to obsession—Body is a timely homage to, and introspection of, the human form as it sits in our current culture.

DEC Recommended Practices guides the development and implementation of an effective early intervention/early childhood special education program by fully integrating research evidence with the everyday truths faced by people who live and work with children with disabilities.

The federal government wastes your tax dollars worse than a drunken sailor on shore leave. The 1984 Grace Commission uncovered that the Department of Defense spent $640 for a toilet seat and $436 for a hammer. Twenty years later things weren't much better. In 2004, Congress spent a record-breaking $22.9 billion dollars of your money on 10,656 of their pork-barrel projects. The war on terror has a lot to do with the record $413 billion in deficit spending, but it's also the result of pork over the last 18 years the likes of: - $50 million for an indoor rain forest in Iowa - $102 million to study screwworms which were long ago eradicated from American soil - $273,000 to combat goth culture in Missouri - $2.2 million to renovate the North Pole (Lucky for Santa!) - $50,000 for a tattoo removal program in California - $1 million for ornamental fish research Funny in some instances and jaw-droppingly stupid and wasteful in others, The Pig Book proves one thing about Capitol Hill: pork is king!

The idea for this publication came about as an extension of the exhibition Juergen Teller: Woo , held at the Institute of Contemporary Arts in London in 2013. In the run-up to his show, Teller was invited to curate a selection of photographs in the ICA Fox Reading Room, a confined space located away from the main galleries. His initial plan was to cover an area of wall with "tear sheets"--proof pages relating to his commercial photography. As the project developed, Teller would eventually plaster the entire space with images spanning a 20-year period, including family portraits, magazine assignments, recent ad campaigns, landscapes and various personal projects. The combined effect of seeing his images juxtaposed like this, so they formed hitherto unforeseen relationships across time, would so inspire Teller that, during the course of his show, he would passionately launch himself into the production of this book. Setting itself apart from more conventional exhibition catalogues, Woo brilliantly relays the raw impact of the original installation, unlocking a new and exciting dialogue across an impressive body of work.