Annuaire almanach du commerce, de l'industrie, de la magistrature et de l'administration

This richly illustrated volume paints a complex portrait of Caillebotte, masculinity, and identity in late nineteenth-century France. More than any other French Impressionist, painter Gustave Caillebotte (1848-1894) observed and depicted the many men in his life, including his brothers and friends, employees, and the workers and bourgeois in his Parisian neighborhood. Male subjects feature prominently in some of his best-known works, such as The Floor Scrapers, Man at His Bath, Young Man at His Window, Boating Party, and Paris Street, Rainy Day. The originality of his paintings of men is fully explored for the first time in this catalogue, published to accompany a major international exhibition co-organized by the J. Paul Getty Museum, Musée d'Orsay, and the Art Institute of Chicago. Alongside paintings, drawings, and photographs, as well as an appendix featuring maps and new biographical research that sheds light on Caillebotte's social network, this volume includes historically grounded thematic essays by curators and leading scholars. By exploring the complex and varied facets of Caillebotte's identity--as son, brother, soldier, bachelor, amateur, sportsman, and so on--these essays pose questions of identity, leaving space for ambiguous and fluid expressions of gender and masculinity--for both Caillebotte and the larger late nineteenth-century French world. This volume is published to accompany an exhibition on view at the Musée d'Orsay from October 8, 2024, to January 19, 2025, J. Paul Getty Museum at the Getty Center from March 25 to May 25, 2025, and The Art Institute of Chicago from June 29 to October 5, 2025.

Until recently, the historiography of Middle Eastern economic elites during the first globalization has ignored the significant role played by Muslim tujjār (big merchant-entrepreneurs). Foreign firms and local minorities were considered the prime agents of economic change and the initiators of economic growth. The 12 studies in this volume show that the Muslim tujjār played a major economic role in various regions of the Middle East during the late nineteenth and early twentieth centuries. Their investments, mainly in commercial agriculture, resulted in economic growth and changed economic structures and social relations in many Middle Eastern communities. They were also involved in political developments, some of which had a dramatic effect on the history of their countries, as for instance in late Qajar Iran. They also played a unique role in the process of cultural change. Although they supported the ʿulamāʾ financially, they also contributed to the establishment of new educational and cultural institutions. The story of the tujjār is unique in the sense that it was the only indigenous elite group in the pre-World War I Middle East to bridge between traditional forces and concepts and Western attitudes and practices. (CS 1108).