A modern-day historian finds her life intertwined with Annie Oakley's in an electrifying novel that explores female revenge and the allure of changing one's past. Ruth McClintock is obsessed with Annie Oakley. For nearly a decade, she has been studying the legendary sharpshooter, convinced that a scarring childhood event was the impetus for her crusade to arm every woman in America. This search has cost Ruth her doctorate, a book deal, and her fiancé—but finally it has borne fruit. She has managed to hunt down what may be a journal of Oakley’s midlife struggles, including secret visits to a psychoanalyst and the desire for vengeance against the “Wolves,” or those who have wronged her. With the help of Reece, a tech-savvy senior at the local high school, Ruth attempts to establish the journal’s provenance, but she’s begun to have jarring out-of-body episodes parallel to Annie’s own lived experiences. As she solves Annie’s mysteries, Ruth confronts her own truths, including the link between her teenage sister’s suicide and an impending tragedy in her Minnesota town that Ruth can still prevent.

“Nothing more simple, I assure you. . . . But I’ll tell you what. You must have your mind, your nerve, and everything in harmony. Don’t look at your gun, simply follow the object with the end of it, as if the tip of the barrel was the point of your finger.”—Annie Oakley Annie Oakley is a legend: America’s greatest female sharpshooter, a woman who triumphed in the masculine world of road shows and firearms. Despite her great fame, the popular image of Annie Oakley is far from true. She was neither a swaggering western gal nor a sweet little girl. Annie Oakley was a competitive woman resolved to be the best, and she succeeded. In this comprehensive biography Shirl Kasper sets the record straight, giving us an accurate, honest, and compelling portrait of the woman known as “Little Sure Shot.” Now updated with a new afterword, this account illuminates the life and legend of Annie Oakley, including her start as a comedienne, her later life with Frank Butler, and her final years and struggles.

"Sugar Babies is a riotously funny, nostalgic trip for those who remember burlesque and a happy discovery for those too young to recall this irreverent form of American entertainment. All of the classic scenes, including a hilarious dog act are here, along with such wonderful songs as "Exactly Like You", "I Can't Give You Anything But Love Baby" and "Don't Blame Me." "--Publisher.

The 'Pump Boys' sell high octane on Highway 57 in Grand Ole Opry country and the 'Dinettes', Prudie and Rhetta Cupp, run the Double Cupp diner next door. Together they fashion an evening of country western songs that received unanimous raves on and off Broadway. With heartbreak and hilarity, they perform on guitars, piano, bass and, yes, kitchen utensils.

Long before the silver screen placed Mary Pickford before the eyes of millions of Americans, this girl, born August 13, 1860 as Phoebe Anne Oakley Moses, had won the right to the title of the first "America's Sweetheart." After winning first prize at a shooting match as a teenager, Annie quickly gained worldwide fame as an incredible crack shot. In August 1903, when she was well known as a champion shot in Buffalo Bill's Wild West Show, Oakley became a target of defamation by a reporter for a newspaper owned by media magnate William Randolph Hearst. The libelous story alleged that the famous sure shot had been arrested for stealing and buying drugs. Annie sent a telegram denying the claim and asked the story to be retracted. Hearst refused and the story was then published in all his newspapers. Miss Oakley responded with a libel suit and spent seven years in court fighting the well-known businessman. During the long, drawn-out legal battle, Annie was struggling with health issues. Despite these trials she poured her energy into advocating for the U.S. military, encouraging women to engage in sport shooting, and supporting orphans.

Finally, a book as glorious as its subject: this lush showcase for everyone who loves musicals covers the 101 most influential, popular, and enduring Broadway shows--all of which have toured the country and been performed in theatres large and small everywhere. Each listing includes expert commentary that sets the play in historical and cultural context, plus features on the creators and performers, plot synopses, cast and song lists, production details, backstage anecdotes, and more. Four or five beautifully reproduced photographs from each show--the majority never before published--accompany the text and make the shows leap off the page. Appendices and special features include cast albums, poster artists, revivals, guilty pleasures, Off-Broadway musicals, notable flops, and much more.

(Vocal Selections). 10 songs from the musical that originally starred Robert Preston and Mary Martin. Includes: Honeymoon Is Over, The * I Do, I Do * I Love My Wife * Someone Needs Me * Together Forever * and more.