Everyone trembled at the mere mention of the name of Anne of the Isles. The blood of Joël Braz the warlock ran in her veins. She was a priestess and a sorceress. Woe betide any man whose path crossed hers!... The White Lady of the Marshes had avenged herself cruelly against the incredulous, they were well-advised never to entrust their boats to the current of the Oust once the north star had risen over the black trees of the Forêt-Neuve... Anne of the Isles, last priestess of the Celtic Gods... The vengeful White Lady of the Marshes... The last fairies of mythical Lyonesse... Only Paul Féval, the author of Vampire City and Revenants could paint the epic Gothic fantasies of mist-shrouded, storm-beaten Ancient Brittany with so much color and flamboyance.

Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Neil Gaiman, Brian Keene, Elizabeth Massie, Glen Hirshberg, Peter Atkins and Tanith Lee. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction. PRAISE FOR THE SERIES 'Well-crafted celebration of a continuously inventive genre' SFX Magazine 'The must-have annual anthology for horror fans.' Time Out 'An essential volume for horror readers.' Locus 'In an age where genre fiction is often just reheated pastiche, the Best New Horror series continues to break from the herd, consistently raising the bar of quality and ingenuity.' Rue Morgue 'Brilliantly edited and most instructively introduced by legendary anthologist Stephen Jones.' Realms of Fantasy 'One of horror's best.' Publishers Weekly

New Legends of England examines a previously unrecognized phenomenon of fifteenth-century English literary culture: the proliferation of vernacular Lives of British, Anglo-Saxon, and other native saints. Catherine Sanok argues these texts use literary experimentation to explore overlapping forms of secular and religious community.