"Allow me to introduce myself." But he needed no introduction. "Anansi the spider!" said Anansi the boy. "The tales were true!" "Traditional tales are always true," the spider answered, laughing. "Nothing lasts so long as truth, nor travels quite so far." Now in paperback! Award-winning author of Ghana Must Go, Taiye Selasi, reimagines the story of Anansi, the much-loved trickster, for a new generation. Kweku has grown up hearing stories about the mischievous spider Anansi. He is given the nickname Anansi by his father because of his similarly cheeky ways. On a holiday to visit his beloved Grandma in Ghana, Anansi the spider and Anansi the boy meet, and discover a magical pot that can be filled with whatever they want. Anansi fills it again and again with his favourite red-red stew, and eats so much that he feels sick. Will he learn to share this wonderful gift? This charming retelling of a West African story teaches readers about the dangers of greed, and the importance of being kind. Tinuke Fagborun's colourful illustrations bring the magic and wonder of the tale to life. When you've finished sharing the story, you can also find out more about the origins of Anansi folktales. This beautiful storybook is one that children will treasure forever.

Read Along or Enhanced eBook: In this trickster tale from Africa, Anansi proves to Elephant and Killer Whale that in a battle of wits, brains definitely outdo brawn.

Jamaican Song and Story is an anthology that celebrates the vibrant tapestry of Jamaican folklore, weaving together an array of Annancy stories, digging sings, ring tunes, and dancing tunes. This collection embodies the rich cultural heritage and literary diversity of the island, presenting a wide range of literary styles from oral traditions to written narratives. The inclusion of standout pieces within this compilation underscores the anthology's significant role in highlighting the folklore's intricate dynamics and its influence on the literary context of Jamaican culture. The diverse literary forms included serve to illuminate the myriad ways in which Jamaican folklore continues to enrich the global literary landscape. The anthology brings together works by various contributors, including notable editors such as Alice Werner, Lucy Etheldred Broadwood, and Charles S. Myers. These editors and contributing authors, with their diverse backgrounds, collectively weave a narrative that aligns with significant historical, cultural, and literary movements. Their collective contributions are pivotal in presenting a cohesive exploration of Jamaican folklore, showcasing how these stories, songs, and tunes have shaped, and been shaped by, the cultural and historical contexts of Jamaica. The melding of these varied voices offers readers a nuanced understanding of the themes explored within the anthology. Jamaican Song and Story invites readers to immerse themselves in the richness of Jamaican folklore, providing a unique opportunity to explore the island's cultural heritage through its songs and stories. This anthology is recommended for those interested in the educational value of folk traditions, the breadth of insights these traditions offer into Jamaican culture, and the dialogue fostered between the different authors' works. Readers will find this collection a treasure trove of cultural wisdom, narrative ingenuity, and musical vibrancy, offering a profound understanding of Jamaica's literary and cultural landscapes.

Kwaku Ananse stories are folk tales from Ghana. Ananse is a Twi word and it means spider. Anansesem simply means stories about Ananse.

In this #1 New York Times bestseller, Neil Gaiman returns to the territory of his masterpiece, American Gods to once again probe the dark recesses of the soul. God is dead. Meet the kids. Fat Charlie Nancy’s normal life ended the moment his father dropped dead on a Florida karaoke stage. Charlie didn’t know his dad was a god. And he never knew he had a brother. Now brother Spider is on his doorstep—about to make Fat Charlie’s life more interesting . . . and a lot more dangerous. “Thrilling, spooky, and wondrous.” —Denver Post “Awesomely inventive.… When you take the free-fall plunge into a Neil Gaiman book, anything can happen and anything invariably does.” —Entertainment Weekly “Delightful, funny and affecting.... A tall tale to end all tall tales.” —Washington Post Book World