Winner of the 2003 Pulitizer Prize for Drama . . . there are many kinds of light. The light of fires. The light of stars. The light that reflects off rivers. Light that penetrates through cracks. Then there’s the type of light that reflects off the skin. —Nilo Cruz, Anna in the Tropics This lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land. "The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, the world premiere work he created for Coral Gables’ intimate New Theatre, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami Herald Nilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, among others. Anna in the Tropics also won the Steinberg Award for Best New Play. Mr. Cruz teaches playwriting at Yale University and lives in New York City.

Winner of the 2003 Pulitzer Prize for Drama, this lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of America in the midst of the Depression. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new ''lector (who reads Tolstoys Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.

“Exquisite, dreamlike… The poetry of Cruz’s writing is what those who love his work cite most often about his style, and Sotto Voce has that… It also contains passages that are realistic, whimsical, sensual and heartbreaking. Cruz may be that rarity, a poet of the stage, but he is first and foremost a dramatist.” —Christine Dolen, Miami Herald The millennium, New York City. Bemadette Kahn, an eighty-year-old German-born writer, spends her days in her apartment, trying to forget the past. Until Saquiel Rafaeli, a young Jewish-Cuban researcher, appears on her doorstep, forcing her to confront those haunted memories. He’s eager to learn about Bemadette’s long-lost lover, Ariel Strauss, who set sail in 1939 aboard the St. Louis, never to be seen again. With layered lyrical language and vibrant intimacy, Sotto Voce is an imaginative exploration of the power of memory, love and human connection. Nilo Cruz is the author of the Pulitzer Prize–winning Anna in the Tropics, as well as Beauty of the Father, Two Sisters and a Piano, Lorca in a Green Dress, Dancing on Her Knees, Night Train to Bolina and other works.

A memoir of the Hopi chief's childhood during the last years of the nineteenth century recalls details of the Hopi religion; interactions with Anglos, including the author; his reaction to Christianity; and more. By the author of Hopi Dictionary. Simultaneous.

Nilo Cruz is the most produced Cuban-American playwright in the U.S. and was the first dramatist of Hispanic descent to receive the Pulitzer-Prize. In his plays, Cruz almost always journeys back to Cuba, even when the play is not set there. Cruz is a sensualist, a conjurer of mysterious voyages and luxuriant landscapes. He is a poetic chronicler, a documentarian of the presence of Latin people in American life. He conveys the strength and persistence of the Cuban spirit through a wholly dramatic imagination. This volume also includes A Bicycle Country and the one-act play, Capricho.

THE STORY: Three characters whose lives seem to be moving nowhere set out to build a dream, even if that dream seems perilous. This stirring portrait of three Cuban exiles and their harrowing journey across the Caribbean Sea examines the universal