Savarkar's revolutionary activities began while studying in India and England, where he was associated with the India House and founded student societies including Abhinav Bharat Society and the Free India Society, as well as publications espousing the cause of complete Indian independence by revolutionary means[7] Savarkar published The Indian War of Independence about the Indian rebellion of 1857 that was banned by British authorities. He was arrested in 1910 for his connections with the revolutionary group India House. Following a failed attempt to escape while being transported from Marseilles, Savarkar was sentenced to two life terms of imprisonment totaling fifty years and was moved to the Cellular Jail in the Andaman and Nicobar Islands, but released in 1921.

Evil never sleeps. Technology is dead, and the world grows wild with dangers born from legend. Kenyatta and his friends brave unknown horrors to stand against a massive horde of the most feared monsters in the abyss. Demonic enemies appear out the shadows, and five warriors unite to stop the tide of evil before it washes over the land, and envelopes the world in darkness.

Mysticism in India is a complete and informative description of the teachings, works, and lives of the great poet-saints of Maharashtra written by a scholar and professor who was also a mystic. Jnaneshwar, Namadev, Tukaram, Eknath, Ramdas, and the other saints discussed belonged to the great devotional religious movement that spread through medieval India. With the exception of Ramdas, they all belonged to the tradition of the Varkaris, the most popular sect in contemporary Maharashtra. Their compositions exemplify the universality of their faith and practice, and are recognized as literary treasures. Ranade was primarily interested in the poet-saints as mystics--teachers of the perennial philosophy--whose experiences have general metaphysical and religious implications. At the heart of his classic is a comprehensive, objective presentation of the thought of these saints, augmented by a deep appreciation of their value and relevance to present-day scholars and seekers. Mysticism in India is the only major study in English of medieval Indian religious literature. The book's enduring value has been enhanced by the addition of a foreword by a scholar currently working in Marathi literature, and a preface by a present-day poet-saint of Maharashtra.

Students of Indian music are well aware of the emphasis their gurus place on the development of correct technique through rigorous practice. This book focuses on sitar technique and shows how that technique comes into play during the improvisatory music-making endeavours of master sitarists. A series of systematic descriptions and analyses reveals how instrumental technique acts as a generative structure at the broad level and provides a corpus of factors of variation at the specific level. A unique feature of this study is the inclusion of musical transcriptions detailing not only the line of melody, but also the physical gestures (techniques) necessary to produce melody. Though technically complex in appearance, these transcriptions and the accompanying analyses provide valuable information to students interested in learning Sitar and to musicologists and ethnomusicologists inquiring into the basic improvisational processes that underlie contemporary styles of Sitar performance.