School’s out for the end of the world. Anna and the Apocalypse is a horror comedy about a teenager who faces down a zombie apocalypse with a little help from her friends. Anna Shepherd is a straight-A student with a lot going on under the surface: she’s struggling with her mom’s death, total friend drama, and the fallout from wasting her time on a very attractive boy. She’s looking forward to skipping town after graduation—but then a zombie apocalypse majorly disrupts the holidays season. It’s going to be very hard to graduate high school without a brain. To save the day, Anna, her friends, and her frenemies will have to journey straight to the heart of one of the most dangerous places ever known, a place famous for its horror, terror, and pain...high school. This novel is inspired by the musical feature film, Anna and the Apocalypse—sing and slay along at home with the VOD release! An Imprint Book

Frankie Stein was created in a laboratory, and when she enters Mount Hood High School camouflaged as a normi, another new student who believes that everyone should be treated equally helps her in her attempts to fit in.

Can't fight the dead? Then RUN... The dead are rising and violently attacking people on the streets of the UK. Driven by an insatiable hunger for flesh, they attack anyone who dares to go out. Anna is trapped as the zombie apocalypse rages outside her front door. Desperate and alone, she must find a way to get to her children who are with her Ex-partner. As Anna runs from the dead, she finds help from Rob and his fifteen-year-old brother, Jack, despite Rob's better instincts. Together, they run the nightmare gauntlet that used to be their neighbourhood. Run from the Dead is the first book in a zombie apocalypse series, following ordinary people trying to stay alive no matter what the cost. Battling the dead and humans alike, the people left must become somebody new. Someone prepared to do whatever it takes to live. Anna must learn to survive this cruel new world, where the living can be just as terrifying as the dead.

Carbon County, Wyoming is like a current running through Daphne’s heart. When life gets too tough to bear in Detroit, Daphne flees to her Uncle Floyd’s home, where she believes she’ll find solace in the silent hills of her childhood summers. But Daphne’s Greyhound bus pulls over in downtown Carbon County and it’s not silence that welcomes her. It’s the sound of trumpets. Daphne’s desire to start again in simple country comfort is instantly dashed as the townsfolk declare that the End Times are here. And incredible occurrences soon support their belief. Daphne does all she can to keep her head down and ignore the signs. She works a job at the local oil rig, helps around the house, hangs out with her pregnant cousin Janie and gets to know Owen, a mysterious motocross racer and fellow roustabout at the rig. But soon a startling discovery shatters her resolve and calls into question all her doubts and fears. Daphne landed in Carbon County for a reason. She only has to read the signs—and believe.

A new approach to the vast nuclear infrastructure and the apocalypses it produces, focusing on Black, queer, Indigenous, and Asian American literatures Since 1945, America has spent more resources on nuclear technology than any other national project. Although it requires a massive infrastructure that touches society on myriad levels, nuclear technology has typically been discussed in a limited, top-down fashion that clusters around powerful men. In Infrastructures of Apocalypse, Jessica Hurley turns this conventional wisdom on its head, offering a new approach that focuses on neglected authors and Black, queer, Indigenous, and Asian American perspectives. Exchanging the usual white, male “nuclear canon” for authors that include James Baldwin, Leslie Marmon Silko, and Ruth Ozeki, Infrastructures of Apocalypse delivers a fresh literary history of post-1945 America that focuses on apocalypse from below. Here Hurley critiques the racialized urban spaces of civil defense and reads nuclear waste as a colonial weapon. Uniting these diverse lines of inquiry is Hurley’s belief that apocalyptic thinking is not the opposite of engagement but rather a productive way of imagining radically new forms of engagement. Infrastructures of Apocalypse offers futurelessness as a place from which we can construct a livable world. It fills a blind spot in scholarship on American literature of the nuclear age, while also offering provocative, surprising new readings of such well-known works as Atlas Shrugged, Infinite Jest, and Angels in America. Infrastructures of Apocalypse is a revelation for readers interested in nuclear issues, decolonial literature, speculative fiction, and American studies.

Survival is a luxury in the post-apocalyptic world Alex Keener knows. At sixteen, he leaves the confines of Bunker 108, escaping a deadly viral outbreak. But freedom means facing the brutal aftermath of the meteor Ragnarok, which devastated Earth thirty years ago. With every breath a battle for survival, Alex navigates through a barren world, haunted by monstrous remnants of the past. Discover the thrilling journey of Alex in this young adult sci-fi survival novel. Venture through a ravaged world where the past is obliterated, and survival is the only law. Perfect for fans of intense, post-apocalyptic tales and survivalist narratives. Delve into a landscape where the fight for existence eclipses all else. Ideal for readers searching for YA dystopian books, teen survival stories, post-meteor apocalypse narratives, or thrilling science fiction adventures.

NAMED A BEST BOOK OF THE YEAR BY ESQUIRE, THE IRISH TIMES AND THE TIMES LITERARY SUPPLEMENT A provocative history of men who were worshipped as gods that illuminates the connection between power and religion and the role of divinity in a secular age Ever since 1492, when Christopher Columbus made landfall in the New World and was hailed as a heavenly being, the accidental god has haunted the modern age. From Haile Selassie, acclaimed as the Living God in Jamaica, to Britain’s Prince Philip, who became the unlikely center of a new religion on a South Pacific island, men made divine—always men—have appeared on every continent. And because these deifications always emerge at moments of turbulence—civil wars, imperial conquest, revolutions—they have much to teach us. In a revelatory history spanning five centuries, a cast of surprising deities helps to shed light on the thorny questions of how our modern concept of “religion” was invented; why religion and politics are perpetually entangled in our supposedly secular age; and how the power to call someone divine has been used and abused by both oppressors and the oppressed. From nationalist uprisings in India to Nigerien spirit possession cults, Anna Della Subin explores how deification has been a means of defiance for colonized peoples. Conversely, we see how Columbus, Cortés, and other white explorers amplified stories of their godhood to justify their dominion over native peoples, setting into motion the currents of racism and exclusion that have plagued the New World ever since they touched its shores. At once deeply learned and delightfully antic, Accidental Gods offers an unusual keyhole through which to observe the creation of our modern world. It is that rare thing: a lyrical, entertaining work of ideas, one that marks the debut of a remarkable literary career.