"A genuinely funny, unshakably adorable set of stories about a creative little girl and her mischievous animal pals." —The A.V. Club The whole gang is reunited in Anna and Froga: Thrills, Spills, and Gooseberries. Join Anna, Froga, Ron, Bubu, and Christopher as they get stuck in the haunted house at the county fair with a truly terrifying ticket-taker; as Froga combats a scourge of snails in her garden; and as Bubu has ill-fated dreams of being a great painter. With this third volume of Anna and Froga, Anouk Ricard experiments with the format, never sacrificing a droll punch line or a hilarious image. Anna and Froga is a true delight for children, parents, and grown-up children alike.

DigiCat Publishing presents to you this special edition of "The Golden Wheel Dream-book and Fortune-teller" by Felix Fontaine. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

A graphic novel classic — and now an Oscar-nominated animated feature! After best friends Robot and Dog spend a happy day at the beach, Robot's joints freeze up—they've become rusted through by the water. Dog is powerless to help Robot, who can't move an inch and is too heavy for Dog to carry. Eventually, Dog makes the difficult decision to leave Robot there, and return alone to the life they shared. The memory of their friendship lingers, and as the seasons pass, Dog makes (and loses) new friends, from a melting snowman to epicurean anteaters. But Robot, lying rusting on the beach, finds solace in dreams. A masterwork in wordless cartooning, Sara Varon's Robot Dreams is a whimsical and poignant meditation on the power and fragility of relationships.

The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays.