One of four volumes dealing with the world of comic art, this volume is a comprehensive, international bibliography dealing with animation, caricature, gag, illustrative, magazine, and political cartoons in the United States and Canada. Reflecting the substantial growth of comic art literature in recent years, it is representative of various types of publications, writing formats and styles, and languages from all over the world. The four volumes attempt for the first time to pull together the massive amount of comic art literature worldwide. Organized with meticulous detail, the work consists of numerous resources, including an annotated directory of 66 comic art-related periodicals; a section of comic art functions, activities, and relationships with various socio-cultural phenomena, such as education, eroticism, ethnicity, race, social consciousness, and violence; as well as historical and contemporary parts on animation, caricature, gag cartoons, and political cartoons. At least 224 animators, caricaturists, and cartoonists are singled out for special prominence. Business, legal, and technical aspects of each genre make up other categories. The book is enhanced by Maurice Horn's foreword, retracing the pioneer work he and others did in the field of comic art studies. To further help the user, the indices are systematically broken down by authors, cartoonists, characters and titles, periodicals, and subjects.

Provides information on U.S. and Canadian comic art, animation, caricature, and gag, political, illustrative, and magazine cartoons. Provides citations of books, chapters, articles, and "fugitive" materials gleaned from a variety of sources worldwide, including many periodicals and journals.

Journeying through the comic art worlds of Africa, Asia, Australia, and Latin America, one cannot help being deeply impressed with the longevity, magnitude, and versatility of their cartooning traditions. This is the fourth title in Lent's definitive bibliography of comic art worldwide—the series includes over 30,000 citations. The current volume covers 67 countries on the various continents. The 6,506 items here comprise the richest lode of research materials on comic art in these regions. Three famous cartoonists from Asia (Abu Abraham), Africa and the Middle East (Effat), and the Caribbean (Ares) provide interesting perspectives on their regions in separate forewords. The work is divided by regions, countries, and topics, and, like the others in the series, includes citations in many languages and in published and unpublished formats. The other three volumes are Animation, Caricature, and Gag and Political Cartoons in the United States and Canada; Comic Art of Europe; and Comic Books and Comic Strips in the United States, all published by Greenwood in 1994. Early reviews of these volumes include statements such as, incredible...monumental task [that gets] the art form's reference files in order and you've set the study of comics ahead by about ten years.

Comics have become icons of U.S. popular culture familiar throughout the world. This huge bibliography, one of four compiled by Lent to cover all parts of the world, cites many publications in various writing styles, formats, time periods, and languages. This volume is introduced by famed cartoonists Mort Walker (Beetle Bailey) and Jerry Robinson (The Joker). The genres of comic art have had a phenomenal growth in recent years; the literature has grown with these developments, making this volume of interest to scholars of popular culture and fans alike. Featured are sections on resources, including an annotated directory of 128 comic art-related periodicals; comics collecting; portrayals of comics in movies, television, and radio; and relationships of comics with art, education and children, eroticism, ethnicity, humanism, the professions, violence, and war. Other parts deal with historical, business, legal, and technical aspects of comics. Two hundred and ninety-one comics-related personnel are singled out for special consideration, as well as 143 individual comic strip characters and 48 comic book titles under 13 genres. The foreword by Mort Walker deals with comics over the years and the topic of political correctness, and the introduction by Jerry Robinson gives a history of comic art. The indices are conveniently divided by authors, cartoonists, characters and titles, periodicals, and subjects. The other three books in this international series cover animation, caricature, gag, magazine, illustrative, and political cartoons in the United States and Canada; comic art of Europe; and comic art of Africa, Asia, Australia and Oceania, and Latin America and the Caribbean.

Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the material, which has taken on an increasing variety of forms. The A to Z of Animation and Cartoons is an introduction to all aspects of animation history and its development as a technology and industry beyond the familiar cartoons from the Disney and Warner Bros. Studios. This is done through a chronology, an introductory essay, photos, a bibliography, and over 200 cross-referenced dictionary entries on animators, directors, studios, techniques, films, and some of the best-known characters.

Historical Dictionary of Animation and Cartoons is intended to provide an overview of the animation industry and its historical development. The animation industry has been in existence as long (some would argue longer) than cinema, yet it has had less exposure in terms of the discourse of moving-image history. This book introduces animation by considering the various definitions that have been used to describe it over the years. A different perception of animation by producers and consumers has affected how the industry developed and changed over the past hundred years. This second edition of Historical Dictionary of Animation and Cartoons contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 300 cross-referenced entries on animators, directors, studios, techniques, films, and some of the best-known characters. This book is an excellent resource for students, researchers, and anyone wanting to know more about animation and cartoons.