This book is one of a series of volumes resulting from the World Archaeological Congress, September 1986 which addressed world archaeology in its widest sense, investigating how people lived in the past and how and why changes took place to result in the forms of society and culture which exist now. The series brought together archaeologists and anthropologists from many parts of the world, academics from contingent disciplines, and also non-academics from a wide range of cultural backgrounds who could lend their own expertise to the discussions. This book is an exploration of the way in which the animal world features in the works of art of a variety of cultures of different times and places. Contributors have adopted a variety of perspectives for looking at the complex ways in which past and present humans have interrelated with beings they classify as animals. Some of the approaches are predominantly economic and ecological, some are symbolic and others philosophical or theological. All these different views are included in the interpretation of the artworks of the past, revealing some of the foci and inspirations of cultural attitudes to animals. Originally published 1989.

Originally published in 1971, Animals in Art and Thought discusses the ways in which animals have been used by man in art and literature. The book looks at how they have been used to symbolise religious, social and political beliefs, as well as their pragmatic use by hunters, sportsmen, and farmers. The book discusses these various attitudes in a survey which ranges from prehistoric cave art to the later Middle Ages. The book is especially concerned with uncovering the latent, as well as the manifest meanings of animal art, and presents a detailed examination of the literary and archaeological monuments of the periods covered in the book. The book discusses the themes of Creation myths of the pagan and Christian religion, the contribution of the animal art of the ancient contribution of the animal art of the ancient Orient to the development of the Romanesque and gothic styles in Europe, the use of beast fables in social or political satire, and the heroic associations of animals in medieval chivalry.

Artist Tim Pond's lively and engaging book fuses science with art, providing the reader with the skills, techniques and knowledge they need to create sketches of animals filled with life and movement.There are some very good books written on life drawing, yet when it comes to drawing wildlife, illustrators and artists often revert to working solely from photographs, which can leave the artwork looking lifeless and flat. In this inspirational book, artist Tim Pond shows you how to observe and draw animals in zoos, farms, wildlife parks and aquariums, teaching you some fascinating facts about the animals along the way and ultimately bringing you closer to nature. One of the challenges with sketching wildlife is that animals are constantly moving. However by having some basic understanding of the biology of an animal, such as knowing that a duck has a cheek or that a cheetah can't retract its claws, can influence how you might sketch them, and results in a lively drawing that captures the form, movement and ultimately the spirit of the animal in question. Combining scientific knowledge with expert practical guidance is key to creating successful drawings of animals, and Tim's ability to convey this in a way that is both accessible and engaging makes this a unique and inspiring guide suitable for artists of all levels. Tim's book takes you on a journey of discovery that will enable you to develop the skills, techniques and knowledge you need to sketch a broad range of wildlife, encompassing mammals, reptiles, birds, fish and insects. It includes quick, gestural sketches as well as linear and tonal studies, in a variety of media - pencil, pen and ink, and watercolour. There are numerous studies comprising how to represent the different patterns of animals' coats, how to capture the plumage of an exotic bird in watercolour, and how to sketch a hippo's hooves, as well as guidance on tools, materials and basic techniques. The result is a treasure chest of fascinating facts, studies, sketches and annotated drawings that will not fail to ignite your enthusiasm for drawing animals from life.

Artists seem compelled to try to capture the amazing variety of the animal kingdom; the challenge remains how to breathe energy into your paintings and make the animals jump off the paper. This deeply practical book offers an accessible introduction to sketching animals from life, to try to capture that essence. It gives instruction on how to approach drawing; covers ideas for materials and supplies to make sketching from life a joy; gives step-by-step demonstrations of different watercolour techniques; offers specific advice on using colour and painting, fur, feathers and features and gives ideas for mixed-media experimentation. Full of colourful examples and guidance, this new book explains how to transform your studies into finished artwork that are brimming with character. It encourages you to find the extraordinary in the everyday, as well as revelling in the breadth of nature. Taking a contemporary approach to traditional watercolour, the author shows how a few, well-chosen brushes of paint can reveal the soul of your subject.

Presents eighteen paintings of animals by a variety of artists along with simple words used to describe them.

Showing how to depict some of nature's most dazzling creatures, this book's careful demonstrations simplify the process of painting and drawing wildlife. Instruction is geared to working with pencil, oil, and watercolor, utilizing the particular properties of each medium to portray hair, fur, and feathers, and more. 150 color and 50 b&w illustrations.

Learn to draw incredibly photorealistic pets, exotic animals, horses, and more with Realistic Animals in Colored Pencil in this follow-up to Realistic Portraits in Colored Pencil and Realistic Still Life in Colored Pencil.