This book focuses on multiculturalism, racism and the interests of nonhuman animals. Each are, in their own right, rapidly growing and controversial fields of enquiry, but how do multiculturalism and racism intersect with the debate concerning animals and their interests? This a deceptively simple question but on that is becoming ever more pressing as we examine our societal practices in a pluralistic world. Collating the work of a diverse group of academics from across the world, the book includes writing on a wide range of subjects and addressing contemporary issues in this critical arena. Subjects covered include multiculturalism, group rights and the limits of tolerance; ethnocentrism and animals; racism and discrimination and non-Western alternatives to animal rights and welfare. The book will be of interest to researchers, lecturers and advanced students as well as range of social justice organisations, government institutions, animal activist organisations and environmental groups.

The animal-rights organization PETA asked “Are Animals the New Slaves?” in a controversial 2005 fundraising campaign; that same year, after the Humane Society rescued pets in the aftermath of Hurricane Katrina while black residents were neglected, some declared that white America cares more about pets than black people. These are but two recent examples of a centuries-long history in which black life has been pitted against animal life. Does comparing human and animal suffering trivialize black pain, or might the intersections of racialization and animalization shed light on interlinked forms of oppression? In Afro-Dog, Bénédicte Boisseron investigates the relationship between race and the animal in the history and culture of the Americas and the black Atlantic, exposing a hegemonic system that compulsively links and opposes blackness and animality to measure the value of life. She analyzes the association between black civil disobedience and canine repression, a history that spans the era of slavery through the use of police dogs against protesters during the civil rights movement of the 1960s to today in places like Ferguson, Missouri. She also traces the lineage of blackness and the animal in Caribbean literature and struggles over minorities’ right to pet ownership alongside nuanced readings of Derrida and other French theorists. Drawing on recent debates on black lives and animal welfare, Afro-Dog reframes the fast-growing interest in human–animal relationships by positioning blackness as a focus of animal inquiry, opening new possibilities for animal studies and black studies to think side by side.

The intersection of race and species has a long and problematic history. Western thinking specifically has demonstrated a societal need to try to conceive of race as a purely biological fact rather than a social construct. This book is an academic-activist challenge to that instinct, prioritizing anti-racism in its observation of the animal–race intersection. Too often, as Bénédicte Boisseron has indicated, this intersection typically appears in the form of animal activists instrumentalizing racial discrimination as a vehicle to approach animal rights. But why does this intersection exist, and, perhaps more importantly, how can we challenge it moving forward? This volume examines those two critical questions, taking an interdisciplinary approach in moving across subjects including art history, film studies, American history, and digital media analysis. Our interpretation of animals has, for centuries, been fundamental in the development of Western race thinking. This collection of essays looks at how this perspective contributes to the construction of racial discrimination, prioritizing ways to read the animal in our culture as a means for working to dismantle this conception.

Named a Best Book of the Year by The Bark magazine After adopting an Irish sight hound, Laura Schenone discovers a remarkable and little-known fight to gain justice for dogs and for all animals. Greyhounds, bred to be the fastest racing dogs on earth, are streaks of lightning. Beautiful, astonishing creatures, countless numbers of them disappear each year once they can no longer compete and win. The Dogs of Avalon introduces us to the strong-willed Marion Fitzgibbon, born in rural Ireland, where animals are valued only for their utility. But Fitzgibbon believes that suffering is felt by all creatures, and she champions the cause of strays, baffling those around her—including her family—as she and a group of local women rescue any animal in need and taking on increasingly risky missions. When Fitzgibbon becomes head of the Irish Society for the Prevention of Cruelty to Animals and focuses on the cause of the greyhound, she faces an entrenched racing industry protected by money and power. She joins forces with an American greyhound activist, a foxhunter’s wife, a British lady, and an influential German animal rescuer to create an international network to find these animals homes, confront the racing industry, and provide safe havens where animals can live in peace. The Dogs of Avalon brings forward the people on the other side of the tracks—Irish Travellers (a people whose Celtic history goes back centuries), dogmen who hope to win big—together with a host of animals on two continents—circus tigers in Ireland, wild monkeys in the Yucatan, dolphins in a marine animal park in Florida, and one very special Irish sight hound in New Jersey named Lily. In this potent David and Goliath story, Schenone’s journey helps us understand our deep connection to animals and gives us inspiration in the form of the unforgettable Fitzgibbon, who grapples with compassion and activism and shows the difference we are all capable of making in the world.

Debates on historical and contemporary racism have recently become the subject of increasing public interest. The Black Lives Matter movement as well as the Covid-19 pandemic have underlined the importance and urgent necessity of examining racism in society from a multidisciplinary angle. The many facets of racism in the past and present also challenge the way we deal with history ("historical culture") in a globalized world. Rather than focusing on the history of ideas and its discursive development, this volume will focus on the practices of actors. It examines how and which practices, especially practices of comparing, are constitutive in the construction of 'race' and manifestations of racism. This edited volume brings together interdisciplinary contributions from history, sociology, political science, American studies, literary studies, and media studies. An important focus lies on the social asymmetries created by racialization, including inequalities and violence. The chapters foreground historical and contemporary practices of racism and discuss their appearance in different epochs and locations.