Animals can be our heroes, our confidantes, our coaches, and our best examples of unconditional love. In Animal Prints on My Soul, we explore the human-animal bond through the experiences and stories of women. Featuring horses, dogs, cats, birds, and more, animal lovers will connect with these ordinary - yet extraordinary - stories of how animals impact our lives. Heartwarming, touching, and joyful, this book is a splendid gift for those who love animals. The stories of Healing, Connection, and Love & Loss also encourage us to pause and appreciate the wonderful gifts our animal friends bring us so we've provided deeper-dive prompts for those who would like to transform these blessings into inspiration for their own lives. Contributors to Animal Prints on My Soul: Healing The Wisdom of Horses - Angie Payne Whispers from an Angel - Daphne McDonagh My Healing Journey with Animals - Diane Rose-Solomon The Unicorn Search - Beth Lauren Parrish Healing Beauty - Ginny Jablonski Connection A Friend by My Side - Marla Patrick My First Best Friend - Deb Matlock For the Children - Lorie Murphey A Horse, a Boy, and Undying Love - Naomi McDonald Lessons from a Red-Tailed Hawk - Linda Roberts A Divine Communication - Esta Bernstein What It Means to Be a Red Barn Horse - Alexis Braswell Farm Girl Memories - Abigail Stimpert When God Says, "Wait." - Hannah Stimpert Letting Go and Holding On - Donna Palamar Gabriel's Story - Sharon Dilley 26 Marathons and My Trainer - Jo Dibblee Leadership in Flight - Haseena Patel Love and Loss Lead with Love - Kate Neligan Spirit Animals - Stef Skupin Country Life - Joyce Benning Expectations: People vs. Dogs - Katherine Jensen Becoming the Community Cat Lady - Kathy Lynn Mackison Grief, Death, and Dying - Tracy Pierce Horse, Heart, and Home - Ley-Anne Mountain When Fate Brings You Fur Kids - Jean Brannon

Animal My Soul presents itself as a pretty Trojan horse for the age of hypermedia and stimulation. This book is one of three. From The Baba Books, a frantic frolic through the Bardo. The first vile of contemporary textual medicine for the hyper-stimulated, courtesy of the young poet Joseph Matick.

In Faces of Your Soul, Elise Dirlam Ching and Kaleo Ching combine art and archetypes, meditation and acupressure, guided imagery, journaling, and many different creative processes in a collage of healing knowledge and wisdom. The authors start by stressing the balance of complementary opposites—left brain/right brain, challenge/comfort, practicality/the sacred—as crucial to beginning the journey. Then through guided imagery, they lead readers through subconscious realms to connect with archetypal sources of inner wisdom. This process frees the creative and healing spirit, connecting explorers with the body's instinctive intelligence, which expresses itself through the creation of art. Central to this process is a detailed description of maskmaking—including how to work with a partner to mold each other's gauze mask—balanced with self-explorations of the inner experience of this event. Poetry, personal stories, photographs, and a gallery of Kaleo Ching's evocative totemic masks expand the reader's experience of this richly resonant journey to self.

As profiled in the New York Times Magazine… Based on the author’s twenty-five years of experience as a veterinarian and veterinary behaviorist, The Soul of All Living Creatures delves into the inner lives of animals – from whales, wolves, and leopards to mice, dogs, and cats – and explores the relationships we forge with them. As an emergency room clinician four years out of veterinary school, Dr. Vint Virga had a life-changing experience: he witnessed the power of simple human contact and compassion to affect the recovery of a dog struggling to survive after being hit by a car. Observing firsthand the remarkably strong connection between humans and animals inspired him to explore the world from the viewpoint of animals and taught him to respect the kinship that connects us. With The Soul of All Living Creatures, Virga draws from his decades in veterinary practice to reveal how, by striving to perceive the world as animals do, we can enrich our own appreciation of life, enhance our character, nurture our relationships, improve our communication with others, reorder our values, and deepen our grasp of spirituality. Virga discerningly illuminates basic traits shared by both humans and animals and makes animal behavior meaningful, relevant, and easy to understand. Insightful and eloquent, The Soul of All Living Creatures offers an intimate journey into the lives of our fellow creatures and a thought-provoking promise of what we can learn from spending time with them.

That modern art is different from earlier art is so obvious as to be hardly worth mentioning. Yet there is little agreement as to the meaning or the importance of this difference. Indeed, contemporary aestheticians, especially, seem to feel that modern art does not depart in any essential way from the art of the past. One reason for this view is that, with the exception of Marxism, the leading philosophical schools today are ahistorical in orientation. This is as true of phenomenology and existentialism as it is of contemporary analytic philosophy. As a result there have been few attempts by philosophers to understand the meaning of the history of art—an understanding fundamental to any grasp of the difference between modern art and its predecessors. Art expresses an ideal image of man, and an essential part of understanding the meaning of a work of art is understanding this image. When the ideal image changes, art, too, must change. It is thus possible to look at the emergence of modern art as a function of the disintegration of the Platonic-Christian conception of man. The artist no longer has an obvious, generally accepted route to follow. One sign of this is that there is no one style today comparable to Romanesque, Gothic, Renaissance, or Baroque. This lack of direction has given the artist a new freedom. Today there is a great variety of answers to the question, "What is art?" Such variety, however, betrays an uncertainty about the meaning of art. An uneasiness about the meaning of art has led modern artists to enter into dialogue with art historians, psychologists and philosophers. Perhaps this interpretation can contribute to that dialogue.

Examination of the theories of the ancient philosophers, from the materialism of the Presocratics and Hellenists to the dualism of Plato and Plotinus, reveals that psychology had become an established discipline long before Descartes.

Does the soul have parts? What kind of parts? And how do all the parts make together a whole? Many ancient, medieval and early modern philosophers discussed these questions, thus providing a mereological analysis of the soul. Their starting point was a simple observation: we tend to describe the soul of human beings by referring to different types of activities (perceiving, imagining, thinking, etc.). Each type of activity seems to be produced by a special part of the soul. But how can a simple, undivided soul have parts? Classical thinkers gave radically different answers to this question. While some claimed that there are indeed parts, thus assigning an internal complexity to the soul, others emphasized that there can only be a plurality of functions that should not be conflated with a plurality of parts. The eleven chapters reconstruct and critically examine these answers. They make clear that the metaphysical structure of the soul was a crucial issue for ancient, medieval and early modern philosophers.