Jacques Derrida's final seminars were devoted to animal life and political sovereignty—the connection being that animals slavishly adhere to the law while kings and gods tower above it and that this relationship reveals much about humanity in the West. David Farrell Krell offers a detailed account of these seminars, placing them in the context of Derrida's late work and his critique of Heidegger. Krell focuses his discussion on questions such as death, language, and animality. He concludes that Heidegger and Derrida share a commitment to finding new ways of speaking and thinking about human and animal life.

Screening the Nonhuman draws connections between how animals represented on screen translate into reality. In doing so, the book demonstrates that consuming media is not a neutral act but rather a political one. The images humans consume have real world consequences for how animals are treated as actors, as pets, and in nature. The contributors propose that altering the representations of animals can change the way humans relate to non/humans. Our hope is for humans to generate more ethical relationships with non/humans, ultimately mediating reality both in terms of fiction and non-fiction. To achieve this end, film, television, advertisements, and social media are analyzed through an intersectional lens. But the book doesn’t stop here. Each author creates counter-representational strategies that promise to unweave the assumptions that have led to the mistreatment of humans and non/humans alike.

How can literary imagination help us engage with the lives of other animals? The question represents one of the liveliest areas of inquiry in the humanities, and Mark Payne seeks to answer it by exploring the relationship between human beings and other animals in writings from antiquity to the present. Ranging from ancient Greek poets to modernists like Ezra Pound and William Carlos Williams, Payne considers how writers have used verse to communicate the experience of animal suffering, created analogies between human and animal societies, and imagined the kind of knowledge that would be possible if human beings could see themselves as animals see them. The Animal Part also makes substantial contributions to the emerging discourse of the posthumanities. Payne offers detailed accounts of the tenuousness of the idea of the human in ancient literature and philosophy and then goes on to argue that close reading must remain a central practice of literary study if posthumanism is to articulate its own prehistory. For it is only through fine-grained literary interpretation that we can recover the poetic thinking about animals that has always existed alongside philosophical constructions of the human. In sum, The Animal Part marks a breakthrough in animal studies and offers a significant contribution to comparative poetics.

Animal abuse is an increasingly recognized issue throughout the world and makes headlines every year. The plight of animals is well documented, but the hidden cost to those who help is not fully understood. This practical handbook covers definitions, types and explanations of forms of animal abuse, and then examines the impacts of animal abuse on professionals and provides coping strategies. The book concludes with a guide to dealing with animal abuse, including providing first aid for common emergencies and dealing with the human abusers.

This textbook provides a full overview of human-animal studies. It focuses on the conceptual construction of animals in American culture and the way in which it reinforces and perpetuates hierarchical human relationships rooted in racism, sexism, and class privilege.

Blobfish! Blobfish blobfish blobfish! This is a silly picture book about animals and collaboration—or lack thereof. But mostly blobfish. This is a book about animals. It is? I mean, it sort of is. It does have animals in it. It’s a book about animals. I hear you, but you have to admit it’s pretty strange. This is NOT a normal animal book. You should read it. At least we can agree on that. This offbeat picture book asks hilarious questions about animals and art, who’s in charge of a picture book—the author or the illustrator—and really gets you thinking about…BLOBFISH!

Shortlisted for the Booker Prize, "Animal's People" is by turns a profane, scathingly funny, and piercingly honest tale of a boy so badly damaged by the poisons released during a chemical plant leak that he walks on all fours.