Why do America’s cities look the way they do? If we want to know the answer, we should start by looking at our relationship with animals. Americans once lived alongside animals. They raised them, worked them, ate them, and lived off their products. This was true not just in rural areas but also in cities, which were crowded with livestock and beasts of burden. But as urban areas grew in the nineteenth century, these relationships changed. Slaughterhouses, dairies, and hog ranches receded into suburbs and hinterlands. Milk and meat increasingly came from stores, while the family cow and pig gave way to the household pet. This great shift, Andrew Robichaud reveals, transformed people’s relationships with animals and nature and radically altered ideas about what it means to be human. As Animal City illustrates, these transformations in human and animal lives were not inevitable results of population growth but rather followed decades of social and political struggles. City officials sought to control urban animal populations and developed sweeping regulatory powers that ushered in new forms of urban life. Societies for the Prevention of Cruelty to Animals worked to enhance certain animals’ moral standing in law and culture, in turn inspiring new child welfare laws and spurring other wide-ranging reforms. The animal city is still with us today. The urban landscapes we inhabit are products of the transformations of the nineteenth century. From urban development to environmental inequality, our cities still bear the scars of the domestication of urban America.

Nina journeys to a secret jungle city populated by animals, plants, and lost objects. The reason for her visit: story hour, where a book's power holds the wild in thrall. The animals are eager for stories about space, the sea, and other worlds. But their favorite story of all is the one told here: a story about a mysterious place, laden with legend and lore, and now overtaken by nature. Five Pantone colors infuse each illustrated spread with a vibrant, electric energy, making this powerful celebration of nature—and stories—as vivid visually as its narrative is engrossing.

"Things have never been better in Animal Town. All animals are free, and animal does not kill animal." In an anthropomorphic world reminiscent of George Orwell's Animal Farm, predator and prey species of the American prairie have built a democratic, capitalist society where animals live together in harmony. Then, for the first time in memory, a predator kills a prey. The tragedy triggers a resurgence of species-based politics that threatens the very existence of Animal Town. With direct, accessible prose, dry wit, and penetrating satire, Animal Town is a prescient cautionary tale, exposing the danger of far-right and far-left political tribalism. Its nuanced and sophisticated treatment of contemporary politics, grounded in the words and actions of American political and cultural leaders, is related through the compelling story of a young jackrabbit's struggle to understand the nature of freedom, a weasel's quest for wealth and power, and the conflicting dogmas preached by a zealous fox and a radical gopher. Animal Town is a book made for the political moment but rooted in perennial wisdom.

The reader is invited to guess which animal is hiding beneath fold-outs that reveal a succession of clues.

Animal Cities builds upon a recent surge of interest about animals in the urban context. Considering animals in urban settings is now a firmly established area of study and this book presents a number of valuable case studies that illustrate some of the perspectives that may be adopted. Having an ‘urban history’ flavour, the book follows a fourfold agenda. First, the opening chapters look at working and productive animals that lived and died in nineteenth-century cities such as London, Edinburgh and Paris. The argument here is that their presence yields insights into evolving understandings of the category ‘urban’ and what made a good city. Second, there is a consideration of nineteenth-century animal spectacles, which influenced contemporary interpretations of the urban experience. Third, the theme of contested animal spaces in the city is explored further with regard to backyard chickens in suburban Australia. Finally, there is discussion of the problem of the public companion animal and its role in changing attitudes to public space, illustrated with a chapter on dog-walking in Victorian and Edwardian London. Animal Cities makes a significant contribution to animal studies and is of interest to historical geographers, urban, cultural, social and economic historians and historians of policy and planning.

From renowned veterinarian Dr. Doug Mader comes a stirring account of his fight to protect his animal patients and human staff amid the dangerous realities of inner-city life and the Los Angeles riots—and a celebration of the remarkable human-animal bond. The life of a veterinarian is challenging: keeping up with advances in medical care, making difficult decisions about people’s beloved companions, and, in Dr. Doug Mader’s case, navigating the social unrest in Los Angeles in the early 1990s. As one of the few exotic animal experts in California, he was just as likely to be treating a lion as a house cat. The Vet at Noah's Ark: Stories of Survival from an Inner-City Animal Hospital follows Dr. Mader and his staff over the course of a year at Noah's Ark Veterinary Hospital, an inner-city LA area veterinary hospital where Dr. Mader treats not only dogs and cats, but also emus, skunks, snakes, foxes, monkeys, and a host of other exotic animals. This real life drama is set against the backdrop of the trial of four police officers in the Rodney King case, as well as the violent aftermath following their acquittal. This is a book about survival, both of the pets that Dr. Mader and his staff try to save on a daily basis, as well as the staff themselves. Living in the harsh reality of the city, surrounded by gangs, drugs, violence, traffic, smog, and deadly riots, they must overcome and rise above, for their own survival and that of the animals who need them. This awe-inspiring account is told through Dr. Mader's riveting storytelling—as Carl Hiaasen writes, "Doug is fearless and dedicated," and "a damn good storyteller."

Animal Cities builds upon a recent surge of interest about animals in the urban context. Considering animals in urban settings is now a firmly established area of study and this book presents a number of valuable case studies that illustrate some of the perspectives that may be adopted. Having an ’urban history’ flavour, the book follows a fourfold agenda. First, the opening chapters look at working and productive animals that lived and died in nineteenth-century cities such as London, Edinburgh and Paris. The argument here is that their presence yields insights into evolving understandings of the category ’urban’ and what made a good city. Second, there is a consideration of nineteenth-century animal spectacles, which influenced contemporary interpretations of the urban experience. Third, the theme of contested animal spaces in the city is explored further with regard to backyard chickens in suburban Australia. Finally, there is discussion of the problem of the public companion animal and its role in changing attitudes to public space, illustrated with a chapter on dog-walking in Victorian and Edwardian London. Animal Cities makes a significant contribution to animal studies and is of interest to historical geographers, urban, cultural, social and economic historians and historians of policy and planning.