“A lively story as delectable as a five-pound box of chocolates . . . a thoroughly engaging chronicle of friendship and the substantive place it holds in women’s lives.”—Anne D. LeClaire, author of Leaving Eden The women of Freesia Court are convinced that there is nothing good coffee, delicious desserts, and a strong shoulder can’t fix. Laughter is the glue that holds them together—the foundation of a book group they call AHEB (Angry Housewives Eating Bon Bons), an unofficial “club” that becomes much more. It becomes a lifeline. Holding on through forty eventful years, there’s Faith, a lonely mother of twins who harbors a terrible secret that has condemned her to living a lie; big, beautiful Audrey, the resident sex queen who knows that with good posture and an attitude you can get away with anything; Merit, the doctor’s shy wife with the face of an angel and the private hell of an abusive husband; Kari, a wise woman with a wonderful laugh who knows that the greatest gifts appear after life’s fiercest storms; and finally, Slip, a tiny spitfire of a woman who isn’t afraid to look trouble straight in the eye. This stalwart group of friends depicts a special slice of American life, of stay-at-home days and new careers, of children and grandchildren, of bold beginnings and second chances, in which the power of forgiveness, understanding, and the perfectly timed giggle fit is the CPR that mends broken hearts and shattered dreams. “It is impossible not to get caught up in the lives of the book group members. . . . Landvik’s gift lies in bringing these familiar women to life with insight and humor.”—The Denver Post “A guilty pleasure . . . This light, snappy read may be [Landvik’s] best yet.”—Midwest Living

"Bored with their everyday lives and kept in insignificance by their boyfriends/husbands, these are four angry women. They try a number of outlets, but nothing suits until one of them strikes a chord on her guitar and suggests that they form a punk rock group to enter the upcoming talent show at the neighborhood punk club? Their group "The Angry Housewives," enter and win. This genial satire of contemporary feminism ran for ages in Seattle and has had numerous successful productions across the country."--Publisher.

2020-21 Reader Views Literary Award, Gold Medal Winner 2021 Independent Publisher Book Award, Gold Medal Winner 2020 National Jewish Book Award, Finalist 2020 American Book Fest Best Book Awards Finalist in the U.S. History category 2020 Foreword Indies Book of the Year Finalist In the wee hours of May 15, 1902, three thousand Jewish women quietly took up positions on the streets of Manhattan's Lower East Side. Convinced by the latest jump in the price of kosher meat that they were being gouged, they assembled in squads of five, intent on shutting down every kosher butcher shop in New York's Jewish quarter. What was conceived as a nonviolent effort did not remain so for long. Customers who crossed the picket lines were heckled and assaulted and their parcels of meat hurled into the gutters. Butchers who remained open were attacked, their windows smashed, stock ruined, equipment destroyed. Brutal blows from police nightsticks sent women to local hospitals and to court. But soon Jewish housewives throughout the area took to the streets in solidarity, while the butchers either shut their doors or had their doors shut for them. The newspapers called it a modern Jewish Boston Tea Party. The Great Kosher Meat War of 1902 tells the twin stories of mostly uneducated women immigrants who discovered their collective consumer power and of the Beef Trust, the midwestern cartel that conspired to keep meat prices high despite efforts by the U.S. government to curtail its nefarious practices. With few resources and little experience but steely determination, this group of women organized themselves into a potent fighting force and, in their first foray into the political arena in their adopted country, successfully challenged powerful, vested corporate interests and set a pattern for future generations to follow.

A bittersweet, seriously funny novel of a life, a small town, and a key to our troubled times traced through a newspaper columnist’s half-century of taking in, and taking on, the world The curmudgeon who wrote the column “Ramblin’s by Walt” in the Granite Creek Gazette dismissed his successor as “puking on paper.” But when Haze Evans first appeared in the small-town newspaper, she earned fans by writing a story about her bachelor uncle who brought a Queen of the Rodeo to Thanksgiving dinner. Now, fifty years later, when the beloved columnist suffers a massive stroke and falls into a coma, publisher Susan McGrath fills the void (temporarily, she hopes) with Haze’s past columns, along with the occasional reprinted responses from readers. Most letters were favorable, although Haze did have her trolls; one Joseph Snell in particular dubbed her “liberal” ideas the “chronicles of a radical hag.” Never censoring herself, Haze chose to mollify her critics with homey recipes—recognizing, in her constantly practical approach to the world and her community, that buttery Almond Crescents will certainly “melt away any misdirected anger.” Framed by news stories of half a century and annotated with the town’s chorus of voices, Haze’s story unfolds, as do those of others touched by the Granite Creek Gazette, including Susan, struggling with her troubled marriage, and her teenage son Sam, who—much to his surprise—enjoys his summer job reading the paper archives and discovers secrets that have been locked in the files for decades, along with sad and surprising truths about Haze’s past. With her customary warmth and wit, Lorna Landvik summons a lifetime at once lost and recovered, a complicated past that speaks with knowing eloquence to a confused present. Her topical but timeless Chronicles of a Radical Hag reminds us—sometimes with a subtle touch, sometimes with gobsmacking humor—of the power of words and of silence, as well as the wonder of finding in each other what we never even knew we were missing.

The book that changed the consciousness of a country—and the world. Landmark, groundbreaking, classic—these adjectives barely describe the earthshaking and long-lasting effects of Betty Friedan's The Feminine Mystique. This is the book that defined "the problem that has no name," that launched the Second Wave of the feminist movement, and has been awakening women and men with its insights into social relations, which still remain fresh, ever since. A national bestseller, with over 1 million copies sold.

A memoir from the Real Housewife of New York City.

No one steps up to life’s banquet, holds out her tray, and orders, “Grief, please!” But as a child, Candy Pekkala was served a heaping helping of it. Every buffet line has a dessert section, however, and when a cousin calls with a Hollywood apartment to sublet, it seems as though Candy is finally offered something sweet. It’s good-bye to Minnesota and hello to California, where a girl who has always lived by her wits has a real chance of making a living with them. With that, the irrepressible Lorna Landvik launches her latest irresistible character onto the world stage—or at least onto the dimly lit small stage where stand-up comedy gets its start. Herself a comic performer, Landvik taps her own adventurous past and Minnesota roots to conjure Candy’s life in this strange new Technicolor home. Her fellow tenants at Peyton Hall include a female bodybuilder, a ruined nightclub impresario, and a well-connected Romanian fortune-teller. There are game show appearances and temp jobs at a record company and an establishment suspiciously like the Playboy Mansion, and of course the alluring but not always welcoming stage of stand-up comedy. As she hones her act, Candy is tested by humiliation, hecklers, and the inherent sexism that insists “chicks aren’t funny.” Written with the light touch and quiet wisdom that have made her works so popular, this is classic Lorna Landvik—sometimes so funny, you’ll cry; sometimes so sad, you might as well laugh; and always impossible to put down.