The discovery in Sonderhausen of a fragmentary psalter glossed in Latin and Old English allows fresh inferences to be drawn regarding the study of the psalter in Anglo-Saxon England, and of the transmission of the corpus of vernacular psalter glosses. A detailed textual and palaeographical study of the Wearmouth-Jarrow bibles leads to the exciting possibility that the hand of Bede can be identified, annotating the text of the Bible which he no doubt played an instrumental role in establishing. Two Latin texts from the circle of Archbishop Wulfstan are published here in full, whilst disciplined philological and historical analysis helps to clarify a puzzling reference in 'thelbert's law-code to the early medieval practice of providing food render for the king. Finally, the volume contains two pioneering essays in the histoire des mentalités. The usual comprehensive bibliography of the previous year's publications in all branches of Anglo-Saxon studies rounds off the book.

How did the Anglo-Saxons visualize the world that they inhabited? How did their artwork and iconography help to confirm their identity as a people? What influences shaped their visual imagination? This volume brings together a wide range of scholarly perspectives on the role of visuality in the production of culture. Jewels, weapons, crosses, coins, and other artifacts; descriptive passages in literature; types of script; deluxe illuminated manuscripts; and runes and other written inscriptions, whether real or imagined -- all receive scrutiny in this collection of new essays. Noteworthy for its interdisciplinary scope, the volume features arresting work by experts in archaeology, art history, literary studies, linguistics, numismatics, and manuscript studies. The volume as a whole demonstrates the power of current scholarship to cast light on the visual imagination of the past.

Presents the Anglo-Saxon period of English history from the fifth century up to the late eleventh century, covering such events as the spread of Christianity, the invasions of the Vikings, the composition of Beowulf, and the Battle of Hastings.

The question of the British presence in Anglo-Saxon England readdressed by archaeologists, historians, linguists, and place-name specialists. The number of native Britons, and their role, in Anglo-Saxon England has been hotly debated for generations; the English were seen as Germanic in the nineteenth century, but the twentieth saw a reinvention of the German "past". Today, the scholarly community is as deeply divided as ever on the issue: place-name specialists have consistently preferred minimalist interpretations, privileging migration from Germany, while other disciplinary groups have been less united in their views, with many archaeologists and historians viewing the British presence, potentially at least, as numerically significant or even dominant. The papers collected here seek to shed new light on this complex issue, by bringing together contributions from different disciplinary specialists and exploring the interfaces between various categories of knowledge about the past. They assemble both a substantial body of evidence concerning the presence of Britons and offer a variety of approaches to the central issues of the scale of that presence and its significance across the seven centuries of Anglo-Saxon England. NICK HIGHAM is Professor of Early Medieval and Landscape History at the University of Manchester. Contributors: RICHARD COATES, MARTIN GRIMMER, HEINRICH HARKE, NICK HIGHAM, CATHERINE HILLS, LLOYD LAING, C.P. LEWIS, GALE R. OWEN-CROCKER, O.J. PADEL, DUNCANPROBERT, PETER SCHRIJVER, DAVID THORNTON, HILDEGARD L.C. TRISTRAM, DAMIAN TYLER, HOWARD WILLIAMS, ALEX WOOLF

Splendid . . . the major overview of Anglo-Saxon clothing and textile from the 5th to 11th centuries. . . . Owen-Crocker has become the authority reconstructors call upon. . . . A wise and scholarly book. TOEBI Newsletter Based on the revised and expanded edition of 2004, this paperback is an encyclopaedic study of English dress from the fifth to the eleventh centuries, drawing evidence from archaeology, text and art (manuscripts, ivories, metalwork, stone sculpture, mosaics), and also from re-enactors' experience. It examines archaeological textiles, cloth production and the significance of imported cloth and foreign fashions. Dress is discussed as a marker of gender, ethnicity, status and social role - in the context of a pagan burial, dress for holy orders, bequests of clothing, commissioning a kingly wardrobe, and much else - and surviving dress fasteners and accessories are examined with regardto type and to geographical/chronological distribution. There are colour reconstructions of early Anglo-Saxon dress and a cutting pattern for a gown from the Bayeux tapestry; Old English garment names are discussed, and there isa glossary of costume and other relevant terms. GALE OWEN-CROCKER is Professor of Anglo-Saxon Culture at the University of Manchester. She has a special interest in dress throughout the medieval period - she advises ondress entries to the Toronto Old English Dictionary and has consulted for many museums and television companies. She is co-editor of the journal Medieval Clothing and Textiles.

Kings and Kingdoms of Early Anglo-Saxon England provides a unique survey of the six major Anglo-Saxon kingdoms and their royal families, examining the most recent research in this field.

The pre-eminence of Anglo-Saxon England in its field can be seen as a result of its encouragement of interdisciplinary approaches to the study of all aspects of Anglo-Saxon culture. Thus this volume includes an important assessment of the correspondence of St Boniface, in which it is shown that the unusually formulaic nature of Boniface's letters is best understood as a reflex of the saint's familiarity with vernacular composition. A wide-ranging historical contextualization of The Letter of Alexander to Aristotle illuminates the way English readers of the later tenth century may have defined themselves in contradistinction to the monstrous unknown, and a fresh reading of the gendering of female portraiture in a famous illustrated manuscript of the Psychomachia of Prudentius (CCCC 23) shows the independent ways in which Anglo-Saxon illustrators were able to respond to their models. The usual comprehensive bibliography of the previous year's publications rounds off the book; and a full index of the contents of volumes 26-30 is provided. (Previous indexes have appeared in volumes 5, 10, 15, 20 and 25.)