One hundred years after the six Australian colonies voted to become a Federation, the country is struggling with the idea of a republic and a new Constitution and coming to terms with its tangled British legacy. Michael Davie examines this strange relationship and how it has developed over the past two hundred years.

Australian English is perhaps best known for its colourful slang, but the variety is much richer than slang alone. This collection provides a detailed account of Australian English by bringing together leading scholars of this English variety. These scholars provide a comprehensive overview of Australian English’s distinctive features and outline cutting-edge research into the variation and change of English in Australia. Organised thematically, this volume explores the ways in which Australian English differs from other varieties of English, as well as examining regional, social and stylistic variation within the variety. The volume first explores particular structural features where Australian English differentiates itself from other English varieties. There are chapters on phonetics and phonology, socio-phonetics, lexicon and discourse-pragmatics as these elements are core to understanding any variety of English, especially within the World Englishes paradigm. It then considers what are arguably the most salient aspects of variation within Australian English and finally focuses on historical, attitudinal and planning aspects of Australian English. This volume provides a thorough account of Australian English and its users as complex, diverse and worthy of study. Perhaps more importantly, this volume’s scholars provide a reimagining of Australian English and the paradigm through which future scholars may proceed.

Australia is one of the most ethnically diverse societies in the world today. From its ancient indigenous origins to British colonisation followed by waves of European then international migration in the twentieth century, the island continent is home to people from all over the globe. Each new wave of settlers has had a profound impact on Australian society and culture. The Australian People documents the dramatic history of Australian settlement and describes the rich ethnic and cultural inheritance of the nation through the contributions of its people. It is one of the largest reference works of its kind, with approximately 250 expert contributors and almost one million words. Illustrated in colour and black and white, the book is both a comprehensive encyclopedia and a survey of the controversial debates about citizenship and multiculturalism now that Australia has attained the centenary of its federation.

This book examines Anglo-Australian naval relations between 1945-75, a period of great change for both Australia and Great Britain and their respective navies. It explores the cultural and historical ties between the Royal Navy and the Royal Australian Navy (RAN), the efficacy of communications between the services, and the importance of personal relations to the overall inter-service relationship. The author assesses the dilemmas faced by Great Britain associated with that nation’s declining power, and the impact of the retreat from ‘East of Suez’ on the strategic relationship between the United Kingdom and Australia. The book also considers operational co-operation between the Royal Navy and the RAN including conflicts such as the Korean War, the Malayan Emergency, and confrontation with Indonesia, as well as peacetime pursuits such as port visits and the testing of atomic weapons in the 1950s. Co-operation in matters of personnel and training are also dealt with in great detail, along with the co-operation between the Royal Navy and the RAN in equipment procurement and design and the increased ability of the RAN to look to non-British sources for equipment procurement. The book considers the impact of stronger Australian-American ties on the RAN and appraises the role it played in the conflict in Vietnam.

This provocative book is reassessment of Australia's role in World War I and its relations with Britain.

Traditional postcolonial scholarship on art and imperialism emphasises tensions between colonising cores and subjugated peripheries. The ties between London and British white settler colonies have been comparatively neglected. Artworks not only reveal the controlling intentions of imperialist artists in their creation but also the uses to which they were put by others in their afterlives. In many cases they were used to fuel contests over cultural identity which expose a mixture of rifts and consensuses within the British ranks which were frequently assumed to be homogeneous. British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries represents the first systematic and comparative study of collecting British art in Australia between 1860 and 1953 using the archives of the Australian national galleries and other key Australian and UK institutions. Multiple audiences in the disciplines of art history, cultural history, and museology are addressed by analysing how Australians used British art to carve a distinct identity, which artworks were desirable, economically attainable, and why, and how the acquisition of British art fits into a broader cultural context of the British world. It considers the often competing roles of the British Old Masters (e.g. Romney and Constable), Victorian (e.g. Madox Brown and Millais), and modern artists (e.g. Nash and Spencer) alongside political and economic factors, including the developing global art market, imperial commerce, Australian Federation, the First World War, and the coming of age of the Commonwealth.