Angie Brown is determined to succeed despite the obstacles she faces in the Jim Crow world she inhabits. All she needs is to meet the right people in the right places and find true love, and the rest will be history. Will she succeed?

The face of the pedestrian safety crisis looks a lot like Ignacio Duarte-Rodriguez. The 77-year old grandfather was struck in a hit-and-run crash while trying to cross a high-speed, six-lane road without crosswalks near his son’s home in Phoenix, Arizona. He was one of the more than 6,000 people killed while walking in America in 2018. In the last ten years, there has been a 50 percent increase in pedestrian deaths. The tragedy of traffic violence has barely registered with the media and wider culture. Disproportionately the victims are like Duarte-Rodriguez—immigrants, the poor, and people of color. They have largely been blamed and forgotten. In Right of Way, journalist Angie Schmitt shows us that deaths like Duarte-Rodriguez’s are not unavoidable “accidents.” They don’t happen because of jaywalking or distracted walking. They are predictable, occurring in stark geographic patterns that tell a story about systemic inequality. These deaths are the forgotten faces of an increasingly urgent public-health crisis that we have the tools, but not the will, to solve. Schmitt examines the possible causes of the increase in pedestrian deaths as well as programs and movements that are beginning to respond to the epidemic. Her investigation unveils why pedestrians are dying—and she demands action. Right of Way is a call to reframe the problem, acknowledge the role of racism and classism in the public response to these deaths, and energize advocacy around road safety. Ultimately, Schmitt argues that we need improvements in infrastructure and changes to policy to save lives. Right of Way unveils a crisis that is rooted in both inequality and the undeterred reign of the automobile in our cities. It challenges us to imagine and demand safer and more equitable cities, where no one is expendable.

Opal is an eighteen-year-old Black woman working as a housekeeper in a small Southern town in the 1930s—and then the Klan descends. A moving story that confronts America’s tragic past, When Stars Rain Down is both heartwarming and heart-wrenching. The summer of 1936 in Parsons, Georgia, is unseasonably hot, and Opal Pruitt senses a nameless storm brewing. She hopes this foreboding feeling won’t overshadow her upcoming 18th birthday or the annual Founder’s Day celebration in just a few weeks. She and her Grandma Birdie work as housekeepers for the white widow Miss Peggy, and Opal desperately wants some time to be young and carefree with her cousins and friends. But when the Ku Klux Klan descends on Opal’s neighborhood, the tight-knit community is shaken in every way possible. Parsons’s residents—both Black and white—are forced to acknowledge the unspoken codes of conduct in their post-Reconstruction era town. To complicate matters, Opal finds herself torn between two unexpected romantic interests—the son of her pastor, Cedric Perkins, and the white grandson of the woman she works for, Jimmy Earl Ketchums. Faced with love, loss, and a harsh awakening to an ugly world, Opal holds tight to her family and faith—and the hope for change. “When Stars Rain Down is so powerful, timely, and compelling . . . an important and beautifully written must-read of a novel.” —Silas House, author of Southernmost 2021 Langum Prize in American Historical Fiction – Finalist Stand-alone novel Includes discussion questions for book clubs

This blistering, fearless, and unforgettable literary novel finds a woman with everything on the line and a life-or-death decision waiting for her—perfect for fans of Claudia Rankine and Jenny Offill. Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going. The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart? Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away. "Virginia Woolf's Mrs. Dalloway meets Claudia Rankine's Citizen...as breathtakingly graceful as it is mercilessly true.”—Olivia Sudjic, author of Sympathy and Asylum Road A woman confronts the most important question of her life in this blistering, fearless, and unforgettable literary debut from "a stunning new writer." (Bernardine Evaristo) “A quiet, measured call to revolution…This is the kind of book that doesn’t just mark the moment things change, but also makes that change possible.”—Ali Smith, author of Summer "Brilliant. Brown's gaze is piercing."—Avni Doshi, author of Burnt Sugar

Now in paperback—Angie Martinez, the “Voice of New York,” candidly recounts the story of her rise to become an internationally celebrated hip hop radio icon. In her current reign at Power 105.1 and for nearly two decades at New York’s Hot 97, Angie Martinez has had one of the highest rated radio shows in the country. After working her way up as an intern, she burst on the scene as a young female jock whose on-air “Battle of the Beats” segment broke records and became a platform for emerging artists like a young Jay Z. Angie quickly became known for intimate, high-profile interviews, mediating feuds between artists, and taking on the most controversial issues in hip hop. At age twenty-five, at the height of the East Coast/West Coast rap war, Angie was summoned by Tupac Shakur for what would be his last no-holds-barred interview—which has never aired in its entirety and which she’s never discussed in detail—until now. Angie shares stories from behind-the-scenes of her most controversial conversations, from onetime presidential hopeful Barack Obama to superstars like Mary J. Blige and Chris Brown, and describes her emotional, bittersweet final days at Hot 97 and the highly publicized move to Power 105.1. She also opens up about her personal life—from her roots in Washington Heights and her formative years being raised by a single mom in Brooklyn to exploring the lessons that shaped her into the woman she is today. From the Puerto Rican Day Parade to the White House—Angie is universally recognized as a powerful voice in the Latino and hip hop communities. My Voice gives an inside look at New York City’s one-of-a-kind urban radio culture, the changing faces of hip hop music, and Angie’s rise to become the Voice of New York.

Born in the 1880s in Jefferson, Texas, Lillian B. Jones Horace grew up in Fort Worth and dreamed of being a college-educated teacher, a goal she achieved. But life was hard for her and other blacks living and working in the Jim Crow South. Her struggles convinced her that education, particularly that involving the printed word, was the key to black liberation. In 1916, before Marcus Garvey gained fame for advocating black economic empowerment and a repatriation movement, Horace wrote a back-to-Africa novel, Five Generations Hence, the earliest published novel on record by a black woman from Texas and the earliest known utopian novel by any African American woman. She also wrote a biography of Lacey Kirk Williams, a renowned president of the National Baptist Convention; another novel, Angie Brown, that was never published; and a host of plays that her students at I. M. Terrell High School performed. Five Generations Hence languished after its initial publication. Along with Horace’s diary, the unpublished novel, and the Williams biography, the book was consigned to a collection owned by the Tarrant County Black Historical and Genealogical Society and housed at the Fort Worth Public Library. There, scholar and author Karen Kossie-Chernyshev rediscovered Horace’s work in the course of her efforts to track down and document a literary tradition that has been largely ignored by both the scholarly community and general readers. In this book, the full text of Horace’s Five Generations Hence, annotated and contextualized by Kossie-Chernyshev, is once again presented for examination by scholars and interested readers.In 2009 Kossie-Chernyshev invited nine scholars to a conference at Texas Southern University to give Horace’s works a comprehensive interdisciplinary examination. Subsequent work on those papers resulted in the studies that form the second half of this book.