A collection of photos made by Lindbloom in Florence between 1979 and 1987, using a Diana camera--virtually a child's toy with a plastic lens (the story of which is explained in an afterword). The photos have an intriguing strangeness and intimacy. 10x9.25" Annotation c. by Book News, Inc., Portland, Or.The Florence revealed in Eric Lindbloom's Angels at the Arno is almost startling in its intimacy and quiet solitude. Lindbloom's view of the city - rendered exclusively through the plastic lens of a Diana camera, virtually a child's toy - brings this venerable city to new life and light. With unabashed subjectivity and an offbeat, oneiric sensibility, Lindbloom conveys his sense of an unveiled Florence, filled with views striking for the beauty they contain rather than for the history they suggest.

In the 1990s alone, more than 400 works on angels were published, adding to an already burgeoning genre. Throughout the centuries angels have been featured in, among others, theological works on scripture; studies in comparative religions; works on art, architecture and music; philological studies; philosophical, sociological, anthropological, archeological and psychological works; and even a psychoanalytical study of the implications that our understanding of angels has for our understanding of sexual differences. This bibliography lists 4,355 works alphabetically by author. Each entry contains a source for the reference, often a Library of Congress call number followed by the name of a university that holds the work. More than 750 of the entries are annotated. Extensive indexes to names, subjects and centuries provide further utility.

Art and poetry, mystery and desire collide in this sensual and “elegantly moving” literary romance set in the cobbled streets and painted halls of Florence, Italy (New Yorker). Margot Harrington, an American volunteer in Florence, is an expert at book conservancy. While struggling to save a waterlogged convent library, she comes across a fabulous volume of 16 erotic drawings by Giulio Romano, accompanying 16 steamy sonnets by Pietro Aretino. When first published over 4 centuries ago, the Vatican ordered all copies destroyed. This one—now unique—volume has survived. The abbess prevails upon Margot to save the order’s finances by selling the magnificently illustrated erotica discreetly—meaning without the bishop’s knowledge. Margot’s other clandestine project is a middle-aged Italian who is boldly attempting radical measures to save endangered frescoes. She is 29 and available; he, older and married. He shares her sense of mission and soon her bed in this daring story of spiritual longing and earthly desire.

A charming, informative personal history that blends the anecdotal, historical, and downright unusual The child of Italian immigrants and an award-winning scholar of Italian literature, in My Two Italies Joseph Luzzi straddles these two perspectives to link his family's dramatic story to Italy's north-south divide, its quest for a unifying language, and its passion for art, food, and family. From his Calabrian father's time as a military internee in Nazi Germany—where he had a love affair with a local Bavarian woman—to his adventures amid the Renaissance splendor of Florence, Luzzi creates a deeply personal portrait of Italy that leaps past facile clichés about Mafia madness and Tuscan sun therapy. He delves instead into why Italian Americans have such a complicated relationship with the "old country," and how Italy produces some of the world's most astonishing art while suffering from corruption, political fragmentation, and an enfeebled civil society. With topics ranging from the pervasive force of Dante's poetry to the meteoric rise of Silvio Berlusconi, Luzzi presents the Italians in all their glory and squalor, relating the problems that plague Italy today to the country's ancient roots. He shares how his "two Italies"—the earthy southern Italian world of his immigrant childhood and the refined "northern" Italian realm of his professional life—join and clash in unexpected ways that continue to enchant the many millions who are either connected to Italy by ancestry or bound to it by love.

World War I began disastrously for the English when the Germans routed them at Mons, Belgium, on August 23 and 24, 1914. On September 29, 1914, the Anglo-Welsh writer Arthur Machen fictionalized this encounter in a newspaper story, claiming that the English were saved by the appearance of angelic bowmen sent by St. George. But his fiction became accepted as fact. The believers--notables G. K. Chesterton, Arthur Conan Doyle and C. S. Lewis, along with almost forgotten figures like Harold Begbie, Phyllis Campbell and T. W. H. Crosland--wrote pamphlets, testimonies and poems, performed music and created motion pictures attesting to the existence of the guardian angels. This history of the Angels of Mons controversy for the first time collects and annotates Machen's work and the responses it inspired, most of which have not been available since their publication a century ago. Also reprinted for the first time are several of Machen's responses to the believers, including "The Angels of Mons: Absolutely My Last Word on the Subject" and "The Return of the Angels: This Time They Are at Ypres."

Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.