In 1972, Angela Carter translated Xavière Gauthier’s ground-breaking feminist critique of the surrealist movement, Surréalisme et sexualité (1971). Although the translation was never published, the project at once confirmed and consolidated Carter’s previous interest in surrealism, representation, gender and desire and aided her formulation of a new surrealist-feminist aesthetic. Carter’s sustained engagement with surrealist aesthetics and politics as well as surrealist scholarship aptly demonstrates what is at stake for feminism at the intersection of avant-garde aesthetics and the representation of women and female desire. Drawing on previously unexplored archival material, such as typescripts, journals, and letters, Anna Watz’s study is the first to trace the full extent to which Carter’s writing was influenced by the surrealist movement and its critical heritage. Watz’s book is an important contribution to scholarship on Angela Carter as well as to contemporary feminist debates on surrealism, and will appeal to scholars across the fields of contemporary British fiction, feminism, and literary and visual surrealism.

Contributing to the conversation regarding Angela Carter's problematic relationship with what she viewed as the interrelated traditions of surrealism and psychoanalysis, Scott Dimovitz explores the intricate connections between Carter's private life and her public writing. He begins with Carter's assertion that it was through her "sexual and emotional life" that she was radicalized, drawing extensively on the British Library's recently archived collection of Carter's private papers, journals, and letters to show how that radicalization happened and what it meant both for her worldview and for her writings. Through close textual analysis and a detailed study of her papers, Dimovitz analyzes the ways in which this second-wave feminist's explorations of sexuality merged with her investigations into surrealism and psychoanalysis, an engagement that ultimately led to the explosively surreal allegories of Carter's later, more complex, and more accomplished work. His study not only offers a new way to view Carter's oeuvre, but also makes the case for the importance of Angela Carter's vision in understanding the transformations in feminist thinking from the postwar to the postfeminist generation.

Covering her early poetry and journalism as well as her fictional writings, leading international scholars explore new directions in scholarship on Angela Carter.

The transformation of Desiderio's city into a mysterious kingdom is instantaneous: Hallucination flows with magical speed in every brain; avenues and plazas are suddenly as fertile as fairy-book forests. And the evil comes, too, as imaginary massacres fill the streets with blood, the dead return to question the living, and profound anxiety drives hundreds to suicide. Behind it all stands Doctor Hoffman, whose gigantic generators crack the immutable surfaces of time and space and plunge civilization into a world without the chains – or structures – of reason. Only Desiderio, immune to mirages and fantasy, can defeat him. But Desiderio's battle will take him to the very brink of undeniable, irresistible desire.

Strange worlds. The vision of Angela Carter' celebrates the life and work of the hugely influential writer Angela Carter (1940-1992), 25 years after her death, and accompanies a major exhibition of the same name at the RWA (Royal West of England Academy), Bristol. Bringing together art and literature, Strange Worlds explores Carter's recurring themes of feminism, mysticism, sexuality and fantasy, through historically significant art works by Marc Chagall, William Holman Hunt, Dame Laura Knight, Leonora Carrington and John Bellany. These historical works sit alongside work by major contemporary artists including Ana Maria Pacheco, Eileen Cooper, Paula Rego and Alice Maher revealing the extent to which Angela Carter's ideas have indirectly but profoundly influenced twenty-first century culture. The book contains reminiscences of those who knew and worked with Carter including close friends Christopher Frayling, Marina Warner, Christine Molan and her publisher, Carmen Callil (founder of Virago) each of whom offers a personal insight into Carter's unique - and strange - vision of the world. Exhibition: Royal West of England Academy, Bristol, UK (10.12.2016-19.03.2017).

Essay from the year 2020 in the subject English Language and Literature Studies - Literature, , course: PhD, language: English, abstract: With the rise of feminism in the West, there came a drastic change in the society in regard to women in terms of their status and position in the society. Women came out in all the spheres i.e. literature, politics, bureaucracy, sports, films and media etc. So because of this many women writers emerged in Britain who have gain name and fame internationally and who have enriched the British literature like the male writers. Angela Carter is one such English novelist who is known for her feminism and also postmodernism. She was a journalist who was famous for her magical realism, surrealism, fantasy, gothic, science fiction and picaresque works. Because of all this, she is considered as a unique and original writer of 20th century. She was ranked tenth in the list of "The 50 greatest British writers since 1945" by The Times in 2008.