This edition provides both professional critics and casual readers with a methodical aid to appreciating what the author believes to be the most aesthetically eventful, unobtrusively playful, and undemanding complex long poem of the English Renaissance. Using line-by-line annotation, the edition strives to pay minute and continuous attention to the workings of the poem's dazzlingly protean wit, to its multiple, often breathtakingly artful, internal coherences. While the edition does all the usual work a scholarly annotation is expected to do, it is particularly focused on accomplishing what has not been done by previous Marvell scholarship: laying bare every instance of the poem's dynamic wit. In doing so, it, in particular, alerts Marvell's readers to such, for the most part, non-interpretive, aspects of the poem as associative connections operating on the periphery of one's conscious experience, palpable or merely hinted-at wordplay, coexisting multiple syntaxes, and patterns of formal and informal phonic coherence.

The Oxford Handbook of Andrew Marvell is the most comprehensive and informative collection of essays ever assembled dealing with the life and writings of the poet and politician Andrew Marvell (1621-78). Like his friend and colleague John Milton, Marvell is now seen as a dominant figure in the literary landscape of the mid-seventeenth century, producing a stunning oeuvre of poetry and prose either side of the Restoration. In the 1640s and 1650s he was the author of hypercanonical lyrics like 'To His Coy Mistress' and 'The Garden' as well as three epoch-defining poems about Oliver Cromwell. After 1660 he virtually invented the verse genre of state satire as well as becoming the most influential prose satirist of the day - in the process forging a long-lived reputation as an incorruptible patriot. Although Marvell himself was an intensely private and self-contained character, whose literary, religious, and political commitments are notoriously difficult to discern, the interdisciplinary contributions by an array of experts in the fields of seventeenth-century literature, history, and politics gathered together in the Handbook constitute a decisive step forward in our understanding of him. They offer a fully-rounded account of his life and writings, individual readings of his key works, considerations of his relations with his major contemporaries, and surveys of his rich and varied afterlives. Informed by the wealth of editorial and biographical work on Marvell that has been produced in the last twenty years, the volume is both a conspectus of the state of the art in Marvell studies and the springboard for future research.

This text studies the poetry and polemics of early modern writer Andrew Marvell. It situates Marvell and his writings within the patronage networks and political upheavals of mid-17th century England.

A set of specially commissioned essays forming a fresh understanding of the poet within his time and place.

Professor Colie brings together all previous and partial perspectives on Andrew Marvell, adds new ones harvested from her own deep learning and wide research, and transforms the whole into what Professor Joseph Summers of the University of Michigan has called "the best critical book on Marvell's poetry." Rich in details and knowledge of seventeenth-century English poetry, aesthetics, Renaissance and Baroque literature and art, and critical theory, "My Ecchoing Song" first examines Marvell's uses of theme and device in various lyrics. Later parts of the book concentrate on "Upon Appleton House" and "The Garden," which Professor Colie reads from the various focuses of political history, Marvell's knowledge and use of emblems and classical authors, contemporary theology, philosophy, and painting. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

'Matthew C. Augustine has managed to achieve, if not the impossible, then something vanishingly rare in the genre of literary biography. In tracing the frequently intricate links between Marvell's writings and their contexts, he engages (and often challenges) readers familiar with the terrain while providing enough guidance to newcomers to make them feel welcome. Most valuable are the analyses of poems that have received less critical attention than the acknowledged masterpieces, but which are deeply suggestive about the life and character of the man who produced them.' - Joanna Picciotto, Associate Professor, University of California, Berkeley, USA, author of Labors of Innocence in Early Modern England (2010). This book provides an accessible account of the poet and politician Andrew Marvell's life (1621-1678) and of the great events which found reflection in his work and in which he and his writings eventually played a part. At the same time, considerable space is afforded to reflecting deeply on the modes and meanings of Marvell's art, redressing the balance of recent biography and criticism which has tended to dwell on the public and political aspects of this literary life at the expense of lyric invention and lyric possibility. Moving beyond the familiar terms of imitation and influence, the book aims at reconstructing an embodied history of reading and writing, acts undertaken within a series of complex physical and social environments, from the Hull Charterhouse to the coffee houses and print shops of Restoration London. Care has been taken to cover the whole of Marvell's career, in verse and prose, even as the book places the lyric achievement at the centre of its vision.