DigiCat Publishing presents to you this special edition of "Andrew Golding: A Tale of the Great Plague" by Anne E. Keeling. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

In 'Andrew Golding: A Tale of the Great Plague' by Annie E. Keeling, two sisters navigate the harrowing realities of the Great Plague. As the disease ravages London, they face the cowardice of leadership, the extravagance of the royals, and the scapegoating of Jews. But when Andrew Golding enters the picture, their lives take a surprising turn. Despite not playing a major role at first, Golding becomes a key player in the plot, and the sisters' journey takes on a new dimension. Follow their gripping story as they struggle to survive in a world where death is all around them.

Now that my sister and myself are in such a strange melancholy case, and I enforced to spend many hours daily in idleness, I find the time hang very heavy; for I cannot, like Althea, entertain any longer the hopes that brought us hither. She continues daily to make great exertions in pursuing them, but does not often admit my help; and, being afraid that I may fall into mere desperation, I have bethought me how to amuse some hours daily by setting down the manner of our present troubles and the beginnings that led to them. May I live to write of their happy end! but my fears are very great, and almost forbid me to pray thus. Having thus resolved how to beguile the heavy time, I began spying about for paper and pens and ink; and finding in a kind of lumber room a great many sheets of coarse paper, I stitched them together; then with much trembling I peeped into the study of the late poor master of the house, and there found a bundle of quills and some ink; and, leaving money in his desk to the full value of the things I took, I carried my writing-tools into the great front parlour, and set myself to the work. Now while I sat considering how to begin, Althea comes softly behind me, and, looking over my shoulder, asks me what I would be at; and when I told her, 'What, child,' says she, 'art going to turn historian? Thy spirits are more settled than mine, if thou canst sit quietly down to such work, with sights like these daily before thine eyes,' pointing with her hand to the window. Now I had pulled the table into a corner well out of sight from the street, wishing not to be discerned; for as yet but one knows of our being hidden in this house, and we would fain keep it a secret still. But rising and following with my eyes her pointing hand, I could behold a sight common enough, but too dismal to be looked on without fresh apprehension each time: in the middle of the street, which is quite grown with grass, a horse and cart standing, no driver in sight near it, and the cart as we too well knew being that which goes round daily to take away such as die of the Plague, though as it then stood we could not discern if any dead person lay in it.