The fascinating story of one of the early gentleman scientists who helped lay the foundations for modern life and who unexpectedly achieved worldwide fame, followed quickly by infamy. This is a detailed and personal biography of Andrew Crosse (1784-1855), a pioneering scientist, eccentric republican landowner and poet. It is a tale of scientific dedication and discoveries, family tragedies and scandal. It is filled with many ups and downs and much humour, plus a bit of scandal. It is also full of unexpectedly curious incidents, like his involvement in an armed rebellion as a schoolboy, and the occasion when he accompanied Michael Faraday to a seance! While we owe a lot to the ‘amateur’ scientists who laid the foundation of our modern comfortable existence, we often do not know much about their private lives, and none achieved both the fame and notoriety that Andrew Crosse did, and which is still attached to his name today. Some people have even claimed that Andrew inspired Mary Shelley’s Frankenstein, and that he accidently created life in the form of mites during an experiment, which brought him to wide attention in Britain, Europe and America, and shook science to its very foundations. His great foresight is now revealed since his predictions about modern life have come true, such as this statement made in 1816: By means of the electric agency, we shall be enabled to communicate our thoughts instantaneously with the utmost parts of the earth. This wide-ranging book is the story of Andrew Crosse’s single-minded dedication to science and very unusual life and family, told in full for the first time.

What is as unique as your fingerprints and more revealing than your diary? Hint: Your body is emitting them right now and has been every single day of your life. Brainwaves. Analyzing brainwaves, the imperceptible waves of electricity surging across your scalp, has been possible for nearly a century. But only now are neuroscientists becoming aware of the wealth of information brainwaves hold about a person's life, thoughts, and future health. From the moment a reclusive German doctor discovered waves of electricity radiating from the heads of his patients in the 1920s, brainwaves have sparked astonishment and intrigue, yet the significance of the discovery and its momentous implications have been poorly understood. Now, it is clear that these silent broadcasts can actually reveal a stunning wealth of information about any one of us. In Electric Brain, world-renowned neuroscientist and author R. Douglas Fields takes us on an enthralling journey into the world of brainwaves, detailing how new brain science could fundamentally change society, separating fact from hyperbole along the way. In this eye-opening and in-depth look at the most recent findings in brain science, Fields explores groundbreaking research that shows brainwaves can: • Reveal the type of brain you have—its strengths and weaknesses and your aptitude for learning different types of information • Allow scientists to watch your brain learn, glean your intelligence, and even tell how adventurous you are • Expose hidden dysfunctions—including signifiers of mental illness and neurological disorders • Render your thoughts and transmit them to machines and back from machines into your brain • Meld minds by telepathically transmitting information from one brain to another • Enable individuals to rewire their own brains and improve cognitive performance Written by one of the neuroscientists on the cutting edge of brainwave research, Electric Brain tells a fascinating and obscure story of discovery, explains the latest science, and looks to the future—and the exciting possibilities in store for medicine, technology, and our understanding of ourselves.

Photography, both in the form of contemporary practice and that of historical material, now occupies a significant place in the citadels of Western art culture. It has an institutional network of its own, embedded within the broader art world, with its own specialists including academics, critics, curators, collectors, dealers and conservators. All of this cultural activity consolidates an artistic practice and critical discourse of photography that distinguishes what is increasingly termed 'art photography' from its commercial, scientific and amateur guises. But this long-awaited recognition of photography as high art brings new challenges. How will photography's newly privileged place in the art world affect how the history of creative photography is written? Modernist claims for the medium as having an aesthetic often turned on precedents from painting. Postmodernism challenged a cultural hierarchy organized around painting. Nineteenth-century photographs move between the symbolic spaces of the gallery wall and the archive: de-contextualised for art and re-contextualised for history. But what of the contemporary writings, images, and practices that negotiated an aesthetic status for 'the photographic'? Photography and the Arts revisits practices both celebrated and elided by the modernist and postmodernist grand narratives of art and photographic history in order to open up new critical spaces. Written by leading scholars in the fields of photography, art and literature, the essays examine the metaphorical as well as the material exchanges between photography and the fine, graphic, reproductive and sculptural arts.

The majority of books covering the birth and development of electroacoustic and electronic music do seem to only give us a partial overview of this peculiar aspect of contemporary cultural production; essays and monographs provide an androcentric view on the subject, rarely mentioning the contribution of inventresses, female composers and theorists. The “young” age of electronic music – together with the traditional privilege granted by historians to the productions of North America and some European countries – contribute in obstructing the drafting of a paritary, diagonal and comprehensive view of this topic. This book aims to open a new perspective on electronic music history; If we want to write a new, more inclusive and equitable future, we will have to look at the facts by training a curious gaze, stripped of mechanically reiterated certainties. From the birth of the Theremin to the first commercial software intended for the production of computer music, from Japan to Russia passing through Europe and the American Continent, each chapter of this book deals with a specific moment of the history of electronic music narrated through the compositions and experiences of women composers. Addressed to lovers of electronic music, scholars and non-experts, A Short History of Electronic Music and its Women Protagonists discloses a new and vibrating universe of untold stories.

In 1815, the clever and courted Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron’s little girl was introduced to mathematics as a means of calming her wild spirits. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage’s unbuilt calculating engine to predict the dawn of the modern computer age.During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unexpectedly sympathetic personality.Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter.