"Studies in repetition and order, orchestrations of movement in the landscape, and elements placed in geometric conversation," is how author Mary Myers describes the twenty-five-year career of San Francisco-based landscape architect Andrea Cochran. Poetic language suits these functional and often lyrical works of art. They are sensuous, captivating oases that absorb the eye in a totality of spatial composition. Andrea Cochran: Landscapes presents eleven residential, commercial, and institutional landscape projects in detail, including Walden Studios in Alexander Valley, California; the sculpture garden for the Portland Art Museum in Portland, Oregon; and the award-winning Children's Garden in San Francisco. Andrea Cochran seeks to put her clients' individual narratives in conversation with the land. Her work is distinguished by its careful consideration of site, climate, and existing architecture. A stacked plane of planters, each housing a different variety of succulent, mimics the compression found in hills banked against each other in the distance. Drawing on an encyclopedic knowledge of plant species, Cochran uses vegetation to blur edges, and porous and permeable materials to create grade changes that enlighten and disappear. Materials such as COR-TEN steel allow her to draw boundaries on the land with ultrathin edges while also reflecting the earthy tones of the soil beneath. Cochran's landscapes are clean, but not cold. In her hands, polished black concrete becomes both a quiet reflection of the sky and an instrument to amplify the sound of falling rain; locally quarried stone walls reflect the border walls between valley farms; twisted forms of olive respond to the spreading California oaks dotting distant hills. A combination of harmony, wonder, and surprise awaits wherever her sharp geometry and vibrant plant life meet. Featuring stunning photography, drawings, plans, and an essay by San Francisco Museum of Modern Art curator Henry Urbach, Andrea Cochran: Landscapes celebrates the first twenty-five years of a highly intuitive and reflective creative process.

Over the last few decades, a rich and increasingly diverse practice has emerged in the art world that invites the public to touch, enter, and experience the work, whether it is in a gallery, on city streets, or in the landscape. Like architecture, many of these temporary artworks aspire to alter viewers' experience of the environment. An installation is usually the end product for an artist, but for architects it can also be a preliminary step in an ongoing design process. Like paper projects designed in the absence of "real" architecture, installations offer architects another way to engage in issues critical to their practice. Direct experimentation with architecture's material and social dimensions engages the public around issues in the built environment that concern them and expands the ways that architecture can participate in and impact people's everyday lives. The first survey of its kind, Installations by Architects features fifty of the most significant projects from the last twenty-five years by today's most exciting architects, including Anderson Anderson, Philip Beesley, Diller + Scofidio, John Hejduk, Dan Hoffman, and Kuth/Ranieri Architects. Projects are grouped in critical areas of discussion under the themes of tectonics, body, nature, memory, and public space. Each project is supplemented by interviews with the project architects and the discussions of critics and theorists situated within a larger intellectual context. There is no doubt that installations will continue to play a critical role in the practice of architecture. Installations by Architects aims to contribute to the role of installations in sharpening our understanding of the built environment.

"Landscape designers have long understood the use of plants to provide beauty, aesthetic pleasure and visual stimulation while supporting a broad range of functional goals. However, the potential for plants in the landscape to elicit human involvement and provide mental stimulation and restoration is much less well understood. This book meshes the art of planting design with an understanding of how humans respond to natural environments. Beginning with an understanding of human needs, preferences, and responses to landscape, the author interprets the ways in which an understanding of the human- environment interaction can inform planting design. Many of the principles and techniques that may be used in planting design are beautifully illustrated in full colour with examples by leading landscape architects and designers from the United Kingdom, Europe, North America and Asia including Andrea Cochran, Richard Hartlage, Melody Redekop, Shunmyo Masuno, Allyson Mendenhall, Piet Oudolf, Christine Ten Eyck and Kongjian Yu. The book stimulates thought, provides new direction and assists the reader to find their own unique design voice. Because there are many valid processes and intentions for landscape design, the book is not intended to be overly prescriptive. Rather than presenting a strict design method and accompanying set of rules, Planting Design provides information, insight and inspiration as a basis for developing the individual designer's own expression in this most challenging of art forms"--

A California field biologist draws on historical ecology and extensive first-hand research to uncover regional history in the Golden State's forgotten landscapes, providing a visual testament to natural-world changes and related opportunities for conservation.

While many fields struggle to specify feminine contributions, the work of women has always played a fundamental role in American landscape architecture. Women claim responsibility for many landscape types now taken for granted, including community gardens, playgrounds, and streetscapes. This collection of essays by leaders in the discipline addresses the ways that gender has influenced the history, design practice and perception of landscapes. It highlights women's relation to landscape architecture, presents the professional efforts of women in the landscape realm, examines both the perception and experience of landscapes by women, and speculates on ways to re-imagine gender and the landscape.

Planting design is, rather obviously, a complex topic, spanning as it does art, science, social need, and morality--especially during these days of increasing planetary environmental threat. Although certainly not denying the importance of scientifically appropriate practices, the symposium "The Aesthetics of [Contemporary] Planting Design" addressed planting design today, proposing a renewed concern for the cultural and aesthetic aspects of the landscapes that result. This book, which has been developed from the original presentations at the symposium, presents the thoughts of a select international group of landscape architects and historians who discuss the subject of planting design through the lens of their own work as well as the work of others, both contemporary and historical. They suggest that, as in real estate, the most important factor in selecting plants is "location, location, location." Certainly the Californian situation is far more forgiving than the aridity and other restrictive environmental conditions endemic to the Sonoran desert, or the frost and short growing seasons of Nordic lands that direct Scandinavian landscape architects to rely on native birches, pines, rowan, and moss. Most of us would agree that there are plants sensible for each climatic zone. Addressing environmental conditions is but the first step in the equation, however. There are also the issues of combination and composition.

Defining a research question, describing why it needs to be answered and explaining how methods are selected and applied are challenging tasks for anyone embarking on academic research within the field of landscape architecture. Whether you are an early career researcher or a senior academic, it is essential to draw meaningful conclusions and robust answers to research questions. Research in Landscape Architecture provides guidance on the rationales needed for selecting methods and offers direction to help to frame and design academic research within the discipline. Over the last couple of decades the traditional orientation in landscape architecture as a field of professional practice has gradually been complemented by a growing focus on research. This book will help you to develop the connections between research, teaching and practice, to help you to build a common framework of theory and research methods. Bringing together contributions from landscape architects across the world, this book covers a broad range of research methodologies and examples to help you conduct research successfully. Also included is a study in which the editors discuss the most important priorities for the research within the discipline over the coming years. This book will provide a definitive path to developing research within landscape architecture.