The Bristish artist duo Anderson & Low has created a highly original art project based on the brilliant artifice of the spectacular sets from the latest James Bond movie, Spectre. Shooting entirely at Pinewood Studios, UK, the artist duo highlights a head-on collision of fantasy and reality by photographing the sets' massive scale and extraordinary detail. Allowing the bare soundstage to intrude on the images would normally shatter the illusion of the sets. In this case, however, it has the reverse effect and enhances the sense of illusion, artifice and wonder. Through a poetic and painterly eye, the beautifully designed and magnificently photographed images bring to life these detailed and massive tableaux, creating a poetry and narrative fantasy that mirrors the movie. This book represents a unique study in movie-making and constructed narratives in photography. Exhibition: Camera Work, Berlin 24.6.-27.8.2016

Please note: This is a companion version & not the original book. Sample Book Insights: #1 The scout and gun team would check the highway up to An Loc, and the scout would check the area near the highway. One night, I saw two dark brown eyes staring up at me from a hole dug into the ground. I flew over the area and saw footprints leading to a drainage ditch that stretched for nearly a mile. #2 The head of the convoy was just seconds away from an ambush when the Loach pilot flew right into it. The enemy opened fire on the convoy, and Parker and the helicopter pilot flew right through it. #3 The battle between Charlie and the convoy continued with ferocity. The enemy’s RPGs did the most damage. Once a vehicle was disabled with rocket fire, the automatic weapons would open fire. The key was to break free of the killing zone and accelerate out of the ambush area. #4 I made my first pass from south to north right down on the deck ten to fifteen yards out from the highway. I keyed Sinor with a report that the enemy force had been severely damaged. I saw forty to fifty bodies strewn around, many body parts, and numerous blood trails and drag marks.

In Athlete/Warrior internationally acclaimed fine art photographers Anderson & Low present powerful images of young men and women who are training for both the sports field and the battlefield while studying at America's three famed military academies -- West Point, Annapolis and Colorado Springs. Arresting juxtapositions of cadets in military dress and in the uniforms of their chosen sports offer a modern interpretation of the hero as represented by the classically inspired iconography of the athlete and the warrior.

In this reappraisal of charity in the biblical tradition, Anderson argues that the poor constituted the privileged place where Jews and Christians met God. He shows how charity affirms the goodness of the created order; the world was created through charity and therefore rewards it.

The aeroscouts of the 1st Infantry Division had three words emblazoned on their unit patch: Low Level Hell. It was then and continues today as the perfect concise definition of what these intrepid aviators experienced as they ranged the skies of Vietnam from the Cambodian border to the Iron Triangle. The Outcasts, as they were known, flew low and slow, aerial eyes of the division in search of the enemy. Too often for longevity’s sake they found the Viet Cong and the fight was on. These young pilots (19-22 years old) “invented” the book as they went along. Praise for Low Level Hell “An absolutely splendid and engrossing book. The most compelling part is the accounts of his many air-to-ground engagements. There were moments when I literally held my breath.”—Dr. Charles H. Cureton, Chief Historian, U.S. Army Training and Doctrine (TRADOC) Command “Low Level Hell is the best ‘bird’s eye view’ of the helicopter war in Vietnam in print today. No volume better describes the feelings from the cockpit. Mills has captured the realities of a select group of aviators who shot craps with death on every mission.”—R.S. Maxham, Director, U.S. Army Aviation Museum