"And Those Ashen Heaps That Cantilevered Vase of Moonlight is a book-length poem by Lynn Xu"--

The poems in Lynn Xu's striking debut collection, Debts & Lessons, travel under the power of history's illusory engine and echo its ululations of love, violence, and lament. Named after the first part of Marcus Aurelius's Meditations, this book also finds its way across oceans and between languages, as the poet looks to the dead for guidance amid the abstractions of contemporary life. Xu pays her phantoms (and her readers) with the dream-currency of hallucinatory songs, which balance her finely-tuned ear against a world of awakenings.

An inspiring guide to the practices of contemporary experimental creative writing, this book explores experimentation within both traditional writing genres and 'post-genre' modes such as hybrid texts, Non-creative writing, textual materiality, creative re-purposing, performance and new media technologies. Combining the practices, history, social context, and philosophical backgrounds of experimental work with a broad anthology of models in-book and online, Experimental Writing gives you the toolkit of techniques and skills to confidently engage with forms previously perceived as intimidating so that you can reinvigorate your craft. In addition, the book includes sections on new approaches to the workshop model, emphasis on community and collaboration, and institutional critique. These chapters will provide you with a “big picture” perspective and the motivation to question the templates you work within, giving you the where-with-all to shape your own ideals for writing, no matter what their stylistic choices. Within its broad scope, Experimental Writing covers: - a comprehensive survey of relevant movements, texts, authors, and techniques of non-traditional forms - a survey of evolving trends with exemplars of how genres can be disrupted to help you appreciate experimental styles - demonstrations of how more diverse and innovative pedagogical interventions have the potential to inspire your creativity and create more original work - an examination of the institutional forces that have shaped the creative writing landscape you inhabit, to prompt you to re-examine the pressures, cultural biases, and power structures that have shaped both your aesthetic vision and potential future career paths - frameworks for independent research, practitioner interviews, and motivating questions to get you thinking and questioning before you encounter each new topic With each chapter accompanied by stimulating pedagogical features such as a timeline of experimental writing, free writes, games and constraints, reflections, exercises, prompts and case studies throughout, this invaluable text reveals wider horizon for your artistic endeavors and will activate your critical thinking about a range of issues and ideas. Additional online resources for this book can be found at http://www.bloomsburyonlineresources.com/experimental-writing-a-writers-guide-and-anthology.

Poetry/Performance. Latino/Latina Studies. Art. Edited by Rosa Alcala. SPIT TEMPLE collects texts and transcriptions of Vicuna's uncategorizable improvised performances, which combine singing, movement, chants, and stories. Also included are a critical introduction by Rosa Alcala, a poetic memoir by Vicuna (translated by Alcala) addressing her life

2021 National Book Critics Circle Award Finalist 2021 Foreword Indies Finalist Winner of the Sillerman First Book Prize for African Poetry The poems in The Rinehart Frames seek to exhaust the labyrinths of ekphrasis. By juxtaposing the character of Rinehart from Ralph Ellison's Invisible Man with the film 24 Frames by Abbas Kiarostami, the poems leap into secondary histories, spaces, and languages that encompass a collective yet varied consciousness of being. Cheswayo Mphanza's collection questions the boundaries of diaspora and narrative through a tethering of voices and forms that infringe on monolithic categorizations of Blackness and what can be intersected with it. The poems continue the conversations of the infinite possibilities of the imagination to dabble in, with, and out of history.

Poems that blur the boundaries of language and species, inviting us to imagine a new world. The expansive reworking of language in Impastoral flies through the possible voices of outsides and insides--slug, probe, horse carriage, sewer, potted plant, lab rat, vampire, bot fly, giant cow. Language, in Brandan Griffin's poetry, is neither human nor nonhuman, and it undoes that very idea of these distinctions, so beings--slugprobe, pottedhorsesewer, telepathybarcode, mammaltexts--morph and change in between boundaries. Each of these poems is an organism, a collection of living connections, looped interiorities strung together in worlds tunneling through worlds. The poems' composition becomes a decomposition of budding, breeding, and fluctuating. Reading this collection is an experience of becoming deformed and merged into the experiences of other beings; you are sea vent, microprocessor, cell gel, bug, a greenly translucent leaf typed half a sound at a time. Griffin invites us to imagine all possible beings and to hatch into a fresh world. Impastoral won the Omnidawn Open Book contest, selected by Brian Teare.