And There I Stood with My Piccolo, originally published in 1948, is a zesty and colorful memoir of composer Meredith Willson’s early years—from growing up in Mason City, Iowa, to playing the flute with John Philip Sousa’s band and the New York Philharmonic Orchestra, to a successful career in composing for radio and motion pictures in Hollywood. It was apparent to everyone, except maybe Willson himself, that he was on his way to something big. Lighthearted and inspiring, it is no surprise Willson’s tales caught the attention of prominent Broadway producers. In 1957, just nine years after the publication of this book, The Music Man became a Broadway sensation, winning five Tony Awards, including Best Musical. Meredith Willson’s musical comedy is to this day arguably the most produced and beloved musical in American culture.

"Originally published in 1948 by Doubleday & Company, Inc."

Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.

Ulric Dahlgren was a brilliant, ambitious young man who became the youngest full colonel in the United States Army at the age of twenty-one, yet died before his twenty-second birthday. This is the first biography of Dahlgren, and thankfully it was penned by cavalry expert and award-winning author Eric J. Wittenberg. Wittenberg’s account chronicles Dahlgren’s full life story, with a deep look at his military career and extensive connections within the nation’s capital, all of which led to the climax of his life: the notorious Dahlgren Raid. Like a Meteor Burning Brightly: The Short but Controversial Life of Colonel Ulric Dahlgren is based upon a plethora of source material, including previously unknown or little-used archival sources. Anyone interested in the Civil War in general, or just a fascinating life well-told, will want this book on their shelf.

Meredith Willson marched into the hearts of American music lovers with productions such as the "The Music Man" and "The Unsinkable Molly Brown," and unforgettable show tunes like "76 Trombones." It is the amazing story of how a youngster with talent and tenacity, possessed with what he would later call a streak of "Iowa stubborn", rose to become one of America's most famous musicians. It is the story of a remarkable career in which Willson: helped scientist Lee deForest in experiments that developed sound for motion pictures, wrote the music for Charlie Chaplin's first "talkie," wrote a song recorded by the Beatles, and won the first Grammy award ever presented. John C. Skipper is a newspaper journalist whose 35-year career has produced thousands of newspaper columns and five books. John and his wife, Sandi, live in Mason City, Iowa, just a stone's throw from Willson's famous footbridge. They have three grown daughters and one grandchild.

The Music Man stands as one of the greatest achievements in American musical theatre, but few know about its rocky beginnings and the against-all-odds success story of its creator Meredith Willson. Mark Cabaniss steps back into the Golden Age of Broadway and brings to life the origins of this classic show, the music behind it, and the unlikely story of its creator. Interweaving behind-the-scenes accounts of people who worked with Willson, Cabaniss looks at his long and unusual career as a composer, conductor, radio personality, and flutist, which reached its pinnacle in The Music Man. No one initially believed in Willson’s “Valentine to Iowa,” seeing it as nothing but a corny flop or, worse, a recipe for disaster. But when the curtain fell on opening night, a star called The Music Man was born. Over 65 years later, that star is still marching right to this day, endeared by millions around the world. To understand Willson, his career, and his music is to understand how The Music Man came to be: he was truly the only person who could have ever written this show due to his unique background, talent, incredible persistence, and belief. The show’s ultimate success and longevity was anything but inevitable—rather, it was truly a miracle.

We live these days in a virtual nation of cities and celebrities, dreaming a small-town America rendered ever stranger by purveyors of nostalgia and dark visionaries from Sherwood Anderson to David Lynch. And yet it is the small town, that world of local character and neighborhood lore, that dreamed the America we know today—and the small-town boy, like those whose stories this book tells, who made it real. In these life-stories, beginning in 1890 with frontier historian Frederick Jackson Turner and moving up to the present with global shopkeeper Sam Walton, a history of middle America unfolds, as entrepreneurs and teachers like Henry Ford, George Washington Carver, and Walt Disney; artists and entertainers like Thomas Hart Benton, Grant Wood, Carl Sandburg, and Johnny Carson; political figures like William McKinley, William Jennings Bryan, and Ronald Reagan; and athletes like Bob Feller and John Wooden by turns engender and illustrate the extraordinary cultural shifts that have transformed the Midwest, and through the Midwest, the nation--and the world. Many of these men are familiar, icons even—Ford and Reagan, certainly, Ernie Pyle, Sinclair Lewis, James Dean, and Lawrence Welk—and others, like artists Oscar Micheaux and John Steuart Curry, economist Alvin Hansen and composer Meredith Willson, less so. But in their stories, as John E. Miller tells them, all appear in a new light, unique in their backgrounds and accomplishments, united only in the way their lives reveal the persisting, shaping power of place, and particularly the Midwest, on the cultural imagination and national consciousness. In a thoroughly engaging style Miller introduces us to the small-town Midwestern boys who became these all-American characters, privileging us with insights that pierce the public images of politicians and businessmen, thinkers and entertainers alike. From the smell of the farm, the sounds and silences of hamlets and county seats, the schoolyard athletics and classroom instruction and theatrical performance, we follow these men to their moments of inspiration, innovation, and fame, observing the workings of the small-town past in their very different relationships with the larger world. Their stories reveal in an intimate way how profoundly childhood experiences shape personal identity, and how deeply place figures in the mapping of thought, belief, ambition, and life's course.