In the summer of 1944, a shocking murder rocked the fledgling Beats. William S. Burroughs and Jack Kerouac, both still unknown, we inspired by the crime to collaborate on a novel, a hard-boiled tale of bohemian New York during World War II, full of drugs and art, obsession and brutality, with scenes and characters drawn from their own lives. Finally published after more than sixty years, this is a captivating read, and incomparable literary artifact, and a window into the lives and art of two of the twentieth century’s most influential writers.

Circumcision of male infants and boys is a cultural practice that persists within some African, Pacific, Southern Asian and Middle Eastern cultures, and, as a medicalized ritual, in some Anglophone societies, especially the United States. Advocates describe circumcision as a benign snip with religious significance and health benefits. Critics argue that the health benefits are trivial, irrelevant or non-existent, and that parental power over a child's upbringing does not extend to authorizing a procedure that, in other contexts, would be regarded as sexual abuse. Circumcision is painful, causes permanent damage, and violates the right of the child to bodily integrity. Often overlooked in these debates are the adult men whose lives have been adversely affected because they were circumcised as infants or children. The suffering of these men remains cloaked in silence and unrecognized by the medical profession and society at large. In this book, 50 men, of widely differing ages and from varying walks of life, explain how circumcision has harmed their self-esteem, physical well-being and sexual experience. In analyzing these accounts, the compiler demonstrates that the process of grieving for a lost foreskin closely parallels the experiences of those who have suffered amputation, rape, body dysmorphic disorder, the death of a loved-one, or delayed post-traumatic stress. Circumcision advocates assert that the pain of circumcision is trivial and momentary; these accounts show that the pain of foreskin loss may last a lifetime.

“Dave Moore's work on this collection is simply awesome.... It should become and remain the definitive reference book for Beat scholars forever.” —Carolyn Cassady Neal Cassady is best remembered today as Jack Kerouac’s muse and the basis for the character “Dean Moriarty” in Kerouac’s classic On The Road, and as one of Ken Kesey’s merriest of Merry Pranksters, the driver of the psychedelic bus “Further,” immortalized in Tom Wolfe’s The Electric Kool-Aid Acid Test. This collection brings together more than two hundred letters to Kerouac, Allen Ginsberg, John Clellon Holmes, and other Beat generation luminaries, as well as correspondence between Neal and his wife, Carolyn. These amazing letters cover Cassady’s life between the ages of 18 and 41 and finish just months before his death in February 1968. Brilliantly edited by Dave Moore, this unique collection presents the “Soul of the Beat Generation” in his own words—sometimes touching and tender, sometimes bawdy and hilarious. Here is the real Neal Cassady—raw and uncut.

In 1952 and 1953 as he wandered around America, Jack Kerouac jotted down spontaneous prose poems, or "sketches" as he called them, on small notebooks that he kept in his shirt pockets. The poems recount his travels—New York, North Carolina, Lowell (Massachusetts, Kerouac’s birthplace), San Francisco, Denver, Kansas, Mexico—observations, and meditations on art and life. The poems are often strung together so that over the course of several of them, a little story—or travelogue—appears, complete in itself. Published for the first time, Book of Sketches offers a luminous, intimate, and transcendental glimpse of one of the most original voices of the twentieth century at a key time in his literary and spiritual development.

A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.

As a precursor to such landmark works as "On the Road "and "The Dharma Bums," this is an important formative work that bears all the hallmarks of classic Kerouac: the search for spiritual meaning in a materialistic world, and spontaneous travel as the true road to freedom.