In the latest thriller from New York Times bestseller Riley Sager, a woman returns to the house made famous by her father’s bestselling horror memoir. Is the place really haunted by evil forces, as her father claimed? Or are there more earthbound—and dangerous—secrets hidden within its walls? What was it like? Living in that house. Maggie Holt is used to such questions. Twenty-five years ago, she and her parents, Ewan and Jess, moved into Baneberry Hall, a rambling Victorian estate in the Vermont woods. They spent three weeks there before fleeing in the dead of night, an ordeal Ewan later recounted in a nonfiction book called House of Horrors. His tale of ghostly happenings and encounters with malevolent spirits became a worldwide phenomenon, rivaling The Amityville Horror in popularity—and skepticism. Today, Maggie is a restorer of old homes and too young to remember any of the events mentioned in her father's book. But she also doesn’t believe a word of it. Ghosts, after all, don’t exist. When Maggie inherits Baneberry Hall after her father's death, she returns to renovate the place to prepare it for sale. But her homecoming is anything but warm. People from the past, chronicled in House of Horrors, lurk in the shadows. And locals aren’t thrilled that their small town has been made infamous thanks to Maggie’s father. Even more unnerving is Baneberry Hall itself—a place filled with relics from another era that hint at a history of dark deeds. As Maggie experiences strange occurrences straight out of her father’s book, she starts to believe that what he wrote was more fact than fiction.

THE INSTANT NEW YORK TIMES BESTSELLER From the author of Survive the Night and Final Girls comes a tense and twisty thriller about a summer camp that’s impossible to forget—no matter how hard you try. Two Truths and a Lie. Vivian, Natalie, Allison, and Emma played it all the time in their cabin at Camp Nightingale. But the games ended the night Emma sleepily watched the others sneak out into the darkness. The last she—or anyone—saw of the teenagers was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.... Fifteen years later, Emma is a rising star in the New York art scene, turning her past into paintings—massive canvases filled with dark leaves and gnarled branches over ghostly shapes in white dresses. When the paintings catch the attention of the wealthy owner of Camp Nightingale, she implores Emma to come back to the newly reopened camp as a painting instructor. Despite her guilt and anxiety—or maybe because of them—Emma agrees to revisit her past. Nightingale looks the same as it did all those years ago, haunted by a midnight-dark lake and familiar faces. Emma is even assigned to the same cabin she slept in as a teenager, although the security camera pointed at her door is a disturbing new addition. As cryptic clues about the camp's origins begin to surface, Emma attempts to find out what really happened to her friends. But her closure could come at a deadly price.

Eight-year-old Jack and his younger sister Annie find a magic treehouse, which whisks them back to an ancient time zone where they see live dinosaurs.

From the #1 New York Times bestselling author of the acclaimed memoir Stitches comes a stunning story of one boy's heartbreaking coming of age in 1950s America. After his mother abandons the family, thirteen-year-old Russell Pruitt moves with his Korean War veteran father to a small town in southern California. Eager to fit in and figure out the mystifying rules of being a man, he succumbs to the sway of boys more feral than himself--leading to an act of betrayal that will have devastating consequences. Told through cinematic artwork that will transfix readers with its visceral potency and grace, Home After Dark is a mesmerizing evocation of a boy's struggle to survive the everyday brutalities of adolescence, and forge his own path to manhood.

Susan Cheever uses previously unpublished letters, journals, and her own precious memories to create an insightful and candid tribute to her father, John Cheever.

The north-eastern goldfields of Western Australia gathered in all manner of exiles from across the globe: Italians, Yugoslavs, Britons; criminals, ex-servicemen, drunks, journeymen; those wanting to keep their heads down and those determined to hold them high. What they found there was both a fresh start and an abyss, where troubles underground were brought up to the surface and played out in the dusty streets. Roland Rocchiccioli spent his childhood watching the dramas of the town unfold: the pit ponies that lived in the mines and went blind when they resurfaced; the men who lay in the bushes outside his house, waiting to jump his stepfather; and the women who dispensed advice on 'the polio' with their cheese/lettuce sandwiches. He saw the population of crickets take over their chook house, the priest who wouldn't dance with women in public but bedded half the town in private, and the mother who refused to toe the line of 1950s Australia. In AND BE HOME BEFORE DARK, his confronting, revealing and frequently hilarious memoir, Roland recounts his formative years in the tough goldfields town, bringing to life his cantankerous mother, Beria, her husband, Ginger, and Slavic lover, Steve, along with an unforgettable cast of rogues and renegades. AND BE HOME BEFORE DARK is an evocative portrait of a unique childhood in an Australia that no longer exists, in the same vein as Raimond Gaita's Romulus, My Father and Robert Drewe's The Shark Net.

A little girl drops her teddy bear in the park, and he struggles to make it home to her before it gets dark.