Ancient Indonesian sculpture, as yet a relatively unexplored area of research, is discussed in this volume from various angles. The nine contributions originate from an international symposium at the Rijksmuseum in Amsterdam. Robert L. Brown formulates a set of rules that account for the way Indian art was transformed when adopted in Southeast Asian regions. Sara Schastok shows how the dating of Amaravātī style bronzes was influenced by colonial thinking. In comparing the northeast Indian and Javanese bronzes figurines, Susan L. Huntington concludes that although Javanese bronzes owe something to northeast Indian ones, each group has its own distinctive characteristics. Pauline Lunsingh Scheurleer’s contribution stresses the Javanese aspects of Javanese bronzes. Nandana Chutiwongs focuses on images of Avalokiteśvara in this manifestation as Great Compassionate Lord. A fragment of a bronze-ringed rattle leads A. de Vries Robbé to trace the development of this attribute of mendicant Buddhist monks from India, over mainland Southeast Asia, to Central and East Java. Moving to the great Buddhist monument in Central Java, the Borobudur, its structure and meaning are given a completely new interpretation by John C. Huntington. A northeast Indian iconographic model is proposed by J.A. Schoterman for the famous images of Amoghapāśa Lokeśvara and his retinue in the East Javanese temple Candi Jago. Finally, Marijke J. Klokke offers a new interpretation of the iconography of the East Javanese ‘portrait statues’.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Indonesian jamu—part of an integrated system of inner and outer health and beauty, encompassing powders, pills, ointments, lotions, massage and ancient folklore—is unknown to most Westerners. How, when, where and why were these treatments developed? And, what is so special about them? Through the pages of this book you’ll learn about the closed world of ancient Javanese palaces where Indonesian jamu was perfected. You meet the healers and jamu makers whose skills have been passed from generation to generation and learn about their cures. Advice is offered on where to find these age-old remedies, including formulae that can be made safely at home. The information here is for people who wish to find out more about Indonesian health and beauty, draw their own conclusions and even try jamu for themselves. An integrated system of inner and outer health and beauty, Indonesian jamu has a 1,200-year-old history, yet little is known about it outside this diverse island nation. The first book to comprehensively explore the background, materials and application of this holistic approach, Jamu: The Ancient Indonesian Art of Herbal Healing is the culmination of ten years of research and more than 100 interviews with practitioners and producers—from housewives in kitchen apothecaries to CEOs of multinational corporations. Its publication coincides with the increasing availability in the West of modern preparations of these time-honored herbal remedies. [Encompassing medicine, massage, cosmetics and folklore, jamu is as applicable to today’s lifestyles as it was in the rarefied world of the ancient Javanese palaces where it was perfected.] Complemented by explanatory photographs shot on location, Jamu is the first definitive reference to this exotic yet practical healthcare system.

Shows bells, lamps, vases, statuettes, and water vessels created between the eighth and fifteenth centuries.