"Greek myths were, to some extent, familiar to medieval Armenian authors, mainly through translations of late classical and early Christian writings; they also appear in original works, but this knowledge was never profound or accurate. Both translators and Armenian authors, as well as later scribes, while translating, renarrating and copying short mythical stories, or mentioning or just alluding to them often related the stories and the familiar or unfamiliar names occurring in them correctly, but sometimes they made mistakes, chiefly corrupting names not well-known to them, and sometimes, even details of the plot. This is the first study which brings together the references to ancient Greek myths (154 episodes) in medieval Armenian literature by including the original Armenian and Greek (if extant) text and translation. With appendices listing the occurrences of Greek gods, their Armenian equivalents, images, altars, temples, and rites, the Aesopian fables and the Trojan war"--

This is the first study which brings together the references to ancient Greek myths (154 episodes) in medieval Armenian literature. The main source for such stories are translations, but direct citations from Greek in original Armenian works also exist.

In this collection of Armenian apocryphal texts, Michael E. Stone focuses on texts related to heaven and hell, angels and demons, and biblical figures from the Hebrew Bible and apocrypha. The texts, introductions, translations, annotations, and critical apparatus included in this volume make this collection a key resource for students and scholars of apocryphal and pseudepigraphical literature.

Byzantium is more and more recognized as a vibrant culture in dialogue with neighbouring regions, political entities, and peoples. Where better to look for this kind of dynamism than in the interactions between the Byzantines and the Armenians? Warfare and diplomacy are only one part of that story. The more enduring part consists of contact and mutual influence brokered by individuals who were conversant in both cultures and languages. The articles in this volume feature fresh work by younger and established scholars that illustrate the varieties of interaction in the fields of literature, material culture, and religion. Contributors are: Gert Boersema, Emilio Bonfiglio, Bernard Coulie, Karen Hamada, Robin Meyer, Johannes Preiser-Kapeller, Claudia Rapp, Mark Roosien, Werner Seibt, Emmanuel Van Elverdinghe, Theo Maarten van Lint, Alexandra-Kyriaki Wassiliou-Seibt, and David Zakarian.

A Handbook to Classical Reception in Eastern and Central Europe is the first comprehensive English ]language study of the reception of classical antiquity in Eastern and Central Europe. This groundbreaking work offers detailed case studies of thirteen countries that are fully contextualized historically, locally, and regionally. The first English-language collection of research and scholarship on Greco-Roman heritage in Eastern and Central Europe Written and edited by an international group of seasoned and up-and-coming scholars with vast subject-matter experience and expertise Essays from leading scholars in the field provide broad insight into the reception of the classical world within specific cultural and geographical areas Discusses the reception of many aspects of Greco-Roman heritage, such as prose/philosophy, poetry, material culture Offers broad and significant insights into the complicated engagement many countries of Eastern and Central Europe have had and continue to have with Greco-Roman antiquity

This volume, the first ever of its kind in English, introduces and surveys Greek literature in Byzantium (330 - 1453 CE). In twenty-five chapters composed by leading specialists, The Oxford Handbook of Byzantine Literature surveys the immense body of Greek literature produced from the fourth to the fifteenth century CE and advances a nuanced understanding of what "literature" was in Byzantium. This volume is structured in four sections. The first, "Materials, Norms, Codes," presents basic structures for understanding the history of Byzantine literature like language, manuscript book culture, theories of literature, and systems of textual memory. The second, "Forms," deals with the how Byzantine literature works: oral discourse and "text"; storytelling; rhetoric; re-writing; verse; and song. The third section ("Agents") focuses on the creators of Byzantine literature, both its producers and its recipients. The final section, entitled "Translation, Transmission, Edition," surveys the three main ways by which we access Byzantine Greek literature today: translations into other Byzantine languages during Late Antiquity and the Middle Ages; Byzantine and post-Byzantine manuscripts; and modern printed editions. The volume concludes with an essay that offers a view of the recent past--as well as the likely future--of Byzantine literary studies.