Major new multi-disciplinary collection of papers focusing on the development of the coffin in ancient Egypt and the belief systems behind funerary practices involving their use and on new methods and applications of scientific techniques for the analysis of construction, materials and craftmanship involved in coffin manufacture and reworking.

This volume contains the proceedings of the twenty-third Annual Egyptological Colloquium, held at the British Museum in 2014, augmented by additional papers. The twenty-three contributions investigate functionality, iconography and manufacture of ancient Egyptian coffins from the First Intermediate Period to the eighth century AD. The authors explore the conceptual aspects which lay behind the production of coffins through the study of iconography and texts, examining the functional role of these complex objects as 'structured compositions' which were designed to play an important part in transforming the deceased occupants and perpetuating their existence beyond death. Reinstating coffins in their archaeological and societal contexts, the papers reflect on the circumstances in which they were made, considering workshop practices and regional variability, and studying coffins not only individually but also as components of larger conceptual entities in which the mummy, the burial chamber and the tomb itself all had specific meanings. Several contributions focus on areas of current interest, such as the post-burial adaptation and reuse of coffins, considering how these issues relate to the economic environment in which they were made and to changing attitudes towards the immutability of burial arrangements.

A Companion to Ancient Egyptian Art presents a comprehensive collection of original essays exploring key concepts, critical discourses, and theories that shape the discipline of ancient Egyptian art. • Winner of the 2016 PROSE Award for Single Volume Reference in the Humanities & Social Sciences • Features contributions from top scholars in their respective fields of expertise relating to ancient Egyptian art • Provides overviews of past and present scholarship and suggests new avenues to stimulate debate and allow for critical readings of individual art works • Explores themes and topics such as methodological approaches, transmission of Egyptian art and its connections with other cultures, ancient reception, technology and interpretation, • Provides a comprehensive synthesis on a discipline that has diversified to the extent that it now incorporates subjects ranging from gender theory to ‘X-ray fluorescence’ and ‘image-based interpretations systems’

Ancient Egyptian coffins provided a shell to protect the deceased both magically and physically. They guaranteed an important requirement for eternal life: an intact body. Not everybody could afford richly decorated wooden coffins. As commodities, coffins also pl ayed a vital role in the daily life of the living and marked their owner's taste and status. Coffin history is an ongoing process and does not end with the ancient burial. The coffins that were discovered and shipped to museums have become part of the National heritages. The Vatican Coffin Project is the first international research project to study the entire use-life of Egyptian coffins from an interdisciplinary perspective.This edited volume presents the first Leiden results of the project focusing on the lavishly decorated coffins of the Priests of Amun that are currently in the collection of the Dutch National Museum of Antiquities. Six chapters, written by international specialists, present the history of the Priests of Amun, the production of their coffins and use-life of the coffins from Ancient Egypt until modern times. The book appeals to the general public interested in Egyptian culture, heritage studies, and restoration research, and will also be a stimulating read for both students and academics

"In the 1980s, Denver Museum of Nature & Science acquired two ancient Egyptian mummies and coffins. The mummies are from an unknown locale and have been subject of unpublished scientific and unscientific analyses. The DMNS staff scientists decided to reexamine the mummies and coffins using new and innovative techniques"--

The ancient Egyptian Coffin Texts form a corpus of ritual spells written on the inside of coffins from the Middle Kingdom (c. 2000-1650 BCE). Thus accompanying the deceased in a very concrete sense, the spells are part of a long Egyptian tradition of equipping the dead with ritual texts ensuring the transition from the state of a living human being to that of a deceased ancestor. The texts present a view of death as entailing threats to the function of the body, often conceptualised as bodily fragmentation or dysfunction. In the transformation of the deceased, the restoration of these bodily dysfunctions is of paramount importance, and the texts provide detailed accounts of the ritual empowerment of the body to achieve this goal. Seen from this perspective, the Coffin Texts provide a rich material for studying ancient Egyptian conceptions of the body by providing insights into the underlying structure of the body as a whole and the proper function of individual part of the body as seen by the ancient Egyptians. Drawing on a theoretical framework from cognitive linguistics and phenomenological anthropology, Breathing Flesh presents an analysis of the conceptualisation of the human body and its individual parts in the ancient Egyptian Coffin Texts. From this starting point, more overarching concepts and cultural models are discussed, including the ritual conceptualisation of the acquisition and use of powerful substances such as "magic", and the role of fertility and procreation in ancient Egyptian mortuary conceptions.

This volume collects papers from the symposium 'Body, Cosmos and Eternity: the Symbolism of Coffins in Ancient Egypt', convened at the historical building of the University of Port, February 2013.