To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.

This is the first book dealing with the foreign influence on ancient India. Discusses the foreign invasions of India by the Achaemenians, Greeks, Sakas, Kushans, Sassanians, Pahlavas and the Hunas, and also the peaceful impact of the Romans on India. The book advances a theory that ancient India never provided any casus belli to the foreigners to attack her. It was India's weakness and an implied confidence in future victories that kept the invaders coming to India one after another. But these foreigners have also influenced India in the field of administration, religion, philosophy, astronomy, language, script, trade and commerce, and above all the way of life of the people of India, which is the main subject of the book. This book suggests that after the partition of this sub-continent, the name `India' which continued to be used for this country is a misnomer when the river INDUS after which the country was so named, went to Pakistan. This book also finds is real nature the matrimonial alliance between Seleucus and Chandra Gupta Maurya and gives possible solutions to some riddles of Indian history. The origin of the name of KIDAR has also been discovered for the first time. The book tells us in a poetic language how ‘the golden age of the Guptas was converted into a molten age of destruction and confusion’ by the Hunas. What remained of our culture after so much turmoil and changes is before us.

Kurt Behrendt in this book for the first time and convincingly offers a description of the development of 2nd century B.C.E. to 8th century C.E. Buddhist sacred centers in ancient Gandhara, today northwest Pakistan.

Presenting the grand sweep of Indian history from antiquity to the present, A History of India is a detailed and authority account of the major political economics social and cultural forces that have shaped the history of the Indian continent.