This compelling ethnography offers a nuanced case study of the ways in which the Maisin of Papua New Guinea navigate pressing economic and environmental issues. Beautifully written and accessible to most readers, Ancestral Lines is designed with introductory cultural anthropology courses in mind. Barker has organized the book into chapters that mirror many of the major topics covered in introductory cultural anthropology, such as kinship, economic pursuit, social arrangements, gender relations, religion, politics, and the environment. The second edition has been revised throughout, with a new timeline of events and a final chapter that brings readers up to date on important events since 2002, including a devastating cyclone and a major court victory against the forestry industry.

In Ancestral Lines, which is based on 25 years of research among the Maisin people, Barker offers a nuanced understanding of how the Maisin came to reject commercial logging on their traditional lands.

More than a century of interaction with colonial and global agencies and forces have brought many changes to the lives of the Maisin people who live on the northeastern coast of Papua New Guinea. Yet ancestral traditions continue to strongly inform their way of life. Their beautifully designed tapa cloth, made from the pounded inner bark of the paper mulberry tree, most vividly connects the past with the present. EOL Using the various stages of tapa cloth production to frame a broader discussion of changes and continuities in Maisin culture (economic pursuit, social arrangements, gender relations, religion, politics, and the environment) Barker offers a nuanced understanding of how the Maisin came to reject commercial logging on their traditional lands. Viewed in isolation, the decision appears to be a confirmation of tradition over "modernity." Yet the book shows that it is the most recent, and perhaps dramatic, instance in a long chain of improvisations and compromises that have allowed the Maisin to remain true to core ancestral values while participating in wider social, political, and economic systems. Ancestral Lines provides an important counterpoint to the stereotype of indigenous peoples as passive victims of impersonal global forces. EOL While accessible to most readers, including those with little or no knowledge of Melanesia or anthropology, Ancestral Lines has been designed with introductory anthropology courses in mind. Each chapter opens with a description of succeeding stages in the creation and use of a piece of tapa cloth. These, in turn, lead into discussions of dimensions of Maisin life that correspond to the sections and order of most standard introductory textbooks. EOL

Ancestral Lines is a sequence of poems about 'the river of desire' that flows through the lives of a family. In these poems Jeremy Hooker recalls his parents and grandparents, and an elusive great grandfather. He both honours the mystery of personal identity, and celebrates the oneness of life through the 'lines' of generations. The sequence conveys a strong sense of places in the south of England, but in a special sense: it is grounded upon experience of 'the places that live in people', places that are a 'medium of sharing'. A concern with both the gifts and limits of 'seeing' in the sequence takes its bearings from his father's landscape paintings. [...] The figures that appear in the poems are not ghosts; the poet evokes them as real, loved and loving people. According to his way of seeing, each integral being is only partially knowable, yet also flesh of his flesh.

Kings, Pilgrims, United States Presidents - you'd never guess that the ancestry of a humble couple from Norfolk, Massachusetts includes such notables. The Ernest and Sadie Dunton family can boast founding fathers, a famous bear tamer, war heroes, and even a ghost! Although Ernest and Sadie lived traditional lives for their time period, and accomplished nothing that would be considered remarkable or extraordinary, hidden in their respective family trees are gems worth investigating and keeping alive for us, their living descendants, as well as for future generations. This book tells the stories that our parents/grandparents/great-grandparents probably didn't.