MacKenzie King did it, so did Susanna Moody. In fact, many Canadians consulted the spirits as part of a religious experience, to seek guidance for themselves and others, and to attempt to learn what lies beyond the grave. Some came to the seance room to hear ancient wisdom while others came to understand the nature of psychic phenomena. Like the mechanisms that produced the flashing lights, cool breezes, and whirling trumpets that materialized in the presence of the medium, their beliefs and experiences have been mostly hidden, until now. In this first full-length study of Canadian spirit communication, Stan McMullin has drawn upon seance notes, letters, diaries, and special collections to create a fascinating picture of how educated people were drawn to spiritualism and psychic research. Anatomy of a Seance shows that for many Canadians attempting to sort out their religious beliefs and find an acceptable marriage between religion and science the seance room provided an alternative to formal religious dogma. Despite the opposition of mainline churches, spiritualism offered the possibility of a "scientific" religion that could prove the existence of heaven.

Few people know that Susanna Moodie participated in spiritual séances with her husband, Dunbar, and her sister, Catharine Parr Traill. Moodie, like many other women, found in her communications with the departed an important space to question her commitment to authorship and her understanding of femininity. Retracing the history of possession and mediumship among women following the emergence of spiritualism in mid-nineteenth-century Canada – and unearthing a vast collection of archival documents and photographs from séances – Claudie Massicotte pinpoints spiritualism as a site of conflict and gender struggle and redefines modern understandings of female agency. Trance Speakers offers a new feminist and psychoanalytical approach to the religious and creative practice of trance, arguing that by providing women with a voice for their conscious and unconscious desires, this phenomenon helped them resolve their inner struggles in a society that sought to confine their lives. Drawing attention to the fascinating history of spiritualism and its persistent appeal to women, Massicotte makes a strong case for moving this practice out of the margins of the past. A compelling new reading of spiritual possession as a response to conflicting interpretations of authorship, agency, and gender, Trance Speakers shines a much-needed light on women’s religious practices and on the history of spiritualist traditions and travels across North America and Europe.

In the 1920s and ’30s, people gathered in darkened rooms to explore the paranormal through seances. They were motivated by grief, spiritual devotion, or a desire to be entertained. Beth A. Robertson resurrects the story of a small transnational group and their quest for objective knowledge of the supernatural, casting new light on how science, metaphysics, and the senses collided to inform gendered norms in this era. Robertson draws back the curtain to reveal a world inhabited by researchers, spirits, and spiritual mediums. Representing themselves as masters of the senses, untainted by the effeminized subjectivity of the body, psychical researchers in Canada, the UK, and the US believed that they could use machines and empirical methods to transform the seance into a laboratory of the spirits and a transnational empirical project. However, mediums and ghostly subjects could and did challenge their claims to scientific expertise and authority.

A scholarly and experimental collection that offers fresh insight-with a feminist focus-into the often overlooked modernist writer Mary Butts and the contested processes of recovering such an author. Scholars instrumental in the recovery of Mary Butts, along with newer writers, publishers, printers, and artists, enter into conversation exploring the work of the British author, whose body of work plays between high modernist forms and more popular genres-writing that can be described as occult, Gothic, queer, proto-environmental, and feminist. Taking its cue from Butts's experimental, rhythmic writing and the transnational artistic communities in which Butts moved in the 1920s, the collection is a non-linear exchange rather than a collection of isolated arguments-a conversation constructed from "classical" academic chapters, "knight's move" non-academic reflections, and short responses to these. This conversation lies at the intersection of "feminism" and "reconstruction": Chapters range between Butts's writing techniques and forms, her position in the modernist canon, contested sites of feminism in her work, critical reception of that work, queer and post-critical readings, and the success of, and the need for, a feminist recovery of the author. The collection aims to be a feminist engagement, while asking questions of what this might look like, why it is needed, and how such an approach offers fresh insight into an erudite, playful, difficult, contradictory, and experimental body of work. Ultimately, the collection asks, how should we reconstruct the author and her work for the contemporary reader?

Science and technology have shaped not only economic empires and industrial landscapes, but also the identities, anxieties, and understandings of people living in modern times. Made Modern: Science and Technology in Canadian History draws together leading scholars from a wide range of fields to enrich our understanding of history inside and outside Canada’s borders. The book’s chapters examine how science and technology have allowed Canadians to imagine and reinvent themselves as modern. Focusing on topics including exploration, scientific rationality, the occult, medical instruments, patents, communication, and infrastructure, the contributors situate Canadian scientific and technological developments within larger national and transnational contexts. The first major collection of its kind in thirty years, Made Modern explores the place of science and technology in shaping Canadians’ experience of themselves and their place in the modern world.

The legacy of the Hamiltons’ psychic archive In the wake of the First World War and the 1918–19 pandemic, the world was left grappling with a profound sense of loss. It was against this backdrop that a Winnipeg couple, physician T.G. Hamilton and nurse Lillian Hamilton, began their research, documenting and photographing séances they held in their home laboratory. Their extensive study of the survival of human consciousness after death resulted in a stunning collection of hundreds of photographs, including images of tables flying through the air, mediums in trances, and, most curious of all, ectoplasm—a strange, white substance through which ghosts could apparently manifest. The Art of Ectoplasm invites readers to explore the Hamiltons’ research and photographic evidence which has attracted international attention from scholars and artists alike. Notable figures like Arthur Conan Doyle participated in the Hamilton family’s séances, and their investigations garnered support among the psychical scientific community, including renowned physicist Oliver Lodge, the inventor of wireless telegraphy. In the century since their creation, the Hamilton photographs (now housed at the University of Manitoba) have continued to perplex and inspire as the subject of academic study, comedic parody, and artistic and cinematic renderings. This fascinating collection reflects on the history and legacy of the startling and uncanny images found in the Hamilton Family archive. As contemporary society continues to feel the effects of the COVID-19 pandemic, The Art of Ectoplasm offers a compelling look at a chapter in social history not entirely unlike our own.

Health crises such as the SARS epidemic and H1N1 have rekindled interest in the 1918 influenza pandemic, which swept the globe after the First World War and killed approximately fifty million people. Epidemic Encounters examines the pandemic in Canada, where one-third of the population took ill and fifty-five thousand people died. What role did social inequalities play in determining who survived? How did the authorities, health care workers, and ordinary citizens respond? Contributors answer these questions as they pertained to both local and national contexts. In the process, they offer new insights into medical history’s usefulness in the struggle against epidemic disease.