Why do we find artificial people fascinating? Drawing from a rich fictional and cinematic tradition, Anatomy of a Robot explores the political and textual implications of our perennial projections of humanity onto figures such as robots, androids, cyborgs, and automata. In an engaging, sophisticated, and accessible presentation, Despina Kakoudaki argues that, in their narrative and cultural deployment, artificial people demarcate what it means to be human. They perform this function by offering us a non-human version of ourselves as a site of investigation. Artificial people teach us that being human, being a person or a self, is a constant process and often a matter of legal, philosophical, and political struggle. By analyzing a wide range of literary texts and films (including episodes from Twilight Zone, the fiction of Philip K. Dick, Kazuo Ishiguro’s novel Never Let Me Go, Metropolis, The Golem, Frankenstein, The Terminator, Iron Man, Blade Runner, and I, Robot), and going back to alchemy and to Aristotle’s Physics and De Anima, she tracks four foundational narrative elements in this centuries-old discourse— the fantasy of the artificial birth, the fantasy of the mechanical body, the tendency to represent artificial people as slaves, and the interpretation of artificiality as an existential trope. What unifies these investigations is the return of all four elements to the question of what constitutes the human. This focused approach to the topic of the artificial, constructed, or mechanical person allows us to reconsider the creation of artificial life. By focusing on their historical provenance and textual versatility, Kakoudaki elucidates artificial people’s main cultural function, which is the political and existential negotiation of what it means to be a person.

This work looks under the hood of all robotic projects, stimulating teachers, students, and hobbyists to learn more about the gamut of areas associated with control systems and robotics. It offers a unique presentation in providing both theory and philosophy in a technical yet entertaining way.

Damien Wood's path to adulthood in the last decade of the 20th century is marked with effortless success--creative, financial, sexual. Yet his half-Asian lineage with its inherent cultural clashes is coupled with the inability to be touched by feelings or the people around him. Damien's efforts to reach his inner self take him from place to place and one hollow relationship to another, but he remains stuck outside of his experiences, a robot convincingly playing the role of daredevil artist and globetrotter.Then, the century turns. As Damien's mother dies after a long and agonizing illness, and 9/11 inaugurates a reign of fear and terror, his emotions, from desire to despair, begin to emerge unbidden. These birth pangs of humanity send Damien on a mordantly comic, darkly suspenseful quest from the Americas through Southeast Asia in the company of an expatriate colony with too little to lose - including values - until violence comes to claim him as one of its own. No longer a robot, Damien has become a wanted man.A daring hybrid of adventure, verse, and travel fiction, framed by a chronicle of self-revelation in a pitch-perfect voice for the post-millennium, this book heralds the return of a novelist of impressive literary gifts.

What do humans and robots have in common? Find out in this intriguing illustrated nonfiction book that encourages kids to discover their inner robot. Bots and Bods is an illustrated guide for kids looking to explore anatomy and technology and how they're related. How do we both move or sense the world? How does robot intelligence compare to our own? Middle-grade readers will find these answers and more among the four sections:Body structuresMuscle and movementSenses and sensorsThinking and feelingAn accessible guide with exciting illustrations, fun facts, and special feature spreads about robots in the real world explains why “bots” can sometimes do a better job than “bods” and vice versa.

While Pixar Animation Studios was creating beloved feature-length films such as Monsters Inc., Ratatouille, and WALLE, it was simultaneously testing animation and storytelling techniques in dozens of memorable short films. Andre and Wally B proved that computer animation was possible; Tin Toy laid the groundwork for what would become Toy Story; and Mike's New Car exposed Pixar's finely tuned funny bone. In The Art of Pixar Short Films, animation expert and short film devotee Amid Amidi shines a spotlight on these and many more memorable vignettes from the Pixar archive. Essays and interviews illuminate more than 250 full-color pastels, pencil sketches, storyboards, and final rendered frames that were the foundation of Pixar's creative process.

THE REAL THING by Isaac Asimov Back in 1939, when I was still a teenager, I began to write (and publish) a series of stories about robots which, for the first time in science fiction, were pictured as having been deliberately engineered to do their job safely. They were not intended to be creaky Gothic menaces, nor outlets for mawkish sentiment. They were simply well-designed machines. Beginning in 1942, I crystallized this notion in what I called 'The Three Laws of Robotics' and, in 1950, nine of my robot stories were collected into a book, I, Robot. I did not at that time seriously believe that I would live to see robots in action and robotics becoming a booming industry .... Yet here we are, better yet, I am alive to see it. But then, why shouldn't they be with us? Robots fulfil an important role in industry. They do simple and repetitive jobs more steadily, more reliably, and more uncomplainingly than a human being could - or should. Does a robot displace a human being? Certainly, but he does so at a job that, simply because a robot can do it, is beneath the dignity of a human being; a job that is no more than mindless drudgery. Better and more human jobs can be found for human beings - and should.