"The two reports published here contain elements which contribute substantially to this broader spectrum of Southwestern cultural change. While primarily descriptive in nature, these two site reports, one from the western Kayenta area and one from the margin of the Mesa Verde area and the eastern Kayenta, suggest that the changes which occurred in the more centralized portions of these regions were directly related to what happened on the margins. That, while the site densities and population aggregates may not have been as high, the same factors affected these marginal areas. That conclusion could be expected, but what may not be expected is the differential response which appears to have occurred. After reading these two reports, it appears that it may be possible to discern elements of change in these fringe areas that, once defined, will provide new insight into what happened and why and in what are presently the better known areas of the Southwest. These two papers are important, in sum, not only because they are reports of work in poorly known areas, but because they do provide analyses of fringe areas, they help us to understand the Southwest generally"--From preliminary introduction.

Basketry Technology, first published in 1977, is the only comprehensive guide for archaeologists, anthropologists, art historians, and collectors for identifying and analyzing ancient baskets and basket fragments. Long out of print, this volume is again available with an extensive new introduction by the original author that summarizes the extensive work done in this area over the past 35 years. The volume describes proper field and lab techniques for recovery of specimens and offers a systematic methodology for identifying and interpreting twined, coiled, and plaited basket samples. It then uses Canyon de Chelly as an example of how to process a large basketry assemblage properly. In addition to 200 illustrations, the book includes a variety of sample forms to use in describing and analyzing ancient baskets.

"With the inborn wisdom that has guided them for so long through so many obstacles, Hopi men and women perpetuate their proven rituals, strongly encouraging those who attempt to neglect or disrespect their obligations to uphold them. One of these obligations is to respect the flora and fauna of our planet. The Hopi closeness to the Earth is represented in all the arts of all three mesas, whether in clay or natural fibers. What clay is to a potter's hands, natural fibers are to a basket weaver." —from the Introduction Rising dramatically from the desert floor, Arizona's windswept mesas have been home to the Hopis for hundreds of years. A people known for protecting their privacy, these Native Americans also have a long and less known tradition of weaving baskets and plaques. Generations of Hopi weavers have passed down knowledge of techniques and materials from the plant world around them, from mother to daughter, granddaughter, or niece. This book is filled with photographs and detailed descriptions of their beautiful baskets—the one art, above all others, that creates the strongest social bonds in Hopi life. In these pages, weavers open their lives to the outside world as a means of sharing an art form especially demanding of time and talent. The reader learns how plant materials are gathered in canyons and creek bottoms, close to home and far away. The long, painstaking process of preparation and dying is followed step by step. Then, using techniques of coiled, plaited, or wicker basketry, the weaving begins. Underlying the stories of baskets and their weavers is a rare glimpse of what is called "the Hopi Way," a life philosophy that has strengthened and sustained the Hopi people through centuries of change. Many other glimpses of the Hopi world are also shared by author and photographer Helga Teiwes, who was warmly invited into the homes of her collaborators. Their permission and the permission of the Cultural Preservation Office of the Hopi Tribe gave her access to people and information seldom available to outsiders. Teiwes was also granted access to some of the ceremonial observances where baskets are preeminent. Woven in brilliant reds, greens, and yellows as well as black and white, Hopi weavings, then, not only are an arresting art form but also are highly symbolic of what is most important in Hopi life. In the women's basket dance, for example, woven plaques commemorate and honor the Earth and the perpetuation of life. Other plaques play a role in the complicated web of Hopi social obligation and reciprocity. Living in a landscape of almost surreal form and color, Hopi weavers are carrying on one of the oldest arts traditions in the world. Their stories in Hopi Basket Weaving will appeal to collectors, artists and craftspeople, and anyone with an interest in Native American studies, especially Native American arts. For the traveler or general reader, the book is an invitation to enter a little-known world and to learn more about an art form steeped in meaning and stunning in its beauty.

Profusely illustrated authoritative classic gives history and geography of baskets, detailed advice on basket design, materials, techniques, care, and step-by-step instructions. 294 illustrations, including 12 in color on the covers.

A catalogue and companion to an exhibit at the Utah Museum of Natural History, displaying woven sandals of the people who lived in what is now Utah, Colorado, Arizona, and New Mexico for about the first 13 centuries of the current era. The examples demonstrate the various and intricate weaving techniques and the incredible diversity of styles, patterns, and decoration the weavers managed within the parameters of function. No index. Annotation copyright by Book News, Inc., Portland, OR

In recent years, Native American basketry has aroused the interest and admiration of individuals, from the scholar to the collector. It is a complex subject and offers an opportunity to study through time the various changes which transpired in its function, form and manufacture. Native American Basketry: A Living Legacy, by Frank W. Porter III, is the first major study of the subject since 1904, and presents a collection of essays written by those intimately familiar with the basket makers and basketry of North America. Illustrated with approximately 80 black-and-white photographs--many of which are historical records of basket makers and their baskets--Native American Basketry uses archaeological, ethnographic, historical and contemporary information in discussing the changes in native basketry from prehistoric times to the present. In spite of the wide range of habitats, as well as the social and cultural diversity of the basket-making tribes, it is surprising to discover the similar ways the basket makers adapted basketry after prolonged contact with nonIndian peoples. The book is especially well-suited not only for the scholar of American Indian art history, but cultural history as well.