Published to accompany an exhibition of the same name held at the National Portrait Gallery, London, October 16, 2014-January 11, 2015.

"In this meticulously-researched, in-depth examination of anarchism and modernism, Gurianova provides a new and compelling interpretation of the early Russian avant-garde. Her study has major implications for our understanding of some of the twentieth century’s most important modernists and is an important contribution to the history and theory of radical political thought."— Allan Antliff, author of Anarchist Modernism: Art, Politics, and the First American Avant-Garde. “Gurianova is the first scholar to study the early Russian avant-garde not as a precursor to the Constructivism of the 1920s, but as a distinctive movement in its own right. In this important book, she identifies an “aesthetics of anarchy” that characterized the movement’s politics and poetics—a concept with provocative implications for our understanding of the relationship between word and image. This is a work of original and compelling scholarship that will profoundly alter our understanding of the Russian avant-garde.”— Nancy Perloff, Getty Research Institute (Los Angeles), curator of the exhibit Tango with Cows: Book Art of the Russian Avant-Garde (1910-1917).

Take your After Effects projects to the next level by mastering its third-party plug-ins. Whether it's keying and compositing, adding particles of swirling smoke to a composition, or importing XML files from Final Cut Pro, third-party plug-ins can greatly enhance your After Effects capabilities. From sexy effects and graphics enhancements to workflow automation and file conversion, it's all covered in this lavishly illustrated, full-color book. Coverage of hundreds of essential third-party plug-ins is provided, showing you when, why, and how to use each plug-in. Plug-ins for color, style, effects, distortions, warps, transitions, lens flares, text and graphical elements, and more are all covered in depth.

The photographer and reformer Jacob Riis once wrote, “I have seen an armful of daisies keep the peace of a block better than a policeman and his club.” Riis was not alone in his belief that beauty could tame urban chaos, but are aesthetic experiences always a social good? Could aesthetics also inspire violent crime, working-class unrest, and racial murder? To answer these questions, Russ Castronovo turns to those who debated claims that art could democratize culture—civic reformers, anarchists, novelists, civil rights activists, and college professors—to reveal that beauty provides unexpected occasions for radical, even revolutionary, political thinking. Beautiful Democracy explores the intersection of beauty and violence by examining university lectures and course materials on aesthetics from a century ago along with riots, acts of domestic terrorism, magic lantern exhibitions, and other public spectacles. Philosophical aesthetics, realist novels, urban photography, and black periodicals, Castronovo argues, inspired and instigated all sorts of collective social endeavors, from the progressive nature of tenement reform to the horrors of lynching. Discussing Jane Addams, W.E.B. Du Bois, Charlie Chaplin, William Dean Howells, and Riis as aesthetic theorists in the company of Kant and Schiller, Beautiful Democracy ultimately suggests that the distance separating academic thinking and popular wisdom about social transformation is narrower than we generally suppose.

Thank You, Anarchy is an up-close, inside account of Occupy Wall Street’s first year in New York City, written by one of the first reporters to cover the phenomenon. Nathan Schneider chronicles the origins and explosive development of the Occupy movement through the eyes of the organizers who tried to give shape to an uprising always just beyond their control. Capturing the voices, encounters, and beliefs that powered the movement, Schneider brings to life the General Assembly meetings, the chaotic marches, the split-second decisions, and the moments of doubt as Occupy swelled from a hashtag online into a global phenomenon. A compelling study of the spirit that drove this watershed movement, Thank You, Anarchy vividly documents how the Occupy experience opened new social and political possibilities and registered a chilling indictment of the status quo. It was the movement’s most radical impulses, this account shows, that shook millions out of a failed tedium and into imagining, and fighting for, a better kind of future.

This book provides a historical account of anarchist geographies in the UK and the implications for current practice. It looks at the works of Frenchman Élisée Reclus (1830–1905) and Russian Pyotr Kropotkin (1842–1921) which were cultivated during their exile in Britain and Ireland. Anarchist geographies have recently gained considerable interest across scholarly disciplines. Many aspects of the international anarchist tradition remain little-known and English-speaking scholarship remains mostly impenetrable to authors. Inspired by approaches in historiography and mobilities, this book links print culture and Reclus and Kropotkin’s spheres in Britain and Ireland. The author draws on primary sources, biographical links and political circles to establish the early networks of anarchist geographies. Their social, cultural and geographical context played a decisive role in the formation and dissemination of anarchist ideas on geographies of social inequalities, anti-colonialism, anti-racism, feminism, civil liberties, animal rights and ‘humane’ or humanistic approaches to socialism. This book will be relevant to anarchist geographers and is recommended supplementary reading for individuals studying historical geography, history, geopolitics and anti-colonialism.