"Goyens brings to life the fascinating relationship between social space and politics by examining how the intersection of political ideals, entertainment, and social activism embodied anarchism not as an abstract idea, but as a chosen lifestyle for thousands of women and men. He shows how anarchist social gatherings combined German working class conviviality and a dedication to the principle that coercive authority was not only unnecessary, but actually damaging to full and free human development as well. Goyens also explores the broader circumstances in both the United States and Germany that served as catalysts for the emergence of anarchism in urban America and how anarchist activism was hampered by police surveillance, ethnic insularity, and a widening gulf between the anarchists' message and the majority of American workers."--BOOK JACKET.

Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. Pages: 57. Chapters: Anarchist organizations in Germany, German anarchists, Wilhelm Marr, Max Stirner, Silvio Gesell, Hanin Elias, B. Traven, Rudolf Rocker, Gustav Landauer, Daniel Cohn-Bendit, Erich Muhsam, Hans-Hermann Hoppe, Johann Most, Raphael Friedeberg, Carl Einstein, Milly Witkop, Adolph Fischer, Adolf Brand, Edgar Bauer, Louis Lingg, August Spies, Augustin Souchy, Free Workers' Union, John Henry Mackay, Graswurzelrevolution, Georg von Rauch, Alexander Granach, Hartmut Geerken, Max Nettlau, Michael Schwab, Fritz Koster, Horst Matthai Quelle, Julius Faucher, Direkte Aktion, August Reinsdorf, John Zube, Max Baginski, Julia Bonk, Katja Kipping, Free Workers' Union of Germany, Bruno Wille, Red inverted triangle, Andreas Kleinlein. Excerpt: B. Traven (February, 1882? - March 26, 1969?) was the pen name of a German novelist, whose real name, nationality, date and place of birth and details of biography are all subject to dispute. A rare certainty is that B. Traven lived much of his life in Mexico, where the majority of his fiction is also set-including his best-known work, The Treasure of the Sierra Madre (1927), which was adapted for the Academy Award-nominated film of the same name in 1948. Virtually every detail of Traven's life has been disputed and hotly debated. There were many hypotheses on the true identity of B. Traven, some of them wildly fantastic. Most agree that Traven was Ret Marut, a German stage actor and anarchist, who supposedly left Europe for Mexico around 1924. There are also reasons to believe that Marut/Traven's real name was Otto Feige and that he was born in Schwiebus in Brandenburg, modern day wiebodzin in Poland. B. Traven in Mexico is also connected with Berick Traven Torsvan and Hal Croves, both of whom appeared and acted in different periods of the writer's life. Both, however, denied being Traven...

Over the course of the German Empire the Social Democrats went from being a vilified and persecuted minority to becoming the largest party in the Reichstag, enjoying broad-based support. But this was not always the case. In the 1870s, government mouthpieces branded Social Democracy the "party of assassins and conspirators" and sought to excite popular fury against it. Over time, Social Democrats managed to refashion their public image in large part by contrasting themselves to anarchists, who came to represent a politics that went far beyond the boundaries of acceptable behavior. Social Democrats emphasized their overall commitment to peaceful change through parliamentary participation and a willingness to engage their political rivals. They condemned anarchist behavior—terrorism and other political violence specifically—and distanced themselves from the alleged anarchist personal characteristics of rashness, emotionalism, cowardice, and secrecy. Repeated public debate about the appropriate place of Socialism in German society, and its relationship to anarchist terrorism, helped Socialists and others, such as liberals, political Catholics, and national minorities, cement the principles of legal equality and a vigorous public sphere in German political culture. Using a diverse array of primary sources from newspapers and political pamphlets to Reichstag speeches to police reports on anarchist and socialist activity, this book sets the history of Social Democracy within the context of public political debate about democracy, the rule of law, and the appropriate use of state power. Gabriel also places the history of German anarchism in the larger contexts of German history and the history of European socialism, where its importance has often been understated because of the movement's small size and failure to create a long-term mass movement.

Erich Mühsam (1878–1934), poet, bohemian, revolutionary, is one of Germany’s most renowned and influential anarchists. Born into a middle-class Jewish family, he challenged the conventions of bourgeois society at the turn of the century, engaged in heated debates on the rights of women and homosexuals, and traveled Europe in search of radical communes and artist colonies. He was a primary instigator of the ill-fated Bavarian Council Republic in 1919 and held the libertarian banner high during a Weimar Republic that came under increasing threat by right-wing forces. In 1933, four weeks after Hitler’s ascension to power, Mühsam was arrested in his Berlin home. He spent the last sixteen months of his life in detention and died in the Oranienburg Concentration Camp in July 1934. Mühsam wrote poetry, plays, essays, articles, and diaries. His work unites a burning desire for individual liberation with anarcho-communist convictions, and bohemian strains with syndicalist tendencies. The body of his writings is immense, yet hardly any English translations have been available before now. This collection presents not only Liberating Society from the State: What Is Communist Anarchism?, Mühsam’s main political pamphlet and one of the key texts in the history of German anarchism, but also some of his best-known poems, unbending defenses of political prisoners, passionate calls for solidarity with the lumpenproletariat, recollections of the utopian community of Monte Verità, debates on the rights of homosexuals and women, excerpts from his journals, and essays contemplating German politics and anarchist theory as much as Jewish identity and the role of intellectuals in the class struggle. An appendix documents the fate of Zenzl Mühsam, who, after her husband’s death, escaped to the Soviet Union where she spent twenty years in Gulag camps.