A study of urban life in early modern Britian which combines sophisticated quantitative analysis with vivid empirical detail.

Women brewed and sold most of the ale consumed in medieval England, but after 1350, men slowly took over the trade. By 1600, most brewers in London were male, and men also dominated the trade in many towns and villages. This book asks how, when, and why brewing ceased to be women's work and instead became a job for men. Employing a wide variety of sources and methods, Bennett vividly describes how brewsters (that is, female brewers) gradually left the trade. She also offers a compelling account of the endurance of patriarchy during this time of dramatic change.

War in Ukraine, Volume 3: Armed formations of the Luhansk People’s Republic, 2014–2022 focuses on the armed formations of the Luhansk People’s Republic (LPR), one of the two separatist entities in the east of Ukraine. This volume aims to provide an overview of their formation in 2014, status up to the end of February 2022 (with some observations on their activities since the launch of Russia’s ‘Special Military Operation’), and combat equipment, while also exploring issues around identity and symbology. Since their formation in the fighting in eastern Ukraine during 2014, the armed formations of the Luhansk People’s Republic have been slowly consolidated into a more integrated fighting force. However, key units still maintain individual identities and centres of power. One area of focus of the title will be the technological improvisation of the Luhansk People’s Republic, which includes the creation of hybrid armoured vehicles of types not seen elsewhere. The extensive visual propaganda culture around the armed formations of the Luhansk People’s Republic is also explored. War in Ukraine, Volume 3: Armed formations of the Luhansk People’s Republic, 2014–2022 also presents a wealth of unique visual material including unit patches, photographs, diagrams and maps, and will be of interest to anyone studying the conflict in Ukraine.

Seeking to bridge the gap between various approaches to the study of emotions, this volume aims at a multidisciplinary examination of connections between emotions and history and the ways in which these connections have manifested themselves in historiography, cultural, and literary studies. The book offers a selected range of insights into the idea of emotions, affects, and emotionality as driving forces and agents of change in history. The fifteen essays it comprises probe into the emotional motives and dispositions behind both historical phenomena and the ways they were narrated.