In Analogical City, Cameron McEwan argues for architecture’s status as a critical project. McEwan revisits architect Aldo Rossi as a paradigmatic figure of the critical rational tradition, studying a neglected aspect of his thought — the analogical city — to excavate its potential. McEwan develops a grammar of the analogical city under the headings of Imagination, Transformation, City, Multitude, and Project. McEwan argues that the analogical city is critical, collective, and emancipatory. Analogical thought and understanding cities as analogical might open the conditions of possibility for rethinking the critical project in architecture. At a time when the humanities and the sciences are threatened by irrational thought, from climate denial to post-truth narratives, and when architecture has seemingly disavowed its critical capacity and political possibility through its commodification as an instrument of the neoliberal city, McEwan offers critical strategies, conceptual tools, figures of thought, and knowledge practices to articulate modes of thinking and acting differently within architectural criticism and practice. Today, knowledge is a common terrain of struggle and thought requires constant reinvention. The task of architecture, and critique more broadly, must be to interpret the world in order to change it. Consequently Analogical City proposes modes for imagining the city, the subject, and the world otherwise — towards a more egalitarian and critical architecture of the city. Ultimately, the analogical city is not a fully developed theory, nor is it only an intuitive, poetic, or purely formal practice, as some critics propose. McEwan argues that the analogical city is poetic and political: it always refers beyond itself towards a collective and critical project of the city, and yet it invites a series of formal, spatial, and graphic operations comprising erasure and negativity followed by substitution and remontage.

Describes the visual and mental models by which urban environment has been recognized, depicted and planned. This analysis draws from geography, critical theory, architecture, literature and painting to identify these maps of the city - as a work of art, as panorama and as spectacle.

This book provides an in-depth exploration of the rich and persistent use of analogical thinking in the built environment. Since the turn of the 21st century, “design thinking” has permeated many fields outside of the design disciplines. It is expected to succeed whenever disciplinary boundaries need to be transcended in order to think “outside the box.” This book argues that these qualities have long been supported by “analogical thinking”-an agile way of reasoning in which think the unknown through the familiar. The book is organized into four case studies: the first reviews analogical models that have been at the heart of design thinking representations from the 1960s to the present day; the second investigates the staying power of biological analogies; the third explores the paradoxical imaginary of "analogous cities" as a means of integrating contemporary architecture with heritage contexts; while the fourth unpacks the critical and theoretical potential of linguistic metaphors and visual comparisons in architectural discourse. Comparing views on the role of analogies and metaphors by prominent voices in architecture and related disciplines from the 17th century to the present, the book shows how the “analogical world of the project” is revealed as a wide-open field of creative and cognitive interactions. These visual and textual operations are explained through 36 analogical plates which can be read as an inter-text demonstrating how analogy has the power to reconcile design and theories.

The perception of smart cities encompasses a strategy that uses different types of technologies, artificial intelligence (AI), and machine learning and in which, through the internet of things (IoT) and sensor-based data collection, the strategy extrapolates information using insights gained from that data to manage or monitor or track assets, resources, and services efficiently in an urban area. Both these models deeply affect the localities where they are applied and can create together immense possibilities for urban recovery, better quality of life, physical and mental health protection, and economic and social redevelopment. Smart Cities and Machine Learning in Urban Health promotes interdisciplinary work that develops and illustrates the concept of resilience in relation to smart city and machine learning. The book examines the ability of an area and its communities to recover quickly from difficulties; the rigidness and resistance of an area and its communities to possible crisis; the ability of an area, its communities, infrastructure, and business to spring back into shape; and the responsiveness and mitigation towards the crisis with a special look at the impact of the COVID-19 pandemic. The research’s theoretical foundation rests on a wide range of non-architectural sources, primarily AI, sociology, urban studies, and technological development, but it explores everything on cases taken from real cities, thus transforming them into pieces of architectural interest. Covering topics such as carbon emissions, digital healthcare systems, and urban transformation, this book is an essential resource for graduate and post-graduate students, policymakers, researchers, university faculty, engineers, public management, hospital administration, professors, and academicians.

This new publication of The Analogous City, an artwork produced by Aldo Rossi, Eraldo Consolascio, Bruno Reichlin and Fabio Reinhart for the Venice Biennale of Architecture in 1976, is part of a museographic installation for the exhibition Aldo Rossi - The Window of the Poet at the Bonnefanten Museum in Maastricht. To gauge and explore this seminal work, Archizoom relied on Dario Rodighiero, candidate on the Doctoral Programme for Architecture and Sciences of the Cities, and designer at the Digital Humanities Lab (DHLAB) at EPFL. Conceived as a genuine urban project, The Analogous City displays an aggregation of architectures drawn from collective and personal memories. What happens if we isolate the forms that Aldo Rossi and his friends so consciously placed in relation to each other? Rodighiero simply decomposed it into the original references and then returned the pieces to the artwork, thus allowing us to simultaneously see the work and its visual vocabulary. An application based on augmented reality has been created to work in tandem with this publication by displaying the complete references belonging to the collage on different layers suspended over the artwork. By downloading the free application and installing it on your tablet or mobile phone, you can recreate the interaction of the museum installation whenever and wherever you are.

There are a number of recent texts that draw on psychoanalytic theory as an interpretative approach for understanding architecture, or that use the formal and social logics of architecture for understanding the psyche. But there remains work to be done in bringing what largely amounts to a series of independent voices, into a discourse that is greater than the sum of its parts, in the way that, say, the architect Peter Eisenman was able to do with the architecture of deconstruction or that the historian Manfredo Tafuri was able to do with the Marxist critique of architecture. The discourse of the present volume focuses specifically for the first time on the subject of the unconscious in relation to the design, perception, and understanding of architecture. It brings together an international group of contributors, who provide informed and varied points of view on the role of the unconscious in architectural design and theory and, in doing so, expand architectural theory to unexplored areas, enriching architecture in relation to the humanities. The book explores how architecture engages dreams, desires, imagination, memory, and emotions, how architecture can appeal to a broader scope of human experience and identity. Beginning by examining the historical development of the engagement of the unconscious in architectural discourse, and the current and historical, theoretical and practical, intersections of architecture and psychoanalysis, the volume also analyses the city and the urban condition.

Each day, the world’s urban population swells by almost 200,000. With every passing week, more than a million people new to cities face unexpected realities and challenges of urban life. Just like the sheer volume of people in the city, these challenges can be staggering. As with the height and breadth of our metropolises, the wonders of urban life can be breathtaking. Like the city itself, the questions and challenges of urban life are both sprawling and pulsing with vitality. As part of Zondervan's Ordinary Theology series, this volume offers a series of Christian reflections on some of the most basic and universal challenges of 21st century urban life. It takes one important dimension of what it means to be human—that human beings are made to be for God, for others, and for creation—and asks, “What are the implications of who God made us to be for how we ought to live in our cities?” This book is intended for Christians facing the riddle of urban creation care, discerning the shape of community life, struggling with the challenges of wealth and poverty, and wondering at the global influence of cities. It is meant for those whose lives and livelihoods are inextricably bound up in the flourishing of their neighborhood and also for those who live in the shadow of cities. Most of all, it is meant for those grappling with the relationship between the cities of tomorrow and the glorious city to come.