The Indo-Iranian Anahita is an ancient Persian Goddess, who became a Zoroastrian Yazata (or Angel) and is still part of contemporary Zoroastrianism. Described as a beautiful maiden, who is strong, tall and pure, she is depicted as wearing a mantle embroidered with gold and as holding the baresma (sacred plant) in her hand. She is the Goddess of all the waters upon the earth, her full title being Aredvi Sura Anahita which means moist, mighty and immaculate (pure), and she travels on her chariot pulled by four horses: Wind, Rain, Cloud and Sleet. Closely associated with the King's investiture she is a Goddess of Sovereignty, thought by some to be the Persian Aphrodite, who also has some remarkable similarities to numerous other ancient goddesses, including Ishtar, Venus, Nana and Isis. Anahita: Ancient Persian Goddess and Zoroastrian Yazata is a collection of papers, art and poetry celebrating this fascinating Goddess from more than 25 esteemed international academics, Zoroastrians, artists and writers. Each in turn share their research and insights leading the reader on a journey of discovery - from the Achaemenid Royal Inscriptions featuring Anahita and Mithra, to the possible relationships between Anahita and the Dame du Lac of Arthurian Legend, representations of her in Sassanian art, William Morris Hunt through to Anahita as the pre-Christian Virgin Mother of Mithra, as well as her role in purification and purity. Studies of the Sassanian rock reliefs, hot mineral springs, and her water ritual in Mah y na Buddhism, in addition to an examination of the Sassanid stucco discovered in the Barz-e-qawela in Lorestan province of Iran and women in ancient Elam are all brought together illustrating the significance of Anahita throughout Persian and Middle Eastern history. This book is the most extensive study of the figure of Anahita in recent years, and includes new and never published before research. Anahita: Ancient Persian Goddess and Zoroastrian Yazata is essential reading for all those interested not just in this Goddess and her history, but also all those interested in Persian and Middle Eastern history. Contributors include: Dr. Israel Campos Mendez, Dr. Kaveh Farrokh, Dr. Matteo Compareti, Sheda Vasseghi, D.M. Murdock, Dr. Sam Kerr, Rahele Koulabadi, Dr. Seyyed Rasool Mousavi Haji, Morteza Ataie, Seyed Mehdi Mousavi Kouhpar, Seyyed Sadrudin Mosavi Jashni, Farhang Khademi Nadooshan, Hassan Nia, Masoud Sabzali, Dr. Masato Tojo, Behzad Mahmoudi, Amir Mansouri, Dr Kamyar Abdi, Dr Gholamreza Karamian, Maryam Zour, Saman Farzin, Babak Aryanpour, Reza MehrAfarin, Akashanath, Shapour Suren-Pahlav, Ana C. Jones, Katherine Sutherland, and Dr. Payam Nabarz.

After a simple farmer finds a dead little girl who’s been mystically resurrected in front of his eyes, he can have no way of knowing that she has unique powers... something the lost little girl doesn’t know either. Years later, that little girl, Anahita, now in command of magical new abilities, arrives in the city of Onega in search of her real family. But Onega is right in the midst of a violent revolution, and Anahita immediately finds her fortunes tied up with Sanarya and Leroy, two young people who have been propelled underwater in a terrible accident. As the three new friends team-up to try to learn who Anahita really is, they embark on a perilous quest that uncovers layers of treachery, conspiracy, mystery, and magic that threaten to overturn everything they ever believed as true. In wildly imaginative fashion, with heart-stopping stakes and pace, the young-adult fantasy Anahita, the first published book in The Nereatta Saga series, thrillingly explores the idea of home and the search for its meaning.

Anahita was the most important goddess of pre-Islamic Iran. From her roots as an ancient Indo-European water deity her status was unrivalled by any other Iranian goddess throughout the course of three successive Iranian empires over a period of a thousand years. The first scholarly book on Anahita, this study reconstructs the Indo-European water goddess through a comparison of Celtic, Slavic, Armenian and Indo-Iranian myths and rituals. Anahita's constantly-evolving description and functions are then traced through the written and iconographic records of Iranian societies from the Achaemenid period onwards, including but not limited to the Zoroastrian texts and the inscriptions and artistic representations of the great pre-Islamic Iranian empires. The study concludes by tracing survival of the goddess in Islamic Iran, as seen in new Persian literature and popular rituals. Manya Saadi-nejad demonstrates the close relationship between Iranian mythology and that of other Indo-European peoples, and the significant cultural continuities from Iran's pre-Islamic period into the Islamic present.

Forbes Asia's '30 under 30' and former chef-partner at SodaBottleOpenerWala, Anahita Dhondy has spent the last decade taking her culinary heritage to ambitious new heights. The Parsi Kitchen is a warm and whimsical memoir about how she embraced the cuisine that she grew up with. From her grandmother's Ravo to a Bombay duck inspired by her travels through Gujarat, the quirky tales behind her beloved dishes make for a delicious read. A treasure trove of recipes and memories, The Parsi Kitchen is a book to be savoured.

Set in the exotic, seductive world of pre-revolutionary Iran, In the Walled Garden tells the nostalgic and moving story of Mahastee and Reza, who loved each other as children but have not seen each other for 20 years. Mahastee, who has become trapped by the privileged society she has grown up in, is struggling to keep her identity in the face of the increasingly empty role she inhabits. Reza has grown up to become a Marxist revolutionary, leading underground meetings and living on the edge. When chance brings the two together again, their encounters are a portrait not only of an ill-fated love, but of two worlds at odds, moving ever closer to a doomed collision.

"When Anahita, a nomadic weaver in Iran at the turn of the 20th century, learns that her father wants her to wed the leader of thier tribe, Anahita rebels. Determined to design her own fate, she devises a contest in which suitors must guess the meaning of a riddle woven into her wedding carpet. Her idea draws the attention of an extraordinary group of men and brings unexpected consequences for those around herr. Who willmatch Anahita in this game of wits? Or more important, who will win her heart? This enchanting tale set in an ancient land or the crest of change is enriched with details of Persian culture and Sufi poetry." -- page [4] of cover.

A child grows and discovers the world. As he lies awake at night, he sees there's enough room in the sky for all the stars and the moon. When he visits the ocean, he sees there is enough room for all the fish, even for the whales. As he grows up, he doesn't understand why people fight for space. Surely, if we are kinder to one another, there will always be room for everyone? This is a beautiful and profound picture book -- a testament of our time and a touching allegory for war and the refugee crisis.