We would love to tell you about the history of tattoos, but the desire to crack jokes is too strong!

Explore the dark subculture of 1950s tattoos!In the early 1950s, when tattoos were the indelible mark of a lowlife, an erudite professor of English--a friend of Gertrude Stein, Thomas Mann, Andre Gide, and Thornton Wilder--abandoned his job to become a tattoo artist (and incidentally a researcher for Alfred Kinsey). Bad Boys and Tough Tattoos tells the story of his years working in a squalid arcade on Chicago’s tough State Street. During that time he left his mark on a hundred thousand people, from youthful sailors who flaunted their tattoos as a rite of manhood to executives who had to hide their passion for well-ornamented flesh. Bad Boys and Tough Tattoos is anything but politically correct. The gritty, film-noir details of Skid Row life are rendered with unflinching honesty and furtive tenderness. His lascivious relish for the young sailors swaggering or staggering in for a new tattoo does not blind him to the sordidness of the world they inhabited. From studly nineteen-year-olds who traded blow jobs for tattoos to hard-bitten dykes who scared the sailors out of the shop, the clientele was seedy at best: sailors, con men, drunks, hustlers, and Hells Angels. These days, when tattoo art is sported by millionaires and the middle class as well as by gang members and punk rockers, the sheer squalor of Bad Boys and Tough Tattoos is a revelation. However much tattoo culture has changed, the advice and information is still sound: how to select a good tattoo artist what to expect during a tattooing session how to ensure the artist uses sterile needles and other safety precautions how to care for a new tattoo why people get tattoos--25 sexual motivations for body artMore than a history of the art or a roster of famous--and infamous--tattoo customers and artists, Bad Boys and Tough Tattoos is a raunchy, provocative look at a forgotten subculture.

This book presents a collection of academic essays that take a fresh look at content and body transformation in the new media, highlighting how old hierarchies and canons of analysis must be revised. The movement of narratives and characterisations across forms, conventionally understood as adaptation, has commonly involved high-status classical forms (drama, epic, novel) being transformed into recorded and broadcast media (film, radio and television), or from the older recorded media to the newer ones. The advent of convergent digital platforms has further transformed hierarchies, and the formation of global conglomerates has created the commercial conditions for ever more lucrative exchanges between different media. Now source texts can move in any direction and take up any configuration, as emerging interacting fan bases drive innovation and new creative and commercial possibilities are deployed. Moreover, transformation may be not just a technology-driven creative practice and response, but at the very centre of the thematic worlds developed in those forms of story-telling which are currently popular: television series, video games, films and novels. The magic transformation of “your” money into “their” money is paralleled in contemporary media and culture by the centrality of transformation of one product to another as a media industry practice, as well as the transformation of bodies as a major theme both in the ensuing media products and in people’s identity practices in daily life.

Breaking the tenets of Special Forces means one thing. Death. Thorrn has his life mapped out – be the best swordsman in the king’s army and become Captain one day. What doesn’t fit in with his plans is some short, unimpressive waif claiming to be his soul companion, the platonic other half of his spirit. But when the king demands that he hand Evyn over, Thorrn is confronted with a choice: protect Evyn and keep her secret from the magical community who would drain her for the power resonating inside her, or turn her over to save his career, family name, and reputation. When a powerful mage moves against the kingdom, Thorrn and Evyn will have to summon all their courage and find allies from unexpected corners – including different worlds and times. For alongside the realms of Oberrot and Earth are the multiverses, and one of them should surely be able to help… A swordsman, an apothecarist, a shy librarian (“I’m beginning to think being underestimated is kind of my superpower”), and a powerful mage. Only they can save the kingdom. A page-turning new adventure awaits, from a fresh voice in fantasy. Contains twinned souls with a twist, enemies to inseparable friends, coming of age, learning to accept yourself and others, some epic swordfights, and a smattering of romance. “The plot is gripping, but it's a solid combination between a solid plot and a downright fabulous character development, as well as an absolutely beautiful narrative, that turns this debut into an addictive, practically unputdownable read.” - The Magic Book Corner “An action-packed adventure...The storyline is ambitious in its scope and really is one for fans of fantasy and science fiction, with multiple tropes all utilised to great effect as Thorrn and Evyn’s path unfolds.” - LoveBooks.co.uk “I found myself laughing and, at times, having tears in my eyes.” - Reedsy Discovery Reviewer “James has created a unique, new twist on soulmates that was refreshing and genius! James’ world building is exceptional as it sucks you right in and is executed perfectly.” - J.A. Culican, USA Today Bestselling Author

This mysterious illustrated tie-in to Netflix's award-winning A Series of Unfortunate Events -- featuring an introduction by Count Olaf's legal representative, Neil Patrick Harris -- shares insider secrets about the Baudelaire family and the making of the show. In every library there is a single book that can answer the question that burns like a fire in the mind... In this collector's companion you will discover never-before-seen photographs, never-before-told stories, and never-before, revealed secrets spanning all three seasons of the hilariously twisted, critically acclaimed hit series. You will encounter original concept art, annotated script excerpts, and interviews with the creative team and all-star cast, as well as glossaries, recipes, lyric sheets, hidden Easter eggs, shocking backstories, and suspicious pages from the titular tome, unredacted, and revealed here for the first time. Featuring interviews with: Tony Hale Daniel Handler Aasif Mandvi Sara Rue Barry Sonnenfeld Patrick Warburton Bo Welch Alfre Woodard and more... Perhaps you are wondering how a noble person such as yourself might become a member of a secret organization. Like so many things in life, it starts by picking up the right book. So go ahead, read at your own risk.

Individuals seek ways to repress the sense of violence within themselves and often resort to medial channels. The hunger of the individual for violence is a trigger for the generation of violent content by media, owners of political power, owners of religious power, etc. However, this content is produced considering the individual’s sensitivities. Thus, violence is aestheticized. Aesthetics of violence appear in different fields and in different forms. In order to analyze it, an interdisciplinary perspective is required. The Handbook of Research on Aestheticization of Violence, Horror, and Power brings together two different concepts that seem incompatible—aesthetics and violence—and focuses on the basic motives of aestheticizing and presenting violence in different fields and genres, as well as the role of audience reception. Seeking to reveal this togetherness with different methods, research, analyses, and findings in different fields that include media, urban design, art, and mythology, the book covers the aestheticization of fear, power, and violence in such mediums as public relations, digital games, and performance art. This comprehensive reference is an ideal source for researchers, academicians, and students working in the fields of media, culture, art, politics, architecture, aesthetics, history, cultural anthropology, and more.

"Jean Tekura Mason's poetry reflects her life as a person living in two worlds - Polynesian and European. Some of her poems are reflective. Others are glib (and deliberately so). There is humour and there is passion - of love and hate, pagan faiths and Christian beliefs, ancestors and dancers, customs and politics, migrants and immigrants, and Pacific flora and fauna - all have stimulated Ms Mason to put pen to paper. At times incisive and descriptive, and at others deeply moging, this book is a collection of poems which is both retrospective perceptive"--Back cover