In this book, Senator Bernie Sanders explains where he comes from. He describes in detail how, after cutting his teeth in the Civil Rights movement, Sanders helped build an extraordinary grassroots political movement in Vermont, making it possible for him to become the first independent elected to the U.S. House of Representatives in forty years and now the longest-serving independent in U.S. political history. An extensive afterword by The Nation's National Affairs correspondent John Nichols continues the story with Sanders's entrance into the Senate, the drama of the 2016 Democratic Primary, his ongoing resistance to Trump, and the thrilling launch of his 2020 bid for the White House. A new foreword by Nina Turner, former president of Our Revolution and co-chair of the Sanders for President campaign, provides a rare glimpse of Bernie as a person. Outsider in the White House tells the story of a passionate and principled political life.

The inside scoop on Washington from the only Independent in Congress.

From NBC's award-winning Chief White House Correspondent-a strikingly provocative, behind-the-scenes account of President Obama's White House tenure. Barack Obama won the presidency in 2008 partly because he was a Washington outsider. But when he got to 1600 Pennsylvania Avenue, that distinction turned out to be double-bladed. While he'd been a brilliant campaign politician, working inside the system-as president-turned out to be more of a challenge than Obama had ever imagined. In THE STRANGER, Chuck Todd draws upon his unprecedented inner-circle sources to create a gripping, fly-on-the-wall narrative. The result is the definitive account of Barack Obama's audacious dive into the White House deep end.

Welcome to the White House. At the heart of Washington, there is a circus. It's raucous, noisy and full of clowns. Reporting on it is a daily cacophony. Four major stories can blow up and blow out before breakfast, and political weather systems are moving at warp speed. The one thing absent from the weather forecast is the tranquil eye of the storm. That we never see. In A Year at the Circus: Inside Trump's White House, BBC North America Editor, Jon Sopel, takes you inside Trump’s West Wing and explores the impact this presidency has had on the most iconic of American institutions. Each chapter starts inside a famous Washington room, uncovering its history and its new resonance in the Trump era. You are invited to step inside the Oval Office where Trump called for loyalty from FBI Director James Comey, and experience life as a reporter in the Briefing Room, where the tense relationship between the media and the President is played out. Guiding you through these rooms, Jon reveals the inner workings of the Trump White House and details the key moments and conversations that have unfolded within its walls. From Kim Jong-un and Kavanaugh to Merkel and the Mueller Inquiry - this is your insider guide to the Washington Circus. Roll up, roll up ...

NEW YORK TIMES BESTSELLER • What if you lived out the drama of your twenties on Air Force One? “[This] breezy page turner is essentially Bridget Jones goes to the White House.”—The New York Times RECOMMENDED READING theSkimm • Today • Entertainment Weekly • Refinery29 • Bustle • PopSugar • Vanity Fair • The New York Times Editors’ Choice • Paste In 2012, Beck Dorey-Stein is working five part-time jobs and just scraping by when a posting on Craigslist lands her, improbably, in the Oval Office as one of Barack Obama’s stenographers. The ultimate D.C. outsider, she joins the elite team who accompany the president wherever he goes, recorder and mic in hand. On whirlwind trips across time zones, Beck forges friendships with a dynamic group of fellow travelers—young men and women who, like her, leave their real lives behind to hop aboard Air Force One in service of the president. As she learns to navigate White House protocols and more than once runs afoul of the hierarchy, Beck becomes romantically entangled with a consummate D.C. insider, and suddenly the political becomes all too personal. Against a backdrop of glamour, drama, and intrigue, this is the story of a young woman learning what truly matters, and, in the process, discovering her voice. Praise for From the Corner of the Oval “Who knew the West Wing could be so sexy? Beck Dorey-Stein’s unparalleled access is obvious on every page, along with her knife-sharp humor. I tore through the entire book on a four-hour flight and loved reading all about the brilliant yet hard-partying people who once surrounded the leader of the free world. Lots of books claim to give real insider glimpses, but this one actually delivers.”—Lauren Weisberger, author of The Devil Wears Prada “Dorey-Stein . . . writes with wit and self-deprecating humor.”—The Wall Street Journal “Addictively readable . . . Dorey-Stein’s spunk and her sparkling, crackling prose had me cheering for her through each adventure. . . . She never loses her starry-eyed optimism, her pinch-me wonderment, her Working Girl pluck.”—Paul Begala, The New York Times Book Review (Editors’ Choice)

White Cottage, White House examines how Classical Hollywood cinema developed and deployed Irish American masculinities to negotiate, consolidate, and reinforce hegemonic whiteness in midcentury America. Largely confined to discriminatory stereotypes during the silent era, Irish American male characters emerge as a favored identity with the introduction of sound, positioned in a variety of roles as mediators between the marginal and mainstream. The book argues that such characters function to express hegemonic whiteness as ethnicity, a socio-racial framing that kept immigrant origins and normative American values in productive tension. It traces key Irish American male types—the gangster, the priest, the cop, the sports hero, and the returning immigrant—who navigated these tensions in maintenance of an ethnic whiteness that was nonetheless "at home" in America, transforming from James Cagney's "public enemy" to John Wayne's "quiet man" in the process. Whether as figures of Depression-era social disruption, avatars of presidential patriarchy and national manhood, or allegories of postwar white flight and the nuclear family, Irish American masculinities occupied a distinctive and unrivaled visibility and role in popular American film.

This book presents the White House collection of paintings, drawings, and sculptures. Works by Jacob Lawrence, George Bellows, Gilbert Stuart, Norman Rockwell, and Georgia O'Keeffe are among the nearly 50 recent acquisitions are included in this edition. The art selections are accompanied by an art historical essay.